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6,591 stories from Stage and Cinema

Theater Review: LOVE ACTUALLY LIVE (The Wallis) by Samuel Garza Bernstein

ACTUALLY MAGICAL I didn't have any idea what to expect from this hybrid theatrical invention. It employs scenes from the beloved Richard Curtis film Love Actually, live musicians (who often …

SOURCE: Stage and Cinema at 4:26pm on December 16, 2018

Theater Review: A MIDSUMMER NIGHT'S DREAM (Chicago Shakespeare) by Lawrence Bommer

A SPORADIC DREAM There's an epiphany near the end of Shakespeare's celebration A Midsummer Night's Dream when the mixed-up quartet of wayward lovers who've been confoundedly mashed …

SOURCE: Stage and Cinema at 2:14pm on December 15, 2018

Off-Broadway Review: BITTER GREENS (59E59) by Anna Hulkower

A BITTER PILL TO SWALLOW It is said that every playwright's first play needs to be about themselves before they are able to move onto more expansive material. This maxim seems to hold true f…

SOURCE: Stage and Cinema at 7:18pm on December 14, 2018

Tour Theater Review: CIRQUE DREAMS HOLIDAZE (Chicago Theatre) by Lawrence Bommer

IT’LL LEAVE YOU DAZED AND CIRQUE-FUSED Neil Goldberg has a fine formula for his fantastic franchise. His eleven Cirque Dreams spectaculars feature ever-changing processions of dazzling…

SOURCE: Stage and Cinema at 4:30pm on December 13, 2018

Theater Review: THE FULL MONTY (Theo Ubique Cabaret Theatre in Evanston) by Lawrence Bommer

GET YOUR FULL For the sake of the butterfly we love the cocoon. The Fully Monty, a musical version by David Yazbek and Terrence McNally, is industriously inspired by the popular 1997 film…

SOURCE: Stage and Cinema at 3:22pm on December 11, 2018

Chicago Dance Review: HUBBARD STREET DANCE CHICAGO (Season 41 Winter Series at the Harris) by Lawrence Bommer

GROUP DYNAMICS SURGE AT HUBBARD STREET DANCE CHICAGO Four world premieres, especially crafted by in-house choreographers for the skills and needs of their company colleagues, display a tales…

SOURCE: Stage and Cinema at 2:33am on December 8, 2018

CD Review: HEAD OVER HEELS (Original Broadway Cast Recording on Masterworks Broadway) by Eve Meadows

GO-GO GET THIS ALBUM Head Over Heels is an exhilarating and seemingly improbable musical mash-up of Sir Philip Sidney's sixteenth-century work The Countess of Pembroke's Arcadia (libre…

SOURCE: Stage and Cinema at 10:24pm on December 6, 2018

Theater Review: THE PLAY THAT GOES WRONG (National Tour) by Lawrence Bommer

THE PLAY ABOUT THE PLAY THAT GOES WRONG GOES WRONG The title is brutally honest — and you can't say you weren't warned. In the style of Monty Python and Michael Frayn's self-destroying…

SOURCE: Stage and Cinema at 2:33pm on December 6, 2018

Theater Review: SHE LOVES ME (Actors Co-op) by Tony Frankel

LITTLE SHOP OF HAPPINESS I'll be the first to admit that it may be impossible to create a bad production of the 1963 jewel-box musical She Loves Me. This perfect show, based on the 1937 play…

SOURCE: Stage and Cinema at 5:58pm on December 5, 2018

Theater Preview: SOUTH PACIFIC (Rubicon Theatre Company in Ventura) by Tony Frankel

SOME ENCHANTED EVENING INDEED At about 8 am on December 7, 1941, Japanese planes filled the sky over Pearl Harbor, Hawaii. Bombs and bullets rained onto the vessels moored below on the Unite…

SOURCE: Stage and Cinema at 2:42pm on December 3, 2018

Chicago Dance Review: Christopher Wheeldon's THE NUTCRACKER (The Joffrey Ballet) by Lawrence Bommer

TAKING ANOTHER CRACK: AN UPDATE ON MARIE AND THE GREAT IMPRESARIO No matter how many times you see it, you will ALWAYS be amazed by the gorgeous Nutcracker that Christopher Wheeldon im…

SOURCE: Stage and Cinema at 1:07pm on December 2, 2018

Theater Interview: EURIAMIS LOSADA (appearing in WINK at Hollywood's Zephyr Theatre) by Dale Reynolds

LOSADA COLADA! Looking at photos of Euriamis Losada, it's no wonder the female (and some part of the male) populace goes gaga at his looks on his muscular 6' frame. Cuban-born and USA-raised…

SOURCE: Stage and Cinema at 2:14pm on December 1, 2018

CD Review: HYMN (Sarah Brightman) by Tony Frankel

TIME TO SAY GOODBYE She stands on the cover of her latest album, Hymn, like a diva who just came down from Sinai with the word of God, but instead of 10 Commandments, the British Broadway, W…

