The Unconquered - Reviewed by PAUL MENARD
Torben Betts' play comes off more as a flawed theatrical experiment rather than a successful piece of experimental theatre.
Torben Betts' play comes off more as a flawed theatrical experiment rather than a successful piece of experimental theatre.
Naomi Wallace's play is profoundly depressing, less because of its stories than its stereotypes. It presents three extended scenes that share only one vision: the perspective that sees perse…
James MacDonald's first-rate revival of Caryl Churchill's play is a soaring symphony of ideas and cultures.
The neo-Nazi skinhead evokes both fear and fascination in popular culture. David Gow's two-person play Cherry Docs confronts this revulsion and attraction head on.
Playwright Derek Ahonen's perspective on the family unit seems to be both sanguine and deeply cynical.
Through the filter of Kirk Wood Bromley's demented, genius brain, a story that has a placenta as a protagonist becomes all at once a witty musical, a lesson in Chinese mythology, and a dense…
The title pretty much sums it up. Although the quick scene changes, dynamic cast, and vigorous direction from Shaun Colledge ensure that the results are never tedious, the end result is some…
The narrative of Rogelio Martinez's new play, set in Cuba in 1961, shortly after Fidel Castro came to power, quickly becomes muddled with too many competing viewpoints, subplots, and biases …
"Glory Days" has two stories. The first is contained within this poorly written excuse for a musical. The second is how the show ever got to Broadway to begin with.
Martin M. Zuckerman's adaptation of Henry James' "The Aspern Papers" is very faithful to the 1888 novella -- not so much to its credit. The mood of muffled suspense fills the stage, but clau…
Anton Dudley's new play proves that watching an affair grow between people with nothing in common and no reason to like or to trust one another is bizarre and unsatisfying.
This children's theatre production is so packed with life, joy, and insight that it makes adult theatre seem flabby.
That Tennessee Williams' drastic rewrite of "Summer and Smoke" eventually works as well as it does here is due in large part to Jenn Thompson's sensitive direction and to the performances of…
Icy detachment and gooey mess wouldn't seem to be a good fit, but there's a strange logic to their pairing in David Grimm's new play.
Who would have thought a sex comedy from the early 1960s would become the laugh-riot hit of the 2008 Broadway season?
The intensity and fragility of youthful friendship are movingly evoked in this new play that was developed in improvisations and then worked into shape by writer Nick Sanzo.
With its bright, shiny costumes, boisterous swashbuckling, cheers of "Huzzah," choral singing to the viola, and good-natured mugging, "The Accidental Patriot" resembles a Renaissance Faire i…
Director Andrei Belgrader and his expert company remember give the new production at BAM the air of a nightmarish circus, equally side-splitting, scary, and tear-inducing.
Though it is more overtly sexual than the original production, the Roundabout Theatre Company's revival is not as sexy as the initial incarnation of Christopher Hampton's play.
James Lindenberg's mildly diverting comedy seems knowledgeable about the anxieties and expectations of dating among singles nearing middle age. Unfortunately, it could use help in the dramat…
To say that Yukiko Motoya's wry comedy revolves around a very strange relationship is an understatement. Yet the expertly acted production is a joy to watch, despite several head-scratching …
With the dramatic potential of centuries-old racial barriers crumbling, Laurence Fishburne in the only role, and a skillful director like Leonard Foglia at the helm, George Stevens Jr.'s pla…
On paper, the notion of a headliner introing guests sounds magnanimous. In practice, however, important continuity is too often sacrificed. It's something about which performers ought to thi…
Brian Swasey has staged the musical as if it's being performed at the Lyceum, when his actors are two feet from the audience. Ultimately, this show is on a road paved with good intentions --…
The inequalities laid bare during the current economic crisis in the United States are more than enough reason to prompt a revival of Brecht's social parable.