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35,672 stories from The Guardian

Hadestown review " thrilling songs from an American underworld by Arifa Akbar

Lyric theatre, LondonAnaïs Mitchell's musical melds two classical myths, folk and jazz with tremendous soul and offbeat spirit This odyssey through the underworld, told with deep-voiced …

SOURCE: The Guardian at 7:24pm on February 21, 2024

Feral Monster review " turbulent teen musical at breakneck speed by Gareth LlÅ·r Evans

Sherman theatre, CardiffThere's no shortage of smart ideas in Bethan Marlow's drama of adolescent awakening in rural Wales, but they whiz by before they really develop There isn't much that …

SOURCE: The Guardian at 4:06pm on February 21, 2024

Letter: Philip Hedley obituary by Neil Kinnock

Philip Hedley displayed a democratic socialist dedication that was both profound and practical: "Politics is what people DO, even if they don't know it sometimes." There was no Hedley agit-p…

SOURCE: The Guardian at 11:36am on February 21, 2024

'I felt so ashamed': Sheridan Smith on her very public meltdown " and recreating it on stage by Ryan Gilbey

Eight years after spectacularly crashing and burning out of the West End, the Olivier-winner is now playing an actress trapped in the same nightmare. Can she face down her demons? It is late…

SOURCE: The Guardian at 11:36am on February 21, 2024

Peak Stuff review " teenage ideals take a kicking from capitalism by Mark Fisher

Lawrence Batley theatre, HuddersfieldA superb Meg Lewis plays three characters losing touch with reality in Billie Collins's play about a market-driven world When ThickSkin announced this sh…

SOURCE: The Guardian at 7:18am on February 21, 2024

'It's like being on a love boat': the dance trio embraced by Sam Smith and Madonna by Lyndsey Winship

After choreographing the video for Unholy and the queen of pop's Celebration tour, French collective (La)Horde are taking a wildly eclectic show to London That thing about never meeting your…

SOURCE: The Guardian at 6:12am on February 21, 2024

An Enemy of the People review " Matt Smith's groovy firebrand swings from rebel to conspiracist by Arifa Akbar

Duke of York's theatre, LondonRock'n'roll reimagining of Ibsen's timeless corruption drama brings the audience into direct Question Time-style dialogue with Smith's idealist revolutionary Ma…

SOURCE: The Guardian at 7:12pm on February 20, 2024

One Last Push review " Chris Chibnall's family farce about birth and beyond by Chris Wiegand

Salisbury PlayhouseA fitfully funny play from the creator of Broadchurch considers the terrifying prospects of parenthood yet never quite delivers Here's a perfect prop for farce: a huge, ba…

SOURCE: The Guardian at 7:12pm on February 20, 2024

Double Feature review " Hitchcock and Hedren meet the Witchfinder General by Arifa Akbar

Hampstead theatre, LondonJohn Logan's play combines the stories behind two films made in the 1960s but each needs more space to truly hit home Two pairs of directors and actors zigzag on sta…

SOURCE: The Guardian at 9:24am on February 20, 2024

Robin Windsor, former Strictly Come Dancing professional, dies at 44 by Alexi Duggins and Agency

Entertainment company pays tribute to performer's 'impeccable dancing' and 'vibrant spirit' The former Strictly Come Dancing professional Robin Windsor has died at the age of 44. He most rec…

SOURCE: The Guardian at 7:18am on February 20, 2024

Long Day's Journey Into Night: a grand masterpiece and an ordinary family drama by Michael Billington

Eugene O'Neill's mighty drama, returning to the West End with Brian Cox and Patricia Clarkson, has drawn generations of stage greats and casts its spell with a story we can all recognise How…

SOURCE: The Guardian at 3:02pm on February 19, 2024

Vanessa Williams to star in Elton John's West End version of The Devil Wears Prada by Chris Wiegand

Williams said that bringing the fearsome editor Miranda Priestly to life in new musical is 'a dream come true' Vanessa Williams has been cast as the formidable fashion magazine editor Mirand…

SOURCE: The Guardian at 5:12am on February 19, 2024

Monday briefing: Why is Arts Council England clamping down on political statements? by Nimo Omer

In today's newsletter: Artists reacted with fury to the warning that 'overtly political or activist' statements could lead to a withdrawal of funding. But it is just the latest example of th…

