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10,593 stories from A Younger Theatre

Review: Home Chat, Finborough Theatre by Olivia Gibbs-fairley

It's not often that you see Noel Coward plays and rarer still that you see them performed in such a space as Finborough Theatre. With possibly more actors on stage than people in the front r…

SOURCE: A Younger Theatre at 2:44pm on September 5, 2016

Review: Alder and Gibb, Unicorn Theatre by Rebecca Jones

It has been a couple of years since Tim Crouch's Adler and Gibb doused the Royal Court stage with its unfurling question of reality versus art and whether or not there is value in either. Wh…

SOURCE: A Younger Theatre at 8:22am on September 3, 2016

Review: Revolt. She Said. Revolt Again, Shoreditch Town Hall by Rebecca Latham

Originally an RSC commission in 2013, Alice Birch was asked, along with three other female writers, to respond to the provocation that well behaved women seldom make history. The result is a…

SOURCE: A Younger Theatre at 8:22am on September 3, 2016

Review: Ruby, The Bread and Roses Theatre, Clapham by James Bell

A young woman is alone in a small but tidy flat, doing yoga on a pink floor mat. She stops, catches her breath and opens a bottle of wine. As she sips she stares pensively into the middle di…

SOURCE: A Younger Theatre at 6:08pm on September 1, 2016

Review: The Entertainer, Garrick Theatre by Tal Fox

Many revivals find ways to update their production to engage a modern audience. Unfortunately, despite its name, The Entertainer wasn’t all that entertaining. The Entertainer takes us …

SOURCE: A Younger Theatre at 11:46am on September 1, 2016

Edinburgh Fringe Review: Lucy McCormick: Triple Threat, Underbelly Cowgate by Alastair Curtis

Look away now if you're easily offended. Lucy McCormick's Triple Threat begins as it means to go on: with McCormick's highly-sexed and potty-mouthed Virgin Mary making free with a crucifix o…

SOURCE: A Younger Theatre at 6:21pm on August 31, 2016

Edinburgh Fringe Review: Spool, Greenside at Nicolson Square by Alastair Curtis

During the time they have been at this year's Fringe, friends and collaborators Otto Farrant and Finn Cooke have stayed tied together by rope. From this intimate experience has arisen Spool,…

SOURCE: A Younger Theatre at 6:21pm on August 31, 2016

Edinburgh Fringe Review: All Quiet on the Western Front, Pleasance Courtyard by Alastair Curtis

In this, the centenary year of the Battle of the Somme, Incognito Theatre's all-male ensemble have adapted Erich Marie Remarque's All Quiet on the Western Front, a blistering evocation of li…

SOURCE: A Younger Theatre at 6:21pm on August 31, 2016

Edinburgh Fringe Review: Eurohouse, Summerhall by Alastair Curtis

Eurohouse begins with the audience holding hands in a circle. It is a simple but symbolic act in a piece that takes a sideways look at the once harmonious partnerships created by the Europea…

SOURCE: A Younger Theatre at 6:21pm on August 31, 2016

Edinburgh Fringe Review: Expensive Shit, Traverse Theatre by Alastair Curtis

Adura Onashile's new play Expensive Shit rises to its title, travelling between the bogs of a grimy modern-day Glasgow nightclub and The Shrine club in 1970s Lagos. Peering into Karen Tennen…

SOURCE: A Younger Theatre at 6:21pm on August 31, 2016

Edinburgh Fringe Review: Counting Sheep, Summerhall @ The King's Hall by Alastair Curtis

In February 2014, Kiev's Maidan Square was overtaken by protesters taking a stand against their corrupt president Viktor Yanukovych and his increasingly anti-EU, pro-Russian rule. What ensue…

SOURCE: A Younger Theatre at 6:21pm on August 31, 2016

Review: Heartbeats and Algorithms, Soho Theatre Upstairs by Lucy Streeten

Heartbeats and Algorithms is a chilling tale for the tech-savvy millennial: you are what you click; your search history defines you. Think you're spontaneous? Think again. In her one-woman s…

SOURCE: A Younger Theatre at 5:14pm on August 31, 2016

Review: Cats, Selfies and the Scattered Mind of the Incurable Dreamer, The Space by Hattie Pierce

