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4,024 stories from http://www.theaterscene.net

The Good Girl by Courtney Marie

The chemistry between Gabriel and Baessato is fierce and electrifying as they get to know each other, and intensifies as Van begins to observe the human-like behavior of the robot and is det…

SOURCE: www.theaterscene.net at 11:43am on February 21, 2016

The White Stag Quadrilogy by Ryan Mikita

An element of "The White Stag Quadrilogy" which cannot go overlooked is the amount of dancing incorporated into the production. In lieu of proper production techniques, Wolfert and company i…

SOURCE: www.theaterscene.net at 11:54pm on February 20, 2016

Prodigal Son by Victor Gluck, Editor-in-chief

Television and film actor Timothée Chalamet (Showtime's "Homeland" and Christopher Nolan's "Interstellar") makes an impressive New York stage debut as the play's young protagonist. The role…

SOURCE: www.theaterscene.net at 11:44pm on February 16, 2016

Alwin Nikolais Celebration by Joel Benjamin

A constant criticism of Nikolais' work is that he "de-humanized" his dancers by putting them into odd, sculptural costume constructions and giving them "mechanical" movements. This program …

SOURCE: www.theaterscene.net at 1:58pm on February 16, 2016

The Woodsman by Victor Gluck, Editor-in-chief

The forest setting by Ortiz seems to envelop the audience as does the sound design which is created by the actors in tandem with violinist Naomi Florin who plays Edward W. Hardy's melancholy…

SOURCE: www.theaterscene.net at 10:57pm on February 15, 2016

Cabin in the Sky by Darryl Reilly

Director Ruben Santiago-Hudson has inventively and thoughtfully staged the show with vibrant precision. Mr. Santiago-Hudson's work combined with Camille A. Brown's often stunning choreograp…

SOURCE: www.theaterscene.net at 8:59pm on February 14, 2016

Adults Only by Ryan Mikita

Directed by Alex Correia, the seven different plays presented each serve a purpose. "The Heart Attack," which opens the show, is solemn yet silly. Taking place in a hospital, Nate Rollins is…

SOURCE: www.theaterscene.net at 11:11am on February 12, 2016

Soaking WET 2016 by Joel Benjamin

There are relatively few venues, even in dance crazy NYC, where fledgling choreographers can work on their craft in a totally professional environment.  Soaking WET at the West End Theate…

SOURCE: www.theaterscene.net at 3:47pm on February 11, 2016

Defendant Maurice Chevalier by Darryl Reilly

His great grandnephew, the French-born and raised Alexis Chevalier has written this well researched play with music that is based in part on Maurice Chevalier's memoirs. It is structurally …

SOURCE: www.theaterscene.net at 1:09am on February 11, 2016

Fiddler on the Roof by Victor Gluck, Editor-in-chief

Do not expect an exact reproduction of the original which after four revivals is probably to the good. With the consent of lyricist Sheldon Harnick, the only surviving creator, Sher has adde…

SOURCE: www.theaterscene.net at 2:10pm on February 10, 2016

Broadway & the Bard by Victor Gluck, Editor-in-chief

At the top of the show Cariou tells us that he made his Broadway debut in the Stratford Connecticut Shakespeare Festival's transfer of "Henry V" in 1969 and six months later in the spring of…

SOURCE: www.theaterscene.net at 11:25pm on February 9, 2016

Utility by Victor Gluck, Editor-in-chief

Schwend's dialogue is realistic, believable, and true to life, as are the characters. As a play, however, it is a bit of a downer as we watch Amber become wearier without any relief in sight…

SOURCE: www.theaterscene.net at 11:27pm on February 8, 2016

O, Earth by Victor Gluck, Editor-in-chief

Nevertheless, Wills' production is continually taking us by surprise both by his casting and his choices. His transgendered characters are played by transgendered actors. Moran's Wilder and …

SOURCE: www.theaterscene.net at 11:34pm on February 7, 2016

Midtown Int'l Theatre Festival Spring: March 7 " 27, 2016

Powerful and unique themes pervade this series of works including spirituality and "the other side;" sexuality and relationships and its burgeoning diversity; the power of - and within - wom…

SOURCE: www.theaterscene.net at 7:28am on February 7, 2016

Chatting with the Tea Party by Ryan Mikita

Cast as the curious playwright Rich, actor Jeffrey C. Wolf is the central focus of the evening. Wolf narrates the play by way of a series of monologues, which preface interviews with various…

SOURCE: www.theaterscene.net at 11:13pm on February 6, 2016

Company XIV's Snow White by Darryl Reilly

Company XIV founder, director and choreographer Austin McCormick recycles his stylistic techniques that include a having troupe of physically attractive and dynamic dancers in skimpy costume…

SOURCE: www.theaterscene.net at 10:14pm on February 4, 2016

Dada Masilo's Swan Lake by Joel Benjamin

In the course of a single hour, Ms. Masilo managed to tell the basic story of Swan Lake"albeit a reconfigured version in which the Prince, Siegfried (a wiry, stalwart Songezo Mcilizeli) want…

SOURCE: www.theaterscene.net at 9:21pm on February 4, 2016

I and You by Victor Gluck, Editor-in-chief

So begins a remarkable comedy-drama of two very opposite teenagers who shouldn't have met and wouldn't have if Anthony had not chosen the reclusive, mysterious Caroline for his partner. The …

SOURCE: www.theaterscene.net at 6:40pm on February 4, 2016

Monte Cristo by Courtney Marie

safe guess would be that most audiences coming to see New Light Theater Project's adaptation of Alexandre Dumas' "The Count of Monte Cristo," one of most classic and exhilarating works of al…

SOURCE: www.theaterscene.net at 6:21pm on February 3, 2016

Sojourners by Darryl Reilly

Ms. Udofia's dialogue is richly expressive and she renders the four characters with depth and detail. The relationships between the characters are fully explored and their interactions wher…

SOURCE: www.theaterscene.net at 4:48pm on February 3, 2016

The Burial at Thebes by Darryl Reilly

Robert Langdon Lloyd's eloquent performance as the blind prophet Tiresias energizes what had been a stilted presentation of this small-scale production of "The Burial at Thebes." Before Mr.…

SOURCE: www.theaterscene.net at 10:46pm on February 1, 2016

Tonight/Jungle: Two Plays by Philip Ridley by Victor Gluck, Editor-in-chief

Both teenagers are desperate for our approval and understanding of their lives and what they did, unlike the tabloids which have apparently had headlines branding them as monsters. Listening…

SOURCE: www.theaterscene.net at 3:39pm on January 31, 2016

Noises Off by Victor Gluck, Editor-in-chief

While Frayn's roles are juicy parodies of very specific kinds of people, for the laughs to roll in one on top of the other, the play must be performed fast enough that we don't have time to …

SOURCE: www.theaterscene.net at 11:35pm on January 29, 2016

A Dream of Red Pavilions by Victor Gluck, Editor-in-chief

A Dream of Red Pavilions is set in 18th century China during the reign of Emperor Qianlong. The framing story which gives the plot its mythic quality involves a stone and a flower that are r…

SOURCE: www.theaterscene.net at 5:56pm on January 29, 2016

The Gambler by Victor Gluck, Editor-in-chief

Director Lordi-Kirkham has unaccountable staged the play as though it were a radio play or a reading, making it more talky and static than it needs to be. While the text is faithful to the R…

SOURCE: www.theaterscene.net at 11:41pm on January 27, 2016
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