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6,591 stories from Stage and Cinema

Chicago Theater Review: HOW TO CATCH CREATION (Goodman Theatre) by Lawrence Bommer

CONSIDER CREATION CAUGHT IN THIS SEMINAL WORLD PREMIERE It's a tour-de-force to take home and reverently recall: A Goodman Theatre world premiere, How To Catch Creation lives up to a l…

SOURCE: Stage and Cinema at 2:36pm on January 29, 2019

Theater Review: SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (South Coast Rep) by Tony Frankel

IT COULD HAVE BEEN MURDER Stephen Sondheim's Sweeney Todd: The Demon Barber of Fleet Street is a musical that never fails to impress, no matter how many times it’s been seen. It …

SOURCE: Stage and Cinema at 7:56pm on January 27, 2019

Concert Review: BERNADETTE PETERS (Disney Hall) by Tony Frankel

SAINT BERNADETTE Now that she’s hung up her late-Victorian hat after taking over for Bette Midler in Hello, Dolly! on Broadway last year, the inimitable Bernadette Peters has embarked …

SOURCE: Stage and Cinema at 2:57am on January 25, 2019

Theater Review: US/THEM (Chicago Shakespeare) by Lawrence Bommer

OUT OF THE BLOOD OF BABES It's a probably thankless and certainly unsettling undertaking: Us/Them is an hour-long performance piece by two young members of the Belgian troupe BRONKS. I…

SOURCE: Stage and Cinema at 2:00pm on January 24, 2019

Theater Review: AN INSPECTOR CALLS (The Wallis) by Harvey Perr

MAKE A CALL ON THIS INSPECTOR In Stephen Daldry’s architectually inspired revival of J.B. Priestley’s An Inspector Calls, an astute mixture of comedy of manners/tragedy of class/…

SOURCE: Stage and Cinema at 1:19pm on January 24, 2019

Theater Review: HIR (Odyssey Theatre in Los Angeles) by Samuel Garza Bernstein

CRUEL INTENTIONS Now at the Odyssey Theatre Ensemble, Hir had its world premiere at Playwrights Horizon in 2015, engendering a rave in the The New York Times and going on to play internation…

SOURCE: Stage and Cinema at 8:26pm on January 22, 2019

Theater Review: THE REALISTIC JONESES (Shattered Globe Theatre and Theater Wit) by Lawrence Bommer

IS IT TOO REALISTIC, OR NOT REALISTIC ENOUGH? Is it smoke and mirrors or a trick of the light? No matter — the fact that nothing urgent is at stake in the 100 minutes of Will Leno'sÂ�…

SOURCE: Stage and Cinema at 6:46pm on January 22, 2019

Theater Review: LAST CALL (Open Fist Theatre Company at Atwater Village Theatre) by Samuel Garza Bernstein

RAGING AGAINST THE DYING LIGHT Elderly parents losing their independence is more significant demographically in America now than at any time in our history. Most still-living Greatest Genera…

SOURCE: Stage and Cinema at 6:55pm on January 21, 2019

CD Review: SOMETHING FOR THE BOYS (2018 Studio Recording on PS Classics) by Tony Frankel

SOMETHING SWELL FOR MUSICAL LOVERS A studio recording of Cole Porter’s 1943 boisterously farcical musical Something for the Boys has just been released, and producer and PS Class…

SOURCE: Stage and Cinema at 6:15pm on January 20, 2019

Chicago Theater Review: EVIL DEAD THE MUSICAL (Black Button Eyes Productions) by Lawrence Bommer

BRINGING DEAD TO LIFE An import from our neighbor to the north that's almost as inebriating as Canadian Club, Evil Dead The Musical is a blood-splattering, silly-ass, ham-acting confec…

SOURCE: Stage and Cinema at 4:08pm on January 19, 2019

CD Review: GOLDSTEIN (Original Off-Broadway Cast) by Gregory Bernard

PANNING FOR GOLDSTEIN You have to glean the plot from the songs, because the synopsis for Charlie Schulman’s libretto for Goldstein, an Off-Broadway musical that closed in July, 2018, …

SOURCE: Stage and Cinema at 12:54am on January 19, 2019

Theater Review: DADA WOOF PAPA HOT (About Face Theatre at Theater Wit in Chicago) by Lawrence Bommer

FRIENDS WITH CHILDREN Gay parents — for centuries that seemed a contradiction in terms. How could promiscuity engender anything beyond itself? But, if, as Delmore Schwartz said, "With …

SOURCE: Stage and Cinema at 12:39pm on January 18, 2019

Theater Review: LINDA VISTA (Mark Taper Forum) by Samuel Garza Bernstein

BEAUTIFUL HONESTY The title of Tracy Letts' play Linda Vista, Steppenwolf Theatre's production now at the Mark Taper Forum, translates as "Beautiful View." In a literal sense, it refers to a…

