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10,593 stories from A Younger Theatre

Review: Father Comes Home from the Wars, Royal Court by Steph J. Watkins

The Royal Court Theatre is the producing house par excellence when it comes to epic new writing, tackling intense subjects tastefully and professionally, never failing to disappoint. Father …

SOURCE: A Younger Theatre at 8:27am on October 7, 2016

Review: Getting Better Slowly, New Diorama by Franciska Éry

Getting Better Slowly (which, cleverly, is GBS for short) is a piece created by Adam Pownall, who was affected by Guillain-Barré Syndrome. This is his story, adapted by Nick Wood into an ev…

SOURCE: A Younger Theatre at 12:02pm on October 6, 2016

Review: Carlos Acosta: The Classical Farewell, Royal Albert Hall by Emily May

Carlos Acosta, world famous Cuban ballet prodigy is hanging up his ballet shoes and bidding farewell to the demands of Classical performance. It feels as if he's been saying goodbye forever,…

SOURCE: A Younger Theatre at 11:05am on October 6, 2016

Review: No's Knife, Old Vic by James Bell

In a way you know what you get with Beckett. The sparse, unsentimental text; the ghostly, post-apocalyptic staging. But a new performance or, even more excitingly in this case, a new work, b…

SOURCE: A Younger Theatre at 3:50pm on October 5, 2016

Review: Torn, Royal Court by Annie Starkey

The intimate and inclusive in-the-round set up of the Royal Court's Jerwood Theatre Upstairs was a fitting choice to play host to Nathaniel Martello-White's new play Torn, which serves to ex…

SOURCE: A Younger Theatre at 2:42pm on October 5, 2016

Blog: Paul Warwick on adapting Shakespeare by Paul Warwick

Paul Warwick is a director and producer and co-founder of China Plate. Macbeth – Blood Will Have Blood is an adaptation of Shakespeare's play aimed at 9-13 year-olds, written by Nick W…

SOURCE: A Younger Theatre at 2:58pm on October 4, 2016

Review: Don Giovanni, London Coliseum by Fred Maynard

What a frustrating show. Perhaps frustration is a suitable theme for an opera about the dangers of seeking to satisfy your every desire, but this version of Mozart and Da Ponte's classic is …

SOURCE: A Younger Theatre at 2:58pm on October 4, 2016

Review: Toy Soldier, Jack Studio Theatre by Naomi Kerrigan Asress

Jonathon Crewe's theatrical directing debut at the Jack Studio Theatre immerses the audience into what is probably unfamiliar territory for the majority. Toy Soldier, originally a radio play…

SOURCE: A Younger Theatre at 8:30am on October 4, 2016

Review: Fagin's Twist, The Place by Tal Fox

Initially the description of Fagin’s Twist suggests that the audience will learn more about Fagin’s background and how he became the man in Dickens' novel. However, this is inste…

SOURCE: A Younger Theatre at 7:30am on October 4, 2016

Review: Plastic Figurines, New Diorama Theatre by James Bell

Plays about family dynamics are hard to get right. Often they are stuffed with melodrama and unfold like an episode of Coronation Street, or they are lengthy, ponderous disquisitions on over…

SOURCE: A Younger Theatre at 3:25pm on October 3, 2016

Review: Villette, West Yorkshire Playhouse by Adam Bruce

The West Yorkshire Playhouse is well into its Autumn season, and is continuing to highlight the unique voices of some of Yorkshire’s finest literary craftswomen: the Brontë sisters.…

SOURCE: A Younger Theatre at 3:25pm on October 3, 2016

Review: Kindertransport, Chickenshed Southgate by Laura Gilbert

Chickenshed is a truly inspirational theatre company, well known for its education and outreach work, and its commitment to integration and inclusivity. Knowing this, one feels kindly dispos…

SOURCE: A Younger Theatre at 3:25pm on October 3, 2016

Review: Girls, Soho Theatre by Danny Shanahan

Girls is a play which likes to play around with expectations. It begins in a forest, in an unnamed African country, with the three eponymous girls chatting innocuously about sex and relation…

