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10,593 stories from A Younger Theatre

Review: Force of Trump, Jack Studio Theatre by Emily May

As you enter the Jack Studio Theatre, he's there. Bleach blonde wig in place, he dances around on an office chair accompanied by the Flying Lizards' 'Money'. Already inciting an atmosphere o…

SOURCE: A Younger Theatre at 4:07pm on October 15, 2016

Review: The Mountaintop, Young Vic by Rob Ellis

By my count, upon publication of this review you will have about two weeks left to see The Mountaintop. So stop reading, log onto The Young Vic's website and get booking. When it debuted in …

SOURCE: A Younger Theatre at 2:57pm on October 15, 2016

Feature: Theresa Ikoko on the beauty of imagination and why we scapegoat the young by Samuel Sims

Theresa Ikoko is on a roll. She's taken a quick lunch break from her day job helping to reduce youth crime in London and we're having a natter about her play Girls, currently playin…

SOURCE: A Younger Theatre at 5:14am on October 15, 2016

Feature: Love, language and censorship " the bittersweet appeal of Lemons Lemons Lemons Lemons Lemons by Rachel Kevern

"Freedom of speech is all well and good but it doesn't matter if we're not listening to each other" explains Sam Steiner, writer of award-winning play Lemons Lemons Lemons Lemons Lemons. But…

SOURCE: A Younger Theatre at 5:22am on October 14, 2016

Review: The Slave, Tristan Bates Theatre by Daniel Perks

Walker Vessels (Stanley J Browne) opens The Slave with a monologue that demonstrates timeless wisdom " a sage delivery written in a rhythmic verse bearing resemblance to many Shakespearea…

SOURCE: A Younger Theatre at 3:07am on October 14, 2016

Lunch and the Bow of Ulysses, Trafalgar Studios by Annie Starkey

In a Berkoff double-bill special, a bench on a pier within Trafalgar Studios' flexible and intimate Studio 2 plays host to starkly vivid scenes depicting the beginning, and ending, of a life…

SOURCE: A Younger Theatre at 2:01am on October 14, 2016

Review: Gypsy Queen, The Arts Theatre by Holly Casey

Rob Ward's Gypsy Queen begins with the show's only two actors monologuing under separate spotlights as they prepare us for this LGBTQ boxing love story. As the two strike out, they seem to t…

SOURCE: A Younger Theatre at 2:01am on October 14, 2016

London Horror Festival Review: Fred Strangebones Freakshow, The Old Red Lion by Bethany Dickinson

The Old Red Lion Theatre is a classic black-box above a pub, with limited seating but an intimate feel. Well-known in London for providing exceedingly cheap and good comedy, every two weeks …

SOURCE: A Younger Theatre at 2:01am on October 14, 2016

Review: Nerve, Greenwich Theatre by Tom Evans

Reverend Production's Nerve, playing in a double bill with Jekyll and Hyde at The Greenwich Theatre, is a show that seems to lose its way at times, yet intermittently good writing and some s…

SOURCE: A Younger Theatre at 12:00pm on October 13, 2016

Review: Jekyll and Hyde, Greenwich Theatre by Danny Shanahan

This reworking of Robert Louis Stevenson's classic tale follows the eponymous character in a contemporary setting which modernises the story in order to relate to twenty-first century themes…

SOURCE: A Younger Theatre at 9:56am on October 13, 2016

Review: Light, Battersea Arts Centre by Camilla Gurtler

Our obsessive use of technology, the freedom of the internet and our persistence to control planet seems to send us down the path of an Orwellian future. A future where totalitarianism rule,…

SOURCE: A Younger Theatre at 2:34pm on October 12, 2016

Review: Trident Moon, Finborough Theatre by Rob Ellis

Every now and then a gem of a show appears that you hope and pray more people get the opportunity to see. Trident Moon, the new show from workshOPERA and the Finborough, proves you don't nee…

SOURCE: A Younger Theatre at 2:34pm on October 12, 2016

Feature: The female side " New English Ballet Theatre by Jessica Wilson

With a multi-disciplinary focus and bold ambitions, New English Ballet Theatre is a company on a mission. "Feminism and female empowerment are buzz words in the press at the minute, and we h…