SOURCE: The Guardian at 3:06am on February 19, 2024

'I used to roundly mock Bryan Adams': Bill Bailey's honest playlist by As Told To Rich Pelley

The comedian has come full circle on the Canadian soft rocker, but which sweary song did he miss out on playing at Reading? The first song I remember hearingMagic Moments by Perry Como aroun…

SOURCE: The Guardian at 3:06am on February 19, 2024

Two Sisters review " a wry look at the perils of nostalgia by Mark Fisher

Royal Lyceum, EdinburghDavid Greig's entertaining and immaculately performed new play is about adults seduced by memories of their own emotionally heightened teenage pasts Two Sisters smells…

SOURCE: The Guardian at 2:06am on February 19, 2024

'She plumbed our secret, shameful depths': why are Sarah Kane's plays still so shocking? by Interviews By Natasha Tripney

The writer, who took her life 25 years ago this month, wrote five searing dramas that took in everything from despair to love, from mutilation to cannibalism. What was it like to direct or s…

SOURCE: The Guardian at 1:02am on February 19, 2024

Shed: Exploded View review " love, loss and horrific male violence by Mark Fisher

Royal Exchange, ManchesterPhoebe Eclair-Powell's prize-winning play is about three related relationships which seem increasingly characterised by powerlessness, menace and dislocation Phoebe…

SOURCE: The Guardian at 3:12pm on February 18, 2024

Plays commissioned by lottery sounds bad, but why not? For us as writers, things can't get much worse | Nick Ahad by Nick Ahad

A Colchester theatre is picking works out of a hat. In a defunded and exclusive sector, at least someone will get a chance Nick Ahad is a presenter for BBC Radio 4's Front Row and the author…

SOURCE: The Guardian at 11:02am on February 18, 2024

A Leap in the Dark review " hilarious recreation of the BBC's first radio drama by Clare Brennan

New Vic, Newcastle-under-LymeA top cast directed by Caroline Wilkes revel in Ron Hutchinson's laugh-out-loud, if overlong story charting the corporation's first wireless play In the early 19…

SOURCE: The Guardian at 7:42am on February 18, 2024

Meet the modern-day censors, wielding their purse-strings over artists and their work | Sonia Sodha by Sonia Sodha

The ominous warning from Arts Council England over controversial statements reveals the dangers bureaucrats pose to free expression Who determines whether a play can get staged? In the unnam…

SOURCE: The Guardian at 6:42am on February 18, 2024

The week in theatre: Dear Octopus; The Picture of Dorian Gray; Just for One Day " review by Kate Kellaway

Lyttelton; Theatre Royal Haymarket; Old Vic, LondonLindsay Duncan and co create a living period piece in Dodie Smith's rarely performed marvel of a family portrait; Sarah Snook's one-woman W…

SOURCE: The Guardian at 6:42am on February 18, 2024

Frankenstein review " muscular but ungainly update has visible stitching by Nick Ahad

Leeds PlayhouseImitating the Dog follow their innovative Dracula and Night of the Living Dead with a version of Shelley's classic that bolts on a contemporary story about impending parenthoo…

SOURCE: The Guardian at 6:42am on February 18, 2024

The week in dance: Nelken; Dark With Excessive Bright; São Paulo Dance Company " review by Sarah Crompton

Sadler's Wells; Linbury theatre, Royal Opera House, LondonA revival of Pina Bausch's 1982 work is still finding its feet. Plus, full immersion with the Royal Ballet and a rich addition to th…

SOURCE: The Guardian at 5:32am on February 18, 2024

Festival of New Choreography review " the Royal Ballet spreads its wings by David Jays

Royal Opera House, LondonImpressive new work from Joshua Junker and Mthuthuzeli November pushes dancers well beyond the classical repertoire Ballet is a heritage art form that craves renewal…

SOURCE: The Guardian at 2:18pm on February 16, 2024

The playwrights fighting for the NHS: 'We only engage in a moment of crisis' by Kate Wyver

From Michael Sheen's portrayal of the organisation's founder to a frank tale of the modern challenges faced by its staff, theatres are exploring the history, and fragile future, of our healt…

SOURCE: The Guardian at 10:54am on February 16, 2024
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