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6,591 stories from Stage and Cinema

Off-Broadway Theater Review: HAPPY TALK (The New Group at The Pershing Square Signature Center) by Dmitry Zvonkov

EVERYTHING IS HAPPY INDEED In Jesse Eisenberg's very funny and poignant one-act Happy Talk the excellent Susan Sarandon plays Lorraine, an amateur actress whose rosy, self-serving delusions …

SOURCE: Stage and Cinema at 8:23am on May 18, 2019

Theater Review: JULIUS WEEZER (The Troubies at El Portal in North Hollywood) by Joan Alperin

CAESING THE MOMENT What do you get when you mix Shakespeare's beloved tragedy Julius Caesar with the hard-driving rock band Weezer? Adapter, director and choreographer Matt Walker, who also …

SOURCE: Stage and Cinema at 8:23am on May 18, 2019

Chicago Theater Review: THE WINTER'S TALE (Goodman Theatre) by Lawrence Bommer

A FRACTURED FAIRY TALE Shakespeare's strange romance, which begins with gratuitous jealousy and ends with gratuitous forgiveness, is best savored as a fairy tale for grownups: A virtuous que…

SOURCE: Stage and Cinema at 6:54pm on May 15, 2019

Review: SISTER ACT (San Diego Musical Theatre) by Milo Shapiro

WELL DONE HAVING FUN ON THE RUN AS A NUN Don't you just hate it when your boyfriend turns out to be a mobster and murders someone right in front of you, forcing you to flee and hide " all wh…

SOURCE: Stage and Cinema at 6:54pm on May 15, 2019

Theater Review: MAD BEAT HIP & GONE (Promethean Theatre Ensemble) by Lawrence Bommer

TAKE TO THE ROAD Walt Whitman may have patented the "song of the open road," but the Beat Generation gave it their own course correction and made it into a map. These writers of the Eisenhow…

SOURCE: Stage and Cinema at 6:54pm on May 15, 2019

Theater Review: THE UNDENIABLE SOUND OF RIGHT NOW (Raven Theatre in Chicago) by Lawrence Bommer

KEEPING ROCK REAL Letting a good thing go is a hard fate: Change is always constant but it's never guaranteed to be good. A tough transition in Chicago's indie rock scene is feelingly chroni…

SOURCE: Stage and Cinema at 3:36pm on May 15, 2019

Theater Review: TOO HEAVY FOR YOUR POCKET (TimeLine Theatre) by Lawrence Bommer

ANOTHER DREAM DEFERRED The price of progress is no abstraction, not during the fully-freighted 160 minutes of Jiréh Breon Holder's civil rights drama Too Heavy for Your Pocket. A TimeLine T…

SOURCE: Stage and Cinema at 3:36pm on May 15, 2019

Los Angeles Theater Review: DANIEL'S HUSBAND (Fountain Theatre in Hollywood) by Marc Wheeler

THE PLAY THAT GOT AWAY I don't know the exact play Michael McKeever was writing prior to the 2015 Supreme Court ruling in favor of federal marriage equality, but I suspect it worked much mor…

SOURCE: Stage and Cinema at 3:35pm on May 15, 2019

Review: THE SECRET GARDEN (3-D Theatricals) by Lawrence Lucero

A FLOWERING PRODUCTION The Secret Garden, the hauntingly romantic musical by Marsha Norman (book and lyrics) and Lucy Simon (music) opened on Broadway 1991 and ran 709 performances. The show…

SOURCE: Stage and Cinema at 3:35pm on May 15, 2019

Theater Review: THE CHILDREN (Steppenwolf) by Lawrence Bommer

 THE PARENTS CRUSADE The setting is the story in The Children, Steppenwolf Theatre Company's Chicago premiere. Set designer Chelsea M. Warren depicts a cluttered seaside cottage …

SOURCE: Stage and Cinema at 7:03pm on May 1, 2019

Broadway Review: TOOTSIE (Marquis Theater) by Harvey Perr

TOOT-TOOT-TOOTSIE, HELLO! I'm here to sing the praises of all those musical comedy freaks who have been jonesing for a contemporary musical that will bring back, in some new form, the golden…

SOURCE: Stage and Cinema at 8:49am on April 30, 2019

Theater Review: BRIGHT STAR (Candlelight Pavilion Dinner Theater in Claremont) by Lawrence Lucero

OH MY STAR! Bright Star is a heartwarming musical written by Steve Martin and Edie Brickell inspired by their 2013 bluegrass album Love Has Come for You. The show had a Broadway run in the s…

SOURCE: Stage and Cinema at 8:49am on April 30, 2019

Off-Broadway Review: FIDDLER ON THE ROOF IN YIDDISH (Stage 42) by Harvey Perr

SO WHAT'S NOT TO LIKE? As Shakespeare said, "Good wine needs no bush." Thus, there is no need to add to what New Yorkers have already discovered, that no matter how many productions of Fiddl…

