546 stories from front mezz junkies
The Broadway Theatre Review: James Graham's Punch By Ross "It's a hot one today, boiling," he states, wired and itching for drama, "and I'm not even high yet." It's a sharp, solid catch that…
The Tiff Film Review: Nicole Bazuin's "Modern Whore"Â By Ross As naked and honest as one could be, "Modern Whore", premiering at this year's Toronto International Film Festival, immediate…
Frontmezzjunkies reports: Native Earth Performing Arts Announces 43rd Season of Indigenous Theatre, Dance and Performance Native Earth Performing Arts is proud to announce its 43rd sea…
The Toronto Theatre Review: Slave Play at Canadian Stage By Ross Jeremy O. Harris's Slave Play doesn't ask for your comfort, but it does demand your participation and your attention. His con…
The Off-Broadway Theatre Review: Audible Theater's Mexodus By Ross "Did you know about this shift?" That in 1848, to be precise, Blacks who were free in Mexico's Texas suddenly found themsel…
The Off-Broadway Theatre Review: NYTW's Saturday Church By Ross In one of its most radiant "preach to us" moments, Saturday Church rises up in a blast of light and love, urging us to feel th…
Frontmezzjunkies reports: Jonathan Church to be Stratford Festival's Next Artistic Director By Ross I'm excited to share that Jonathan Church has been appointed the next Artistic Director of…
The Off-Broadway Theatre Review: House of McQueen By Ross Searching and searching, online for a deadly idea. That's what is projected with clarity across the back white wall as House of McQu…
The Off-Broadway Theatre Review: The Other Americans By Ross There's something ever so familiar to this Public Theater premiere of The Other Americans. But once the spin starts, the detergen…
The TIFF Film Review: Guillermo del Toro's "Frankenstein" By Ross NORTH AMERICAN PREMIERE " United States of America | 2025 | 149m | English In deep, dark red, black, and white canvase…
The Acton Off-Broadway Theatre Review: The Cherry Orchard at Rutgers Presbyterian Church By Acton Time goes by so slowly for those who wait. Madonna's time-bending 2005 hit Hung Up�…
The Toronto Theatre Review: The Green Line By Ross This is 1978 Beirut, we are told. And that there is a line, The Green Line, that separates West Beirut and the East. It's a line of demarca…
The Acton Off-Broadway Theatre Review: Abigail Duclos's Blood Orange by Acton The new horror play Blood Orange (writer Abigail Duclos, director Vernice Miller) rolls out like a sleepov…
The Toronto Theatre Review: Emily Paterson's Butch/Femme by Ross The static of an old-time record player fills the air of the Mainstage at Theatre Passe Muraille, as a neatly dressed woman, …
The TIFF Film Review: Ally Pankiw's Lilith Fair: Building a Mystery By Ross WORLD PREMIERE " Canada | 2025 | 99m | English Diving into the phenomenally crafted documentary, "Lilith Fai…
The Ontario Theatre Review: Disney's Newsies at The Grand Theatre By Ross There's something uniquely special about attending the Grand Theatre's High School Project. The audience buzzes w…
The Tiff Film Review: Jan Komasa's "Good Boy" WORLD PREMIERE " Poland, United Kingdom | 2025 | 110m | English By Ross Surprisingly emotional and engaging, "Good Boy", seen at the Toron…
The Toronto Theatre Review: Soulpepper/TRIA Theatre's King Gilgamesh & the Man of the Wild By Ross Toronto" whose very name means 'meeting place' "feels like the perfect setting for the …
The Toronto Theatre Review: The Veil By Ross A banging on the window jolts us to attention as the inventive, bone-chilling monologue, The Veil, sidesteps in from the unknown. This captivatin…
The Toronto Theatre Review: Coal Mine Theatre's Waiting for Godot By Ross The pointlessly profound point of En attendant Godot or Waiting for Godot, the much-admired absurdist play by Samuel…
The Toronto Theatre Review: Dave Malloy's Octet By Ross Well, this one certainly got under my skin and had me thinking late into the night. It also forced me, quite intensely, