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35,672 stories from The Guardian

King Lear review " Yaël Farber's modern-dress take is shockingly vicious and supremely moving by Arifa Akbar

Almeida Theatre, LondonThe set is a marvel, the performances are electric and the ending " with Lear raging and trembling in a hospital gown on the heath " is profoundly tragic Yaël Farbe…

SOURCE: The Guardian at 10:54am on February 16, 2024

Samuel Takes a Break review " a stomach-churning tourist trip around an old slave castle by Anya Ryan

Yard theatre, LondonA Ghanaian tour guide struggles to maintain his composure in the face of historical ignorance and requests for selfies, in Rhianna Ilube's poignant critique of colonialis…

SOURCE: The Guardian at 7:36am on February 16, 2024

Nelken review " new generation restores the bloom of Pina Bausch's classic by David Jays

Sadler's Wells, LondonOn a stage covered in thousands of silk carnations, a beguiling cast of 20 explore fear, fun, control, bunny-hopping and onions, ending ultimately in hope Nelken was a …

SOURCE: The Guardian at 5:32am on February 16, 2024

The Picture of Dorian Gray review " Sarah Snook plays 26 characters in dazzling, dangerous solo show by Arifa Akbar

Theatre Royal Haymarket, LondonAided by elaborate tech, multiple screens and an angelic wig, the Succession star gives a performance that is mischievous, swaggering and operatic Does Sarah S…

SOURCE: The Guardian at 6:42pm on February 15, 2024

The Gap review " Denise Welch and Matthew Kelly swing low in 60s Soho by Mark Fisher

Hope Mill theatre, ManchesterJim Cartwright's riches-to-rags comedy reunites an abrasive northern couple who turned to sex work for survival in a hedonistic London adventure The lust for lif…

SOURCE: The Guardian at 9:54am on February 15, 2024

Dear Octopus review " Lindsay Duncan leads a warm drama about a bickering family by Kate Wyver

Lyttelton theatre, LondonDodie Smith's play presents a beautifully drawn, four-generation celebration of a golden wedding anniversary on the eve of the second world war Sneaking downstairs w…

SOURCE: The Guardian at 7:42am on February 15, 2024

David Harewood: teach young actors resilience to face industry's brutal side by Lanre Bakare

Exclusive: Incoming Rada president says he wants to pass down what he learned from mental health struggles as a graduate David Harewood has called for acting graduates to be taught "resilien…

SOURCE: The Guardian at 4:32am on February 15, 2024

'She's the mother of African dance': the Senegal sensation who shook the world by Alice Kemp-habib

She was the only black student in her Paris school, constantly criticised for her 'big butt and flat feet'. But she went on to win awards worldwide, including the Venice Golden Lion. As Germ…

SOURCE: The Guardian at 1:18pm on February 14, 2024

'It's almost like karaoke': classic UK TV sitcoms transfer to stage " and thrill the superfans by Rachel Aroesti

Fawlty Towers, The Fast Show, Only Fools and Horses … the vogue for screen-to-stage shows taps into our need for nostalgia If you were craving a hit of comedy nostalgia, where would you go…

SOURCE: The Guardian at 10:02am on February 14, 2024

Venice Biennale: regional Australian theatre company wins prestigious Golden Lion by Kelly Burke

Geelong's Back to Back receives lifetime achievement award for work that 'blows away' prejudice and 'makes disability a tool of artistic inquiry' Get our weekend culture and lifestyle email …

SOURCE: The Guardian at 10:02am on February 14, 2024

A Midsummer Night's Dream review " characters mash, worlds invert and flames burst from fingers by Mark Lawson

Royal Shakespeare theatre, Stratford-upon-AvonEleanor Rhode's ravishing fusion of flamboyancy, surrealism and raucous fun rouses audiences in a youthful, energetic riot Directors of Shakespe…

SOURCE: The Guardian at 8:54am on February 14, 2024

A Leap in the Dark review " drama paying homage to the dawn of radio falls flat by Mark Fisher

New Vic, Newcastle-under-LymeRon Hutchinson's comedy marks 100 years since the first radio play but succumbs to cliches and jarring humour Playwright Ron Hutchinson sets his tribute to the b…

SOURCE: The Guardian at 7:42am on February 14, 2024

Animal Farm review " Orwell's unsettling allegory still resonates in the age of Trump, Johnson and Sunak by Mark Fisher