SOURCE: A Younger Theatre at 3:25pm on October 3, 2016

Review: Natalia Osipova Triple Bill, Sadler's Wells by Emily May

Natalia Osipova has followed the lead of French prima-ballerina Sylvie Guillem by throwing herself into the world of contemporary dance in her first self-commissioned programme. Supported by…

SOURCE: A Younger Theatre at 2:15pm on October 3, 2016

Review: The Libertine, Theatre Royal Haymarket by Jessica Handscomb

John Wilmot, the 2nd Earl of Rochester, was the licentious libertine who embodied the spirit of the Restoration era. After King Charles II returned to the throne in 1660, most of the country…

SOURCE: A Younger Theatre at 6:31am on October 3, 2016

Review: A Regular Little Houdini, York Theatre Royal by Adam Bruce

One man shows always fascinate me. When experiencing these types of shows as a spectator, you feel obliged to return to a time when you were told stories by your parents.  Theatre is an e…

SOURCE: A Younger Theatre at 5:02pm on October 1, 2016

Review: Pigeon English, Ambassadors Theatre by Felix Clutson

In an unspecified area of London, Hari, 11, along with his sister Lydia and Mamma, are fresh off the plane from Ghana, leaving behind his father, baby sister Agnes and his grandmother. He re…

SOURCE: A Younger Theatre at 4:00am on September 30, 2016

Review: Some Small Love Story, The Gillygate, York by Adam Bruce

Whether you like their work or not, you can't deny that the Flanagan Collective are always trying to come up with something new and original, and more often than not, something that tries to…

SOURCE: A Younger Theatre at 3:24am on September 27, 2016

Blog: How to Kill your Husband: Smashing the patriarchy in four-part harmony by The Ruby Dolls

Forget Glee. Harmony singing is dangerous. It can kill. We know about its power, and its versatility. And now we are going deep into the forbidden room of Bluebeard's castle to reveal our bl…

SOURCE: A Younger Theatre at 2:19am on September 27, 2016

Review: The Collector, York Theatre Royal by Adam Bruce

It's always interesting to see where Fringe shows end up after their stint in Edinburgh. Some shows disappear, while others re-emerge years later with renewed vigour and poise. The latter is…

SOURCE: A Younger Theatre at 10:51am on September 26, 2016

Review: Out There, Union Theatre by Rebecca Gwyther

In the current theatre climate there is an incredible necessity and desire for new musicals. The UK is being left behind as Broadway streaks ahead in its musical creations, with Hamilton and…

SOURCE: A Younger Theatre at 9:48am on September 26, 2016

Competition: Win tickets to Shopping and F***ing at the Lyric Hammersmith by A Younger Theatre

Win a pair of tickets to see Shopping and F***ing at the Lyric Hammersmith Shopping and F***ing | 7 Oct – 5 Nov 2016 | Lyric Hammersmith Twenty years since its explosive prem…

SOURCE: A Younger Theatre at 9:48am on September 26, 2016

Review: Motion, Matthew's Yard, Croydon by Danny Shanahan

Motion is written, performed and 'sprouted from the minds of' Sally Reichardt and Rosie Frecker. It is a delightful play about the ambition of a cyclist and the people who motivate her to be…

SOURCE: A Younger Theatre at 8:50am on September 25, 2016

Review: The Complete Deaths, Shoreditch Town Hall by Rebekah Ellerby

Spymonkey have conducted a frankly ridiculous and boldly profane treatment of all 75 onstage deaths in the works of William Shakespeare – and then some. Spymonkey (a clown troupe of fo…

SOURCE: A Younger Theatre at 7:46am on September 25, 2016

Review: Dreamless Sleep, Arts Theatre by Holly O'Mahony

Dreamless Sleep is the latest play by young writer-director Georgie Staight. It's a cripplingly funny, raw and moving examination of a relationship between N (Niamh Watson) and H (Hannah Law…

SOURCE: A Younger Theatre at 3:25am on September 23, 2016
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