1,902 stories from Village Voice
Todd Robbins' Carnival Knowledge at Soho Playhouse
As King Lear Almost Said, the Worst Is Not, So Long as We Can Say, 'It Could Be Worse' by Michael Feingold
The Thing About Men at Promenade Theatre
The Duchess of Malfi
Tom Stoppard's 1995 Play Finally Sees a New York City Premiere, Courtesy of Alter Ego by Alisa Solomon
Tom Stoppard's Indian Ink
Meanwhile, on the Fringe Festival's Nonmusical Stages . . .
Organ Harvesting, Leprechauns, Thoreau's Alien Abduction, and the HMS Donkeyballs
Mister Gallico by Sam Carter
Matt and Ben by Mindy Kaling and Brenda Withers
Finley's 9-11 Liza; Jordan's Search for Normalcy by Ed Park
Make Love; The Summer of the Swans
Cost-Cutting Tip for Theaters: Delete the Art That's Lost Its Meaning by Michael Feingold
Henry V; Semyon Kotko; The Legend of the Invisible City of Kitezh
Who's the Villain? Who's the Saint? by C. Carr
Tragedy in Nine Lives by Karen Houppert; Gravity Always Wins by Marc Spitz
Two Clans Dis Function; Two Directors Make It Work by Michael Feingold
Flesh and Blood by Peter Gaitens; The Orphan of Zhao, adapted by David Greenspan, music by Stephin Merritt
Angels and Ministers of Grace Defend Us by Alexis Soloski
The Angel Project at Lincoln Center Festival; Classical Theater of Harlem's Macbeth
Mary Zimmerman's Renaissance Jungle Gym; Will Power's Neighborhood by Tom Sellar
Mary Zimmerman's The Notebooks of Leonardo da Vinci; Will Power's Flow
He Made All That Happened to Him a Transcendent Experience by Michael Feingold
You're on Vacation, and for Some Reason the Theater Isn't by Michael Feingold
The Daughter-in-Law; Savannah Bay; Intrigue With Faye; St. Crispin's Day
The Oldest Surviving Play Speaks, but Can It Still Sing? by Michael Feingold
The Persians by Aeschylus
Can't Let Go by Keith Reddin; A Glance at New York by Benjamin Barker
A Great Director Makes an Old Play Walk Again by Michael Feingold
Henrik Ibsen's Ghosts, adapted by Ingmar Bergman
Fugard Builds an Allegory; Feiffer Deconstructs the Old Left by Michael Feingold
Athol Fugard's "MASTER HAROLD" . . . and the Boys; Jules Feiffer's A Bad Friend
Fornes's Saloon of Visions; Beane's 'Shockumentaries' by Alisa Solomon
Maria Irene Fornes's Molly's Dream; Douglas Carter Beane's Mondo Drama
Doug Wright Quills Up a Transvestite Mythmaker by Michael Feingold
I Am My Own Wife by Doug Wright
Keep Your Emotional Distance, and They All Look Like Insects by Michael Feingold
Humble Boy by Charlotte Jones; 'Marathon 2003' at Ensemble Studio Theatre