SOURCE: Stage and Cinema at 8:49am on April 30, 2019

Broadway Review: GARY: A SEQUEL TO TITUS ANDRONICUS (Booth Theatre) by Harvey Perr

SEND IN THE CLOWNS A bloody war is ended. The bodies pile up. Who will clean up the mess? What to do? What to do? Oh, yes. Send in the clowns. On this note, Taylor Mac, the certified genius …

SOURCE: Stage and Cinema at 3:42pm on April 27, 2019

Theater Review: HAMLET (Chicago Shakespeare) by Lawrence Bommer

THE PARALYZED PRINCE Century after century, thespian tyro after marquee headliner, something remains rotten in the state of Denmark. A defining challenge for thousands of careers, Hamlet …

SOURCE: Stage and Cinema at 3:14pm on April 27, 2019

Theater Review: TIME NO LINE (John Kelly) by Harvey Perr

TEMPUS FUGIT There are great performance artists and, rarer still, there are great artists who perform. John Kelly is both. His Time No Line is a quietly breathtaking meditation on his life …

SOURCE: Stage and Cinema at 2:19am on April 27, 2019

Opera Review: MOBY-DICK (Chicago Opera Theater at the Harris Theater) by Lawrence Bommer

THE WHALE WINS There's only one more performance " on Sunday at 3 at the Harris Theatre " of Chicago Opera Theater's awesomely ambitious Moby-Dick, a nearly-three-hour 2010 epic with music b…

SOURCE: Stage and Cinema at 2:11pm on April 26, 2019

Theater Review: THE JUNGLE (Curran Theatre) by Lawrence Lucero

IT'S A JUNGLE IN HERE From 2015 to 2016, The Jungle was a makeshift camp in a landfill site in Calais, France, the port city where the Channel Tunnel to the UK begins. Inhabited by refugees …

SOURCE: Stage and Cinema at 5:54pm on April 25, 2019

Theater Preview: DIE, MOMMIE, DIE! (Los Angeles Theatre Works at UCLA) by Tony Frankel

SHE'S BA-A-A-CK AND SHE'S FA-A-A-ABULOUS Charles Busch's play Die, Mommie, Die! is equal parts Greek comic-tragedy and Hollywood kitsch " a melodramatic campy cult classic in the vein of 196…

SOURCE: Stage and Cinema at 4:53pm on April 25, 2019

Dance Review: ACROSS THE POND (Joffrey Ballet at the Auditorium Theatre) by Lawrence Bommer

BRITAIN'S BALLET FINDS CHICAGO Springing into the season, the Joffrey Ballet's current visit to the Auditorium Theatre delivers very welcome art " two world premieres and a Chicago first. Ac…

SOURCE: Stage and Cinema at 12:34pm on April 25, 2019

Theater Review: TWO DAYS IN COURT: Benet's THE DEVIL AND DANIEL WEBSTER and Gilbert and Sullivan's TRIAL BY JURY (City Lit) by Lawrence Bommer

TWIN TRAVESTIES (OF JUSTICE) ARE DOUBLE THE FUN Order in the court! Closing its season with dueling gavels, City Lit Theater offers Two Days in Court in only 90 minutes. Merrily combining…

SOURCE: Stage and Cinema at 4:17pm on April 24, 2019

Dance Review: GRIMM TALES (Ballet Austin) by Tony Frankel

BEST WHEN IT'S GRIM GRIMM Born in Austin and now living in New York City, artist Natalie Frank created 75 works based on the stories of Jacob and Wilhelm Grimm. Using gouache and chalk paste…

SOURCE: Stage and Cinema at 8:42pm on April 22, 2019

Theater Review: JAY JOHNSON: THE TWO AND ONLY (Tour) by Milo Shapiro

THE VOICE BEHIND THE VOICES Ventre Loqui: To speak from the belly. This is the etymology of the word ventriloquism, an art as old as … well, it depends who you ask. For some, there is no o…

SOURCE: Stage and Cinema at 6:56pm on April 21, 2019

Off-Broadway Theater Review: SOCRATES (The Public) by Dmitry Zvonkov

SOC ON THIS Perhaps one of the reasons Socrates has become a god-like figure in the world of philosophy is that we know very little about the actual man who existed during the dawn of writin…

SOURCE: Stage and Cinema at 11:39pm on April 20, 2019

Theater Review: FALSETTOS (National Tour) by Tony Frankel

NOT ONE FALSE NOTE The musical masterpiece Falsettos follows Marvin, an appealing, brainy, anxious, obsessive, wealthy Jewish gay man who struggles to create a tight-knit family out of hi…

SOURCE: Stage and Cinema at 1:15pm on April 18, 2019
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