Cats, Selfies and the Scattered Mind of the Incurable Dreamer is a verbal collage; a comedic piece of internet verbatim which is also a loosely coherent narrative about two strangers connect…

SOURCE: A Younger Theatre at 4:09pm on August 31, 2016

Review: Extremities, Theatro Technis by Holly O'Mahony

What if an attempted rape cannot be proven? What if, by the time any witnesses show, the attacker appears the bloodied, tied-up victim, and the victim seems to have become the ruthless, craz…

SOURCE: A Younger Theatre at 4:09pm on August 31, 2016

Edinburgh Fringe Review: Sonder, Theatre Arts Exchange by Steph J. Watkins

Sonder is a physical theatre piece devised by a group of young adults. It is about feelings of loneliness, and presses its audience to understand that people you pass everyday have their own…

SOURCE: A Younger Theatre at 1:02pm on August 31, 2016

Protected: Offer: Free tickets to The Donmar Shakespeare Trilogy at King's Cross by Rebekah Ellerby

There is no excerpt because this is a protected post. The post Protected: Offer: Free tickets to The Donmar Shakespeare Trilogy at King's Cross appeared first on A Younger Theatre.

SOURCE: A Younger Theatre at 2:42pm on August 30, 2016

Edinburgh Fringe Review: Ordinary Days, C Too by Steph J. Watkins

Ordinary Days is a show that is very close to my heart. It involves intricate writing from Adam Gwon which tell the story of four New Yorkers and how accidental incidents can bring people cl…

SOURCE: A Younger Theatre at 6:15pm on August 29, 2016

Edinburgh Fringe Review: Dirty Glitter, The Space on the Mile by Steph J. Watkins

Any show " good or bad " that supplies genuine intrigue from the very moment you walk through the door, as you are greeted with a sea of staring faces, is certainly going to be memorable. Di…

SOURCE: A Younger Theatre at 5:06pm on August 29, 2016

Review: The Trial, Jack Studio Theatre by Laura Gilbert

Entering the Brockley Jack Studio, the audience also enters into the emotional world of Joseph K, as we watch the production's sole actor Brendan O'Rourke crawl about on his hands and knees,…

SOURCE: A Younger Theatre at 11:58am on August 29, 2016

Review: The Roundabout, Park Theatre by Franciska Éry

JB Priestley’s little known play The Roundabout is a light comedy about the class system in 1930s England. Richard Kettlewell (Brian Protheroe), a wealthy businessman is losing all his…

SOURCE: A Younger Theatre at 11:58am on August 29, 2016

Review: The Taming of the Shrew, Etcetera Theatre by Naomi Kerrigan Asress

Marking Shakespeare’s 400-year anniversary, Get Over It Productions, perform one of his classic comedies to commemorate their own 10 year stint at Camden Fringe. The Taming of the Shre…

SOURCE: A Younger Theatre at 11:58am on August 29, 2016

Review: Much Ado About Nothing, Selfridges by Tal Fox

This year, marking Shakespeare’s 400th anniversary, has been the perfect time to get into Shakespeare, or renew your undying love for the Bard, with multiple modernised and varied adap…

SOURCE: A Younger Theatre at 10:47am on August 29, 2016

Review: The Reluctant Fundamentalist, Finborough Theatre by Fergus Morgan

First a novel, then a film, now a play, Mohsin Hamid's The Reluctant Fundamentalist's prolonged shelf life is proof that it is a story for our times. This first ever stage adaptation by Step…

SOURCE: A Younger Theatre at 10:47am on August 29, 2016

Review: Little Shop of Horrors, The New Wimbledon Theatre by Katie Walsh

The storyline of Alan Menken and Howard Ashman's cult classic, Little Shop of Horrors, is well known. Mushnik's flower shop is a haphazard, run down enterprise, which hasn't had a customer w…

SOURCE: A Younger Theatre at 9:26am on August 29, 2016

Review, The Dark Tower, The Bussey Building by Rebecca Latham

Set over three levels of Peckham's popular cultural hub The Bussey Building, the Youth Music Theatre company deliver an energetic but chaotic musical hinged on a quest. At the heart of the s…

SOURCE: A Younger Theatre at 12:55pm on August 27, 2016
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