Octagon, BoltonIqbal Khan's production lays bare the uncomfortable parallels between a mid-20th century Soviet Union and today's marauding politicians How George Orwell would despair at toda…

SOURCE: The Guardian at 7:42am on February 14, 2024

Tim Key: 'I like writing in the pub, but then the poems tend to be about the pub' by Interview By Liam Pape

The comedian on his strangest fan encounter, preshow rituals and his new film with Tom Basden and Carey Mulligan How did you get into comedy?I joined a sketch group, went to the Edinburgh fr…

SOURCE: The Guardian at 3:32am on February 14, 2024

Just For One Day review " Live Aid musical has soaring voices and pancake-flat characters by Arifa Akbar

Old Vic, LondonJukebox show celebrating sweary Bob Geldof's 1985 mega-fundraiser piles homily on cliche in a production in thrall to white saviour stereotypes The breathless tagline invites …

SOURCE: The Guardian at 7:48pm on February 13, 2024

When You Pass Over My Tomb review " can you really have a playful comedy about necrophilia? by Ryan Gilbey

Arcola theatre, LondonThis nimble play sets up a shocking scenario yet somehow it slaloms along " thanks to some Pirandellian trickery and three cheerful ghosts On a raised disc bristling wi…

SOURCE: The Guardian at 1:12pm on February 13, 2024

Leicester comedy festival " post-natal distress, a Trumpian dictator and Robo Bingo by Brian Logan

Various venuesSets from Lily Phillips, President Obonjo and Foxdog Studios may not rival the Edinburgh fringe, but give a bracing sense of the diversity of the comedy scene We need a new ki…

SOURCE: The Guardian at 9:02am on February 13, 2024

Ian McKellen's new Hamlet shows the screen can outdo the stage - Michael Billington by Michael Billington

Sean Mathias has reimagined his 2021 production of the tragedy as a movie, inventively using Windsor's Theatre Royal and capturing McKellen's subtle performance How best to film a stage prod…

SOURCE: The Guardian at 1:12am on February 12, 2024

Jessica Fostekew review " accelerated age triggers volcanic rage by Brian Logan

Soho theatre, London New show Mettle finds the comic annoyed about flirting, litter, the climate crisis and more, following a milestone birthday There are few more familiar standup comedy at…

SOURCE: The Guardian at 1:12am on February 12, 2024

Budget crisis imperils Royal Court's support for new writers by Vanessa Thorpe, Arts and Media Correspondent

The literary department at the London theatre is renowned for taking risks with untried playwrights, but is now under threat The Royal Court is known for putting the names of emerging playwr…

SOURCE: The Guardian at 5:32pm on February 11, 2024

Scrap trigger warnings for theatre audiences, says Ralph Fiennes by Neha Gohil

Audiences should be 'shocked and disturbed' by the impact of theatre, says Schindler's List and Harry Potter actor Trigger warnings for theatre audiences should be scrapped because people sh…

SOURCE: The Guardian at 5:32pm on February 11, 2024

Emma Gladstone obituary by Lyndsey Winship

Dancer and artistic director of the Dance Umbrella festival known for being an innovative force in the industry Emma Gladstone, who has died of cancer aged 63, was a woman of impeccable tast…

SOURCE: The Guardian at 5:32pm on February 11, 2024

São Paulo Dance Company review " by Lyndsey Winship

Sadler's Wells, London In a triple bill by Spanish and Brazilian choreographers, dancers move in ritualistic unison, launch into flight or just inspire wonder In the middle of São Paulo D…

SOURCE: The Guardian at 5:32pm on February 11, 2024

The Boy at the Back of the Class review " a refugee's lessons in humanity by Arifa Akbar

Rose theatre, Kingston-upon-Thames Onjali Raùf's morality tale for children, adapted by Nick Ahad, fluidly harnesses schoolkid energy, though important details are often reported rather t…

SOURCE: The Guardian at 9:54am on February 11, 2024

Sherlock Holmes and the Whitechapel Fiend; Sherlock Holmes and the Poison Wood " review by Clare Brennan

Barn theatre, Cirencester; Watermill theatre, NewburyThe deductive powers of the famous sleuth are put to new uses in these inventive if patchy interpretations, one playful, the other musica…

SOURCE: The Guardian at 7:42am on February 11, 2024
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