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10,593 stories from A Younger Theatre

Review: No Man's Land, Wyndham's Theatre by Fred Maynard

This production of Harold Pinter's drawing-room puzzler returns to its spiritual home in the West End after a long time traversing America (originally in rep with Waiting for Godot in 2013) …

SOURCE: A Younger Theatre at 4:25pm on September 22, 2016

Review: Bedtime Stories, London Wonderground by Briony Rawle

I have often heard older millennials like me bemoaning a recent slump in the quality of live children's entertainment on TV. Our parents had Crackerjack, and we had SMTV Live, but kids nowad…

SOURCE: A Younger Theatre at 4:25pm on September 22, 2016

Review: The Greater Game, The Southwark Playhouse by Calum McIntosh

Michael Head's new play The Greater Game tells the true story of a group of young professional footballers who sign up to fight in the First World War. Encouraged by their manager (Nick Hanc…

SOURCE: A Younger Theatre at 6:01am on September 21, 2016

Review: Paradise of the Assassins, Tara Arts by Breman Rajkumar

This is a well-intentioned production by Theatre Accord in association with Tara Arts that examines the capacity for and dependence on mind control in organized religion. Adapted from Abdul …

SOURCE: A Younger Theatre at 4:45am on September 21, 2016

Review: The Breaks in You and I, The Hope Theatre by Paul McArthur

'The Breaks In You And I' written by contemporary writer and comedian Lizzie Milton, is a hilarious, heartfelt, and passionate account of a mutually corrosive relationship between characters…

SOURCE: A Younger Theatre at 3:38pm on September 19, 2016

Review: She Ventures and He Wins, The Rose Playhouse by Jessica Handscomb

Written in 1695 by a woman simply known as 'Ariadne', She Ventures and He Wins was one of six plays showcased at The Rose Playhouse as part of 'A Festival Celebrating Pioneering Women Playwr…

SOURCE: A Younger Theatre at 2:35pm on September 19, 2016

Review: Burning Bridges, Theatre 503 by Rebekah Ellerby

Have you ever imagined what it would feel like not to be able to read people's facial expressions? To be able to memorise brilliantly? To be pigeon holed as a type because of your diagnosis?…

SOURCE: A Younger Theatre at 2:35pm on September 19, 2016

Review: When We Are Married, York Theatre Royal by Adam Bruce

I feel like the much-loved Northern Broadsides' last two productions of King Lear and The Merry Wives, while hitting the marks in some places, really didn’t seem to be hitting the rest…

SOURCE: A Younger Theatre at 2:35pm on September 19, 2016

Review: The Dream Factory, The Little Angel Theatre by Emily May

"In a land where anything is possible, no imagination is too big for our dream factory.  Not even yours." This is the claim made by House of Stray Cats in the description of their latest …

SOURCE: A Younger Theatre at 9:21am on September 19, 2016

Review: A Lovely Sunday for Creve Coeur, The Print Room at the Coronet by Dani Kolanis

A Lovely Sunday for Creve Coeur is one of Tennessee Williams' lesser-known, yet brilliant, plays. Set in 1930s St Louis, the play follows the wispy and love swept Dorothea (Laura Rogers) as …

SOURCE: A Younger Theatre at 8:20am on September 19, 2016

Review: Gallows Rope, Bread and Roses Theatre by Emily May

Gallows Rope seeks to explore issues peculiar to twenty-first century London. Solitary existence, overpopulation, and Londoner's inability to communicate with people sat opposite them are…

SOURCE: A Younger Theatre at 4:12pm on September 18, 2016

Review: Dinner at the Twits, The Vaults Waterloo by Daniel Perks

2016 marks the 100-year anniversary of Roald Dahl's birth. A writer with spirit, humanity and guts, his books have become a childhood staple for generations of youngsters looking to escape t…

SOURCE: A Younger Theatre at 4:12pm on September 18, 2016

Review: Party Trap, Shoreditch Town Hall by Hattie Pierce

Ross Sutherland's first drama Party Trap is an entirely palindromic play (title included) in which every line in the first half of the play is repeated in reverse in the second. Out of these…