SOURCE: A Younger Theatre at 6:11am on October 12, 2016

Review: O Snap, Stratford Circus Arts Centre by Emily May

"The stumbling blocks of our teenage years where emotions and friends rule" are the focus of Erik Kaiel's O Snap, a piece of dance theatre aimed at children from age ten and up. Moments of i…

SOURCE: A Younger Theatre at 12:50pm on October 11, 2016

Review: Tetris, Stratford Circus Arts Centre by Emily May

Erik Kaiel's company " Arch 8 Dancers " have hit Dance Umbrella 2016 with a programme of three contrasting works aimed at younger audiences. Tetris " the first of the three " encompasses ins…

SOURCE: A Younger Theatre at 10:44am on October 11, 2016

Review: The Curse of the Amazon Pearl, York Theatre Royal by Adam Bruce

York Theatre Royal's latest season is certainly shaping up to be busy and rather eclectic. They've got all sorts coming up " but one show I wasn't expecting to see on the bill was this one: …

SOURCE: A Younger Theatre at 4:19pm on October 10, 2016

Review: Kissing the Shotgun Goodnight, Ovalhouse by Rob Ellis

Reader, you find me slumped in front of my laptop, head in hands, struggling to think of something nice to say about Kissing The Shotgun Goodnight. It is so easy to criticise things we don't…

SOURCE: A Younger Theatre at 4:19pm on October 10, 2016

Review: The Autumn Garden, Jermyn Street Theatre by Jessica Handscomb

The Autumn Garden was written by Lillian Hellman and first staged in 1951, and you can certainly tell. Set in the Deep South in 1949, the play follows a group of middle-aged adults over the …

SOURCE: A Younger Theatre at 4:19pm on October 10, 2016

Review: Xerxes, Hackney Empire by Rob Ellis

Sometimes it's best to keep things simple. Xerxes, an opera by Handel no less, has enjoyed some notable stagings in the past thirty years or so, not least Nick Hytner's 1985 ENO production, …

SOURCE: A Younger Theatre at 4:19pm on October 10, 2016

Review: Acorn, The Courtyard Theatre by Hattie Pierce

Maud Dromgoole's new work Acorn is a highly intelligent play in all aspects. It is a two-hander which uses the myths of Persephone and Eurydice to tell a contemporary story about female stre…

SOURCE: A Younger Theatre at 12:19pm on October 8, 2016

Review: Ballet Black: Triple Bill, Theatre Royal Stratford East by Emily May

Ballet Black, founded by Cassa Pancho in 2001, aims to provide dancers of Black and Asian descent with inspiring opportunities in Classical Ballet. It is an unfortunate fact that classical b…

SOURCE: A Younger Theatre at 11:16am on October 8, 2016

Review: Epic Love and Pop Songs, Pleasance Theatre by Tal Fox

Doll (Noarah Lopez Holden) is a teenager. A pregnant teenager. Everyone at school and even her mum think that there is something odd about this pregnancy. Ted (George Caple), her best friend…

SOURCE: A Younger Theatre at 5:51am on October 8, 2016

Review: Jason and the Argonauts, Unicorn Theatre by Ellie Bannerman

Jason and the Argonauts is a reinvention of the classic Greek myth set out as a video game in which the Gods select Jason to take on their challenges and find the Golden Fleece. Reviewing a …

SOURCE: A Younger Theatre at 5:51am on October 8, 2016

Review: The Amish Project, New Wimbledon Studio by Laura Peatman

The Amish Project was originally written by Jessica Dickey as a one-woman piece, designed to show off an actress's character skills in multi-roling. The students from Saint Mary's University…

SOURCE: A Younger Theatre at 5:51am on October 8, 2016

Review: Can you hear me running?, Pleasance Theatre by James Bell

What are we without a voice? This is the central question of Can you hear me running?, a charming and funny, but also oddly inscrutable, show playing this month at the Pleasance Theatre. The…

SOURCE: A Younger Theatre at 9:27am on October 7, 2016
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