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10,593 stories from A Younger Theatre

Review: Sellotape Sisters, Tristan Bates Theatre by James Bell

Sellotape Sisters, playing this week at the Tristan Bates Theatre in Covent Garden, gets off to an inauspicious start. Ethel and Phyllis, played by Charlotte Weston and Kellie Batchelor, are…

SOURCE: A Younger Theatre at 2:52pm on August 16, 2016

Edinburgh Fringe Review: Rubber, ZOO Southside by Dominique-eloise Alexander

Hurriedly rushed into a car down a side street by the venue is the way that Rubber begins. A quick content warning and then slam " doors are shut; it's just me and one other person, seatbelt…

SOURCE: A Younger Theatre at 7:38am on August 16, 2016

Edinburgh Fringe Review: Fossils, Pleasance Dome by Dominique-eloise Alexander

Ever since I saw Bucket Club's award-winning Lorraine and Alan in 2014, I've been dying to see what they have got up to since and I can happily say that I was not disappointed. Fossils has e…

SOURCE: A Younger Theatre at 7:38am on August 16, 2016

Edinburgh Fringe Review: The Hogwallops, Underbelly Circus Hub on The Meadows by Phoebe Graham

'How are you going to get down from there?' asks a small child in the audience of The Hogwallops. With a playful shrug, a smile in response and a rippling chuckle from the audience, it's thi…

SOURCE: A Younger Theatre at 7:38am on August 16, 2016

Review: The Burnt Part Boys, Park Theatre by Sara Malik

The Burnt Part Boys is an emotionally wrought and gripping coming-of-age tale.  Centred on the taut relationship between two brothers, Pete and Jake, it is an unapologetic look at what it…

SOURCE: A Younger Theatre at 6:25am on August 16, 2016

Review: The Fall, Finborough Theatre by Tom Shore

It's always a risk when you try to universally capture the very personal experience of being young, even in a youth production. The Fall by the National Youth Theatre takes it one great hubr…

SOURCE: A Younger Theatre at 12:21pm on August 15, 2016

Review: Thunderstorm, London Coliseum by Hattie Pierce

Thunderstorm's busy opening night at the London Coliseum marked the opening of The Shanghai Season. Shanghai Opera’s Thunderstorm was developed as an opera from the play of the same na…

SOURCE: A Younger Theatre at 12:21pm on August 15, 2016

Review: The Calm, Waterloo East Theatre by Annie Starkey

With the makings of a strong and novel concept for the basis of a piece of theatre, Who Said Theatre‘s The Calm sees war spark the cementing of one relationship and the destruction of …

SOURCE: A Younger Theatre at 11:19am on August 15, 2016

Edinburgh Fringe Review: Michelle Christine: 50% Scottish, 100% Crazy: Let's Laugh, Spotlites by Adam Bruce

In addition to all the theatre that’s up at the Edinburgh Fringe, there’s a massive range of stand-up comedy to choose from, too. Just like the theatre up here, there’s loa…

SOURCE: A Younger Theatre at 2:38am on August 15, 2016

Edinburgh Fringe Review: Flo and Joan, The Newsroom by Adam Bruce

Sometimes, after a long day of seeing shows, or giving out countless flyers to hundreds of strangers on the Royal Mile (you'll be in one of those two groups I'm sure), you just want to have …

SOURCE: A Younger Theatre at 2:38am on August 15, 2016

Edinburgh Fringe Review: Krapp 39, Pleasance Courtyard by Phoebe Graham

It's a bold move. Taking direct inspiration from the most iconic Irish playwright of the twentieth century, Samuel Beckett, actor and writer Michael Laurence has undoubtedly set a high ba…

SOURCE: A Younger Theatre at 2:38am on August 15, 2016

Edinburgh Fringe Review: Tank, Pleasance Dome by Dominique-eloise Alexander

A follow-up after a smash hit can always be difficult and while Breach Theatre's Tank is good; it sadly lacks the impact that they managed to illicit with last year's The Beanfield. Taking o…

