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10,593 stories from A Younger Theatre

Review: The League of Youth, N16 by Breman Rajkumar

"We are the electorate. And we are not trustworthy". Theatre company Riot Act explore the fallible nature of democracy in this very funny and direct production. One of the Ibsen's least famo…

SOURCE: A Younger Theatre at 2:18pm on August 11, 2016

Edinburgh Fringe Review: The Life and Times of Lionel, Greenside Nicolson Square by Dominique-eloise Alexander

Very rarely does a show have a perfect title but The Life and Times of Lionel is the only way to describe this wonderful piece of theatre. Forget About The Dog are a new company hailing from…

SOURCE: A Younger Theatre at 2:18pm on August 11, 2016

Edinburgh Fringe Review: Still Here, ZOO at St Mary's Lawn by Dominique-eloise Alexander

Still Here was a play of challenges to overcome, not least to find the venue but also to fully understand what Theatre For Justice were trying to do. If the idea of the tent was to make the …

SOURCE: A Younger Theatre at 1:07pm on August 11, 2016

Edinburgh Fringe Review: The Jungle Book: Cobwebs and Moontalk, C South by Dominique-eloise Alexander

Children's theatre can so often forget its audience and miss out on entertaining both adults and children, but Strung Up Theatre's Jungle Book made no such mistake. An enchanting hour that d…

SOURCE: A Younger Theatre at 1:07pm on August 11, 2016

Blog: Not in Edinburgh? View From Here brings new Scottish writing to London by Philippa Mannion

If you can't make it up to Edinburgh this year, View From Here festival is set to bring a carefully curated selection of new Scottish writing to London. Philippa Mannion explains where the i…

SOURCE: A Younger Theatre at 12:16pm on August 11, 2016

Edinburgh Fringe Review: Milk, Traverse Theatre by Joseph Winer

Milk is universal. From our first breastfeed to our last cup of tea, we're completely surrounded by it. Milk explores the need for three of our most basic needs: Food, love and survival. Ste…

SOURCE: A Younger Theatre at 3:48pm on August 10, 2016

Edinburgh Fringe Review: Wonderman, Underbelly Potterrow by Phoebe Graham

Dozens of loose pages fly, wondrously whirling round the furiously scrawling hand of an earth-bound airman, in memory of one of the world's most treasured storytellers. Wonderman injects the…

SOURCE: A Younger Theatre at 2:37pm on August 10, 2016

Edinburgh Fringe Review: A Royal Flush, theSpace on the Mile by Steph J. Watkins

Tabloids and the press in general can be comical oft times with their extra agent headlines and desperate attempts for a story. Combine this topic with an absurd plot about a princess kid…

SOURCE: A Younger Theatre at 2:37pm on August 10, 2016

Edinburgh Fringe Review: Travesty, Assembly George Square Studios by Joseph Winer

Anna and Ben are like any normal couple, with Travesty showing us snippets of their relationship by letting us peer into the intimacy of Anna's bedroom. Nothing particularly interesting happ…

SOURCE: A Younger Theatre at 2:37pm on August 10, 2016

Review: Ron Arad's Curtain Call, Roundhouse by Franciska Éry

Virtual Reality is in vogue: we are constantly presented with numerous opportunities to be surrounded by artificial atmospheres and immersed in the experience. But if wearing goggles isnR…

SOURCE: A Younger Theatre at 1:39pm on August 10, 2016

Edinburgh Fringe review: Finders Keepers, The Aviary ZOO Venues by Adam Bruce

The Edinburgh Fringe is an absolute mish-mash of every theatrical genre. There’s something for everyone, and that’s why it’s such a unique festival. Hot Coals Theatre certa…

SOURCE: A Younger Theatre at 1:39pm on August 10, 2016

Review: How We Think We Think, King's Head Theatre by Fergus Morgan

Heart To Heart Theatre’s How We Think We Think begins inauspiciously. Peter Dewhurst as Tom ushers the audience to their seats, then haltingly embarks on a prepared presentation on hum…