SOURCE: A Younger Theatre at 4:12pm on September 18, 2016

Review: In Our Hands, New Diorama by Fred Maynard

In terms of nautical drama the perils of EU fishing quotas are hardly up there with perfect storms or doomed lovers colliding with icebergs, but Smoking Apples have nevertheless carried off …

SOURCE: A Younger Theatre at 4:12pm on September 18, 2016

Review: Il barbiere di Siviglia, Royal Opera House by Lydia Lakemoore

The Royal Opera House hosts an utterly triumphant revival of Moshe Leiser and Patrice Caurier's production of Gioachino Rossini and Cesare Sterbini's classic opera Il barbiere di Siviglia (t…

SOURCE: A Younger Theatre at 3:10pm on September 18, 2016

Feature: HighTide Festival " showcasing vital new work by Hannah Marsh

Celebrating its 10th year, HighTide Festival is a vital platform for emerging new work. Ten days of premieres of new work, talks, readings, comedy and cabaret in the seaside town of Aldeburg…

SOURCE: A Younger Theatre at 3:10pm on September 18, 2016

Review: Jess and Joe Forever, Orange Tree Theatre by Lucy Streeten

The success of Zoe Cooper's Jess and Joe Forever is emblematic of why fostering new writing is so important. Originally commissioned by Old Vic New Voices and a co-production between Oran…

SOURCE: A Younger Theatre at 3:10pm on September 18, 2016

Blog: Pay inequality and political unrest, why Made in Dagenham resonates so acutely by Loren O'Dair

On the way to the Queens Theatre for our first day of tech rehearsals for Made in Dagenham, my eyes are drawn to the leading article on the Guardian homepage: "UK women still far adrift on s…

SOURCE: A Younger Theatre at 2:48pm on September 16, 2016

Review: Anniversary, West Yorkshire Playhouse by Adam Bruce

For the most part, theatre has always prided itself on being a workplace of diversity and equal opportunities. However, it's been fairly noticeable that there aren't that many opportunities …

SOURCE: A Younger Theatre at 2:48pm on September 16, 2016

Review: 27, Cockpit by Fred Maynard

The intentions in this new musical, a retelling of the Orpheus legend in the form of an 80s rock opera, are no doubt good. The title derives from the age at which Amy Winehouse, Kurt Cobain …

SOURCE: A Younger Theatre at 5:34pm on September 15, 2016

Review: BigMouth/SmallWaR, The Pit at the Barbican by Paul McArthur

BigMouth and SmallWaR directed by and starring the one man powerhouse that is Valentijn Dhaenens, are performance pieces with text based around the theme of war. The first a tribute to…

SOURCE: A Younger Theatre at 5:34pm on September 15, 2016

Review: Giant, Greenwich Theatre by Naomi Kerrigan Asress

Giant opens to London audiences after a successful run in Edinburgh.  The Human Zoo Theatre Company welcomes and interacts with the audience as they are getting seated. This is very surpr…

SOURCE: A Younger Theatre at 4:26pm on September 15, 2016

Review: Two Man Show, Soho Theatre by Olivia Gibbs-fairley

With such a vast number of shows at the Edinburgh Fringe Festival this year, it is not surprising that I wasn't able to see everything I wanted to. That's why I was so relieved that RashDash…

SOURCE: A Younger Theatre at 6:13am on September 14, 2016

Review: The Girl Who Fell in Love With the Moon, Greenwich Theatre by Naomi Kerrigan Asress

The Girl Who Fell In Love With The Moon is an imaginative, whimsical and captivating piece about our obsession with the skies above. Entering  Greenwich Theatre, the audience are exposed …

SOURCE: A Younger Theatre at 4:00am on September 14, 2016

Review: Lottery, New Diorama Theatre by Jessica Handscomb

 On the stage sits two chairs, a desk, and a curtain. All composed of or smothered in shredded paper. Washed over with a blue light, it looks cold and uninviting. Written by Simon Paris, …

SOURCE: A Younger Theatre at 5:40pm on September 12, 2016
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