SOURCE: Stage and Cinema at 3:29pm on November 30, 2018

Review: COME FROM AWAY (North American Tour) by Tony Frankel

A NEWFOUND(LAND) WAY OF LOOKING AT MUSICAL THEATER This intimate ensemble piece may only have one stand-alone song, and it may not even be the best-crafted musical or have the emotional impa…

SOURCE: Stage and Cinema at 6:05pm on November 29, 2018

Chicago Theater Review: FAMILIAR (Steppenwolf) by Lawrence Bommer

STRIDENTLY SILLY, THEN SUDDENLY SERIOUS The title Familiar alludes to family"and, when loved ones squabble over who they are and where they come from, this title questions just whatÂ�…

SOURCE: Stage and Cinema at 1:19pm on November 27, 2018

Theater Review: A VERY MERRY MAGIC MANIA (Santa Monica Playhouse) by Joan Alperin

THIS REALLY IS HOLIDAY MAGIC I can’t think of more entertaining way to spend the holidays then to see A Very Merry Magic Mania at the Santa Monica Playhouse. This intimate showcase …

SOURCE: Stage and Cinema at 6:15pm on November 25, 2018

Chicago Theater Review: HELA (Sideshow Theatre and Greenhouse Productions) by Lawrence Bommer

FROM CANCER TO THE COSMOS, OR TO HELA AND BACK There's cold fusion and then there's hot fusion–the theatrical kind. In the world-premiere HeLa, an awesome co-production by Sideshow …

SOURCE: Stage and Cinema at 2:21am on November 25, 2018

Chicago Theater Review: THE STEADFAST TIN SOLDIER: A CHRISTMAS PANTOMIME (Lookingglass) by Lawrence Bommer

A PERFECT TEN OUT OF TIN, OR YOURS, MIME, AND OURS This "soldier" is well worth saluting: There's an enchanting Christmas Pantomime on Michigan Avenue — Lookingglass Theatre Company's …

SOURCE: Stage and Cinema at 12:49pm on November 22, 2018

Chicago Theater Review: THE DARK AT THE TOP OF THE STAIRS (Eclipse Theatre Company) by Lawrence Bommer

INGE'S NOISY DESPERATION Mission accomplished: Eclipse Theatre Company characteristically concludes its season with a play that wears a big heart on an open sleeve. The troupe, which cultiva…

SOURCE: Stage and Cinema at 2:38pm on November 21, 2018

Theater Review: HUGHIE / KRAPP'S LAST TAPE (Geffen Playhouse) by Tony Frankel

BEAUTIFUL DESPAIR BY A MASTER THESPIAN The river of lost souls can be found in Westwood, and your magnificent tour guide is Brian Dennehy. In this coupling of one-acts by Eugene O’Neil…

SOURCE: Stage and Cinema at 8:54pm on November 16, 2018

Theater Feature: GREAT THINGS ABOUT THE LOS ANGELES THEATRE by Frank Arthur

GREAT THINGS ABOUT THE LOS ANGELES THEATRE Los Angeles, dubbed as the City of Angels, is truly a magnificent destination that holds some of the most beautiful architectural buildings in the …

SOURCE: Stage and Cinema at 4:32pm on November 15, 2018

Music & Theater Review: THE TEMPEST (LA Phil and The Old Globe at Disney Hall in Los Angeles) by Tony Frankel

TEMPEST IN A TEAPOT An ill wind hit Disney Hall last weekend with this collaboration between LA Phil’s Guest Conductor Susanna Mälkki and Old Globe Theatre’s Artisitic Direct…

SOURCE: Stage and Cinema at 6:52pm on November 14, 2018

Los Angeles Theater Review: VALLEY OF THE HEART (Mark Taper Forum) by Tony Frankel

VALLEY OF THE HEART ON ITS SLEEVE Captivating stagecraft and a winning, although not always authentic, cast fuel this epic tale of war-time love. But the riveting aspects of a relationship b…

SOURCE: Stage and Cinema at 6:38pm on November 13, 2018

Los Angeles Theater Review: FINKS (Rogue Machine Theatre at Electric Lodge in Venice) by Samuel Garza Bernstein

SAVING YOURSELF At the opening performance of Rogue Machine's presentation of the Los Angeles premiere of playwright Joe Gilford's Finks, artistic director John Flynn welcomed the audience a…

SOURCE: Stage and Cinema at 5:26pm on November 12, 2018

Theater Review: A CHRISTMAS CAROL (Geffen Playhouse in Westwood) by Samuel Garza Bernstein

A GHOSTLY CAROL TO REMEMBER A Christmas Carol keeps the lights on at theaters across the country, filling their coffers every year and helping underwrite their other productions. It usually …

SOURCE: Stage and Cinema at 2:19am on November 12, 2018
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