6,907 stories from Washington Post
The other visitors can have their museums and their memorials. What Conor McPherson finds captivating in Washington is a steep stone conveyance.
To impress a young fellow named Sondheim, Angela Lansbury chose an old standard by Gershwin.
Beyond some joshin' and catchin' up, the four good ol' country and rock-and-roll legends who converge on a singular day in 1956 don't have much of import to say to one another. So it's fortunate that in Broadway's Million Dollar Quartet, they mostly let the music do the talkin'.
"The Addams Family" -- this year's answer to the question, How many talented people does it take to screw up a concept? -- marks a significant depressing of an ever-more-degraded standard.
She's every catty, thin-skinned, self-pitying inch the diva -- a word all too overapplied -- in "Master Class," Terrence McNally's engrossing study of the post-incandescent mind-set of the o…
The taut revival of this 1987 play is the second of three works that the Kennedy Center is presenting under the banner "Terrence McNally's Nights at the Opera," a trio thematically bound by …
That pleasing noise you hear emanating from the stage of Woolly Mammoth Theatre is the sound of eight actors clicking. In the smashing ensemble work of "Clybourne Park," Woolly offers up one…
The earnest new production by Ford's is oddly reserved.
At this stage of the playmaking process (this production was unveiled in January at the Philadelphia Theatre Company), "Golden Age" lacks some of the infectious qualities that distinguish so…
Michael Hayden's two kings on a single stage make 'triumphant' truly count for something
