Love, Incorporated - Reviewed by NICOLE VILLENEUVE
Despite its trite premise, "Love, Incorporated" somehow manages to worm its way into your heart.
Despite its trite premise, "Love, Incorporated" somehow manages to worm its way into your heart.
While this collection of one-acts and poetry has something for everyone, it casts such a wide net that its appeal, in the end, is diluted.
The four short plays in this year's "Summer Shorts 2: Series A" make a nicely diverse mix, running the gamut from tragedy to black comedy.
In focusing the spotlight on Ager, has Moody done him any favors? The answer comes down on the shady side of a thick line.
True to its title, "Do Not Disturb" may never deeply disturb or excite, but you have to credit it as a well-executed showcase for promising writing talents and committed performers.
Anne Bobby coolly and confidently steals Keith Reddin's hilarious and tragic play.
Comprising three one-acts about the geriatric inhabitants of a Florida apartment complex, "Flamingo Court" is served up as unabashed catnip for the senior crowd.
Health insurance for actors -- just the FAQs
Substance abuse and addiction are familiar stories for actors.
Bearing in mind that Richard Rodgers was a notorious stickler about hearing his songs performed as he wrote them, I wondered what he would have made of the (perhaps well-intentioned) travest…
Kenny Mellman has set himself an enormous task in his chamber musical.
As former first lady and presidential hopeful Hillary Clinton, Heidi J. Dallin gives a nomination-worthy performance.
For the man whose back is the first image of "First Love," a theatrical version of a 1946 short story by Samuel Beckett, being discovered by outsiders is the last thing he wants.
Among the many jaw-dropping aspects of "Opa!" is the news that someone is purportedly taking the Greek musical to Broadway in the future.
Plants make wonderful pets and not such bad musicals. Such are the lessons of Joe Iconis' "The Plant That Ate Dirty Socks," based on the book by Nancy McArthur whose title more or less serve…
Actor Susan Louise O'Connor proves with Larry Kunofsky's hilarious and heartbreaking new comedy that she's pretty much cornered the market on booze-swilling, self-dramatizing women.
Idealism and practicality clash in Richard Nelson's incisive 1989 comedy centering on a group of Yankee academics on a London theatre trip.
The Town Hall stage groaned under the weight of talent last week when Scott Siegel unleashed the second annual "Broadway Rising Stars" show.
This is an imperfect production of an imperfect play. And it's a lot better than whatever soap opera you've been watching reruns of.
Viewed through the lens of her play, Lisa Ramirez hasn't met any women who are satisfied with their lives.
The best female singing in a room - any room - so far this annum this side of Marilyn Maye.
Despite the presence of two intriguing performers, "Mythellaneous" is only marginally likable.
Subtitled "A Big Epic Naked Ridiculous Shakespearean Fairy Tale Play for Adults," "Prince Trevor Amongst the Elephants" contains a mélange of styles that reveals a profound identity c…
"The Ghost Dancers" is a dull, amateurishly rendered production of Adam Hunault's 90-minute play about the unfair treatment of the Lakota Sioux by the U.S. government.
When a tunesmith has a highly personal style, the potential exists for the songs to begin to sound alike after the fifth or sixth or even the third or fourth ones.