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4,024 stories from http://www.theaterscene.net

Head of Passes by Victor Gluck, Editor-in-chief

Tarell Alvin McCraney's "Head of Passes" is an advance over his earlier work seen in New York ("The Brother/Sister Plays," "Wig Out," "Choir Boy") in its attempt to take on bigger themes and…

SOURCE: www.theaterscene.net at 11:45pm on April 12, 2016

Primary by Darryl Reilly

Instead of a satirical take as in the film "The Candidate" (1972) or HBO's television series "Veep," the treatment of the subject here is realistic in the mode of Norman Lear's 1970's situat…

SOURCE: www.theaterscene.net at 11:28am on April 12, 2016

Ballet Hispanico by Joel Benjamin

The Ballet Hispanico wants to be meaningful while at the same time entertaining. It is a difficult course to chart"just look at the Alvin Ailey American Dance Theater"and, so far, the ente…

SOURCE: www.theaterscene.net at 7:39pm on April 11, 2016

Vincent by Darryl Reilly

Leonard Nimoy intended "Vincent" as a vehicle for himself that would showcase his talents. In this Off-Broadway premiere presented by Starry Night Theater, "Vincent" is now such an outlet f…

SOURCE: www.theaterscene.net at 11:40pm on April 10, 2016

House Rules by Ryan Mikita

Featuring a talented and engaging cast as well as an inventively designed set that adds tremendous production value, "House Rules" would seem to have all the necessary elements of a successf…

SOURCE: www.theaterscene.net at 10:49pm on April 10, 2016

Dave Douglas Meets The Westerlies by Jean Ballard Terepka

The Douglas-Westerlies music, whether its subject is lament or celebration, protest or affirmation, is artistically coherent: testing and stretching traditional genres, the music is about fo…

SOURCE: www.theaterscene.net at 9:46pm on April 10, 2016

Votes by Courtney Marie

Under Gabrielle L. Kurlander's intricate direction," Votes" presents a moving and personal picture of the real lives and feelings of an extremely powerful couple in America. Votes brings a m…

SOURCE: www.theaterscene.net at 1:04am on April 9, 2016

The Effect by Victor Gluck, Editor-in-chief

"The Effect" investigates the emotional, physical and ethical effects of drug testing, certainly a hot button issue in our time when we have come to expect a pill to solve all of our problem…

SOURCE: www.theaterscene.net at 11:29pm on April 8, 2016

Wonderful Town by Victor Gluck, Editor-in-chief

"Wonderful Town" is one of those musical comedies which seem to get better as they age due in this case to the classic quality of the Bernstein/ Comden & Green score and the witty book …

SOURCE: www.theaterscene.net at 3:55pm on April 8, 2016

On The Town … With Chip Deffaa .. April 4, 2016 by Chip Deffaa, Editor-at-large

it's significant that Steve Martin has won five Grammy Awards for albums he's made"two in the category of "comedy," and three in the category of "music." He loves to play the banjo (an ins…

SOURCE: www.theaterscene.net at 8:43am on April 8, 2016

Antlia Pneumatica by Darryl Reilly

Rachel Hauck's scenic design is the most outstanding feature of the interminable "Antlia Pneumatica." Ms. Hauck accurately and vividly represents the Texas ranch setting by an elaborate kit…

SOURCE: www.theaterscene.net at 12:29am on April 7, 2016

Ensemble Pamplemousse by Jean Ballard Terepka

And Ensemble Pamplemousse, an exciting and distinctive six-member "composer performer collective" founded in 2003, and performing at Miller Theatre for the first time, had all sorts of fine …

SOURCE: www.theaterscene.net at 10:58pm on April 6, 2016

From the Horse's Mouth Celebrates Gus Solomons Jr by Joel Benjamin

Nearly thirty speakers glorified Solomons, but none quite as well as himself who appeared in three bits that deftly paid tribute to"and simultaneously gently poked fun at"his two choreograp…

SOURCE: www.theaterscene.net at 12:59am on April 6, 2016

Cagney by Darryl Reilly

Shoving a grapefruit into Mae Clarke's face in "Public Enemy," George M. Cohan's "Yankee Doodle Dandy" song and dance numbers for which he won the Academy Award for Best Actor, and the "Top …

SOURCE: www.theaterscene.net at 3:13pm on April 5, 2016

Dry Powder by Victor Gluck, Editor-in-chief

Thomas Kail (one of the geniuses behind Hamilton) has staged the world premiere of Sarah Burgess' riveting "Dry Powder" in as cool a fashion as Rachel Hauck's cobalt blue set with its cubes …

SOURCE: www.theaterscene.net at 11:55pm on April 3, 2016

1776 by Darryl Reilly

The prime instigator of the events, John Adams, was rotund and abrasive. Here he is played by the handsome Santino Fontana who was Prince Charming in the recent Broadway production of Cinder…

SOURCE: www.theaterscene.net at 10:23am on April 3, 2016

Stupid Fu**ing Bird by Victor Gluck, Editor-in-chief

Posner has turned Chekhov's four-act play into two-part meta-theater: not only do the actors acknowledge the audience and solicit our participation, but they each have a monologue addressed …

SOURCE: www.theaterscene.net at 9:35pm on April 1, 2016

Hold On to Me Darling by Victor Gluck, Editor-in-chief

In the hands of someone other than Timothy Olyphant, Strings McCabe might be a self-pitying monster too extreme to take seriously. However, this brilliantly accomplished actor has just the r…

SOURCE: www.theaterscene.net at 4:47pm on March 31, 2016

Straight by Victor Gluck, Editor-in-chief

The authors of "Straight" would have you believe that in 2016 26-year-old straight- acting investment banker Ben, living in Boston where same sex marriages have been legal for the last eight…

SOURCE: www.theaterscene.net at 4:04pm on March 31, 2016

Locusts Have No King by Darryl Reilly

Much of "Locusts Have No King" by J. Julian Christopher appears to be in the well-mined terrain of Mart Crowley's "The Boys in the Band," Edward Albee's "Who's Afraid of Virginia Woolf?" and…

SOURCE: www.theaterscene.net at 1:05pm on March 31, 2016

Bright Star by Joel Benjamin

"Bright Star," the new bluegrass/country music comedy-drama, rises"just barely"above Hallmark Network romance level thanks to its energetic score by the Hollywood star, Steve Martin (music a…

SOURCE: www.theaterscene.net at 11:32pm on March 30, 2016

Julliard Dances Repertory 2016 by Joel Benjamin

This was a particularly satisfying showing by the Juilliard Dances Repertory. It's good to know that there is hope for the future of dance represented by these students, all of whom display…

SOURCE: www.theaterscene.net at 11:56pm on March 29, 2016

The Saint Thomas Church Choir of Men and Boys: Seven Last Words from the Cross by Jean Ballard Terepka

The last piece of the concert was James MacMillan's substantive and moving 1994 "Seven Last Words from the Cross," a 35 minute piece of seven different movements, varying in length from nine…

SOURCE: www.theaterscene.net at 10:42pm on March 29, 2016

The Hundred We Are by Courtney Marie

Swedish novelist and playwright Jonas Hassen Khemiri's new play, "The Hundred We Are," presents an emotionally compelling view on the different stages of one's self encountered over a lifeti…

SOURCE: www.theaterscene.net at 1:32am on March 29, 2016

She Loves Me by Joel Benjamin

Scott Ellis' direction avoids caricature, even in the most broadly drawn characters like the man-hungry Ilona, the gigolo Steven and the scared, but pragmatic clerk Sipos. He make the one …

SOURCE: www.theaterscene.net at 12:00am on March 29, 2016
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