SOURCE: A Younger Theatre at 2:38am on August 15, 2016

Edinburgh Fringe Review: Yōkai, Underbelly Cowgate by Phoebe Graham

'Without knowing why, I love this world where we come to die.' " The magic signboard, in Yōkai*. I couldn't help but rise to my feet. In a world darkened by the deaths of treasured stars,…

SOURCE: A Younger Theatre at 1:36am on August 15, 2016

Review: The Importance of Being Earnest, Lauderdale House by Lucy Streeten

Amidst a sea of hummus pots and picnic blankets, Shooting Stars theatre company picked their way across the lawn of Lauderdale House to perform Wilde's perennial masterpiece, The Importance …

SOURCE: A Younger Theatre at 6:28pm on August 14, 2016

Edinburgh Fringe Review: We Are Ian, Pleasance Dome by Dominique-eloise Alexander

I don't even think there are enough words to describe how much I loved We Are Ian, there are only dance moves. Two in particular; the hot potato and the waterfall fingers. We're all Ian. Wel…

SOURCE: A Younger Theatre at 6:28pm on August 14, 2016

Edinburgh Fringe Review: Infinity Pool, Bedlam by Dominique-eloise Alexander

The only way I can describe this show when I'm telling every person I meet to go and see it, is that despite the fact that no one says a word; I still ended up with tears in my eyes and my c…

SOURCE: A Younger Theatre at 2:27pm on August 13, 2016

Edinburgh Fringe Review: Don't Wake the Damp, Pleasance Dome by Adam Bruce

Kill the Beast have been absolutely smashing it with their productions. They’ve become renowned for their highly physical, energetic styles of performance, and acclaimed for their use …

SOURCE: A Younger Theatre at 4:37pm on August 12, 2016

Edinburgh Fringe Review: The Cat in the Hat, Pleasance Courtyard by Phoebe Graham

Of course I was the only young adult in a monstrous mass of restless children. Of course the only other company available were the respective parents waiting to tire their children out, conv…

SOURCE: A Younger Theatre at 4:37pm on August 12, 2016

Edinburgh Fringe Review: Blush, Underbelly Cowgate by Phoebe Graham

An infuriated woman whose sister falls victim to revenge porn. A man who develops a porn addiction as a result of a failing marriage. And another lonely girl. These are just some of the voic…

SOURCE: A Younger Theatre at 4:37pm on August 12, 2016

Review: Scenes from the End, Camden People's Theatre by Katie Walsh

Dealing with grief is a peculiar thing that no words can ease or alleviate the pain. Scenes From The End takes a post-dramatic view in the aftermath of death through opera, music, multime…

SOURCE: A Younger Theatre at 3:30pm on August 12, 2016

Edinburgh Fringe Review: In Fidelity, Traverse Theatre by Katy Owen

At first glance of its synopsis, In Fidelity sounds like a gimmick. "Part TED Talk, part theatrical experiment" and with the inclusion of "a live onstage date", the show I expected was a sur…

SOURCE: A Younger Theatre at 11:28am on August 12, 2016

Review: Dark Vanilla Jungle, The Cockpit by James Bell

There are many positives in this production of Philip Ridley's Dark Vanilla Jungle. I could mention the pared down staging, the simple yet effective lighting or the careful injections of hum…

SOURCE: A Younger Theatre at 11:28am on August 12, 2016

Edinburgh Fringe Review: The Blind Date Project, ZOO Cabaret Bar by Dominique-eloise Alexander

Entering the ZOO Cabaret Bar, you find yourself in the Karaoke Klub that dreams are made of. Rainbow string lights adorn the stage where an equally enthusiastic bar maid is giving it her all…

SOURCE: A Younger Theatre at 3:25pm on August 11, 2016

Review: Air play, Southbank Centre by Franciska Éry

The curtains open and we see a man holding on to a huge piece of light fabric, dancing in the air, moved by a circle of fans. The wonder begins and I suddenly feel like a child again, recept…

SOURCE: A Younger Theatre at 2:18pm on August 11, 2016

Review: Square, Tristan Bates Theatre by Calum McIntosh

The Pensive Federation's Square explores the modern day interpretation of friendship. It questions the validity of social media, the connection of human beings to each other and the masks th…

SOURCE: A Younger Theatre at 2:18pm on August 11, 2016
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