Broadway & Beyond: Access for Stage Managers of Color to hold hybrid networking event
The organization unites early-career stage managers and industry professionals.
The organization unites early-career stage managers and industry professionals.
The musical is adapted from the Nicholas Sparks novel of the same name.
From her "Broadway Vlog to Save the Planet" to her collaboration with the Broadway Green Alliance, the actor will showcase Broadway as an example before the United Nations.
The Britney Spears jukebox musical plays the Marquis Theatre.
The production will open on Broadway in 2024 following a national tour.
Director-choreographer Josh Rhodes on transferring the production from the Kennedy Center's Broadway Center Stage series
For the week ending July 30, the 28 currently running productions grossed $31,189,129.
The appointment comes as New Dramatists searches for a new space.
Best known as the Tony Award-nominated scribe of "Slave Play," Harris most recently produced "The Sign in Sidney Brustein's Window."
The world-premiere production will play the American Airlines Theatre beginning in October.
Going a step beyond authentic casting
Salonga plays the role of Aurora Aquino.
Before the musical closes, Beowulf Boritt and Ken Billington reflect on the craft required to evoke the feel of the metropolis.
Eyring is the first woman to hold the position.
The world premiere of Jocelyn Bioh's play is slated to open on Broadway this fall.
McCalla will take over the role of Maizy.
The play by Branden Jacobs-Jenkins also sets dates as part of Second Stage's season.
The former MTC executive producer exited the nonprofit in June.
Stars Arielle Jacobs and Lea Salonga share about connecting with their cultural roots onstage.
This marks the first time the Broadway League's ongoing program will be hosted during the summer.
Kent McIngvale & Company begins operations this week.
The new play by Jocelyn Bioh is set to bow on Broadway in September.
For the week ending July 23, the overall box office increased by 2%.
Sandy Rustin's version of a drawing room farce falls short of both feminism and comedy.
Longtime industry accountants Sarah Galbraith and Robert Fried explain the ins and outs of the profession and why it's vital to Broadway.