SOURCE: Stage and Cinema at 9:52pm on January 17, 2019

Theater Review: CARDBOARD PIANO (TimeLine) by Lawrence Bommer

THEATER AND RECONCILIATION Love never seems greater than when hate sets it off. Then, as if to prove its power, it finds so much to rise above. A huge hit at the 2016 Humana Festival of New …

SOURCE: Stage and Cinema at 8:28pm on January 17, 2019

Theater Review: 1776 (La Mirada Theatre) by Tony Frankel

YOU SAY YOU WANT A REVOLUTION? How remarkable to have been a fly on the wall when the creators of 1776, the 1969 musical receiving a terrific La Mirada Theatre/McCoy Rigby revival, were d…

SOURCE: Stage and Cinema at 9:29pm on January 15, 2019

Chicago Theater Review: FUENTE OVEJUNA (City Lit) by Lawrence Bommer

#ME TOO, 15th-CENTURY STYLE If it didn't actually happen, this play would not be believed. Its climax soars as, tortured by the Inquisition to reveal the murderer of the evil-doing Commander…

SOURCE: Stage and Cinema at 12:58am on January 15, 2019

Los Angeles Theater Review: SMART LOVE (Pacific Resident Theatre in Venice) by Samuel Garza Bernstein

ARTIFICIAL INTELLIGENCE VS. AUTHENTIC EMOTION Brian Letscher's new play, now at Pacific Resident Theatre, is pitched as a cutting-edge take on how our species might be affected by new develo…

SOURCE: Stage and Cinema at 5:59pm on January 14, 2019

Theater Review: MIDDLE8 (Stella Adler Theatre) by Tony Frankel

GREAT CHORUS, GREAT BRIDGE, GREAT INTRO WONKY SUPERSTRUCTURE A middle 8 is a section in song structure — usually in the middle and consisting of eight bars — that is used to a…

SOURCE: Stage and Cinema at 8:15pm on January 11, 2019

Theater Review: THE LIGHTNING THIEF: THE PERCY JACKSON MUSICAL (North American Tour) by Lawrence Bommer

LIGHTNING IN A BOTTLE, OR AN EMPOWER SHORTAGE? Holy Hades! It's an all-purpose victim's ur-dream of getting even: Every misunderstood teenager secretly imagines he was born better than life …

SOURCE: Stage and Cinema at 1:23pm on January 10, 2019

Los Angeles Theater Review: FOREVER BROOKLYN! (Whitefire Theatre) by Joan Alperin

NOTHING TRAFE HERE What I found most amazing about Forever Brooklyn! A Kosher Musical Comedy is that the writer/director Mark Wesley Curran is not from Brooklyn nor is he Jewish or eve…

SOURCE: Stage and Cinema at 11:48pm on January 9, 2019

Off-Broadway Review: ON THE SPOT: AN IMPROVISED MUSICAL EXPERIENCE by Anna Hulkower

HITS THE SPOT As someone who has logged many hours crawling up 10th Avenue in a Megabus, the bright purple-and-white Y2K-esque signage of Yotel has always been intriguing landmark. Since I a…

SOURCE: Stage and Cinema at 3:06pm on January 9, 2019

Off-Broadway Review: WICKED CLONE, OR HOW TO DEAL WITH THE EVIL: THE CINEMA MUSICAL (Indiggo Twins at the John Cullum Theatre) by Anna Hulkower

SOMETHING WICKED THIS WAY CLONES It's hard to react to the details of this show with anything but resigned bemusement. So, while some of what I'm about to say may sound like I hated Wicked C…

SOURCE: Stage and Cinema at 2:04pm on December 27, 2018

Theater Preview: AN INSPECTOR CALLS (The Wallis) by Tony Frankel

SOCIETY UNDER CLOSE INSPECTION An Inspector Calls was first performed in 1945 at a time of great change — both World Wars were fresh in the minds of the people, women had become mor…

SOURCE: Stage and Cinema at 10:20pm on December 26, 2018

Chicago Theater Review: LA RUTA (Steppenwolf) by Lawrence Bommer

A RUTA WAKENING A play can be a cry for help — against a persistent peril, a former and future danger, a mindset that makes heartbreak. La Ruta, a Steppenwolf Theatre world premiere…

SOURCE: Stage and Cinema at 3:55pm on December 22, 2018

Theater Review: FIDDLER ON THE ROOF (Tour) by Lawrence Bommer

AS RELEVANT AND CELEBRATORY AS EVER, FIDDLER GETS A POWERFUL REVIVAL It takes a musical to make a village: At nearly three hours, this very replete revival, which plays the Cadillac Palace T…

SOURCE: Stage and Cinema at 1:53pm on December 20, 2018
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