SOURCE: A Younger Theatre at 1:39pm on August 10, 2016

Review: Ron Arad's Curtain Call, Roundhouse by Franciska Éry

Virtual Reality is in vogue: we are presented with numerous opportunities to be surrounded by artificial atmospheres. But if wearing goggles isn’t your thing, Ron Arad’s Curtain …

SOURCE: A Younger Theatre at 5:07pm on August 9, 2016

Edinburgh Fringe Review: Mine, The Space at Jury's Inn by Joseph Winer

"You're not good. You're stained. But you're mine". One night, the police show up at a mother's door. She knows it. He's dead…. Until the police tell her he's not. Her son, who she thi…

SOURCE: A Younger Theatre at 2:57pm on August 9, 2016

Edinburgh Fringe Review: Eat. Sleep. Bathe. Repeat, The Space on the Mile by Steph J. Watkins

“They’re not aliens, they just have other priorities to us.” The topic of autism seems to intimidate a lot of people, simply due to a lack of individual understanding not o…

SOURCE: A Younger Theatre at 2:57pm on August 9, 2016

Edinburgh Fringe Review: A Boy Named Sue, C Nova by Joseph Winer

"Soldiers die. Women give birth." A Boy Named Sue is a story about gender perceptions, sexuality and understanding the risks that come from not fitting in with the norm. Through a series of …

SOURCE: A Younger Theatre at 2:09pm on August 9, 2016

Edinburgh Fringe Review: Spring Awakening, Paradise in Augustines by Joseph Winer

In an oppressed nineteenth century Germany, a group of children become teenagers, but with no real knowledge of the adult world or where babies come from, how can they possible protect thems…

SOURCE: A Younger Theatre at 3:04am on August 9, 2016

Edinburgh Fringe Review: CUT, Underbelly Med Quad by Joseph Winer

As we enter the installation, we are warned to keep our feet behind the lines which act as runway down the centre of the space and are told that, in a moment, we will be plunged into complet…

SOURCE: A Younger Theatre at 3:04am on August 9, 2016

Review: Escape, Blue Elephant Theatre by Franciska Éry

LCP Dance Theatre’s piece, Escape, explores the journey of a refugee through aerial dance and physical theatre, responding to a very current topic. Using aerial slings, projection a…

SOURCE: A Younger Theatre at 4:12pm on August 8, 2016

Edinburgh Fringe Review: [Title of Show], C Cubed Main Space by Joseph Winer

There's shows about shows, theatre about theatre and then there's [Title of Show], a musical about two guys writing a musical about two guys writing a musical. It's essentially Inception for…

SOURCE: A Younger Theatre at 4:12pm on August 8, 2016

Edinburgh Fringe Review: 'Tis Pity She's a Whore, Paradise in Augustines by Joseph Winer

'Tis Pity She's a Whore: Essentially Romeo and Juliet… with incest. John Ford's reflection of the sins of seventeenth century British society is cleverly transferred to Padua to mock t…

SOURCE: A Younger Theatre at 4:12pm on August 8, 2016

Review: The Collector, The Vaults by Naomi Kerrigan Asress

John Fowles’ classic novel The Collector is given a new breath of life in this adaption by Mark Healey. With the themes of class, mortality and obsession at the heart of this story, th…

SOURCE: A Younger Theatre at 3:07pm on August 8, 2016

Review: Body.Dance.Nation.City, Royal Festival Hall by Breman Rajkumar

Ballet National de Marseille's 70-minute dance drama is a quite epic foray into the possibilities of artistic expression. Using 17 dancers in the almost completely bare Royal Festival Hall s…

SOURCE: A Younger Theatre at 3:28pm on August 6, 2016

Review: Yerma, The Young Vic by Lydia Lakemoore

The story of Lorca's classic Yerma is relatively well known. It is frequently performed at different theatres around the country often with a few modern twists and sometimes we see an una…

SOURCE: A Younger Theatre at 3:44am on August 6, 2016

Family theatre " for everyone, not just kids by Jamie Body

When you hear that the show is called The Gruffalo or think of the term 'family theatre' you immediately think that the show is aimed at small children. But Olivia Jacobs, co-artistic direct…

SOURCE: A Younger Theatre at 11:39am on August 5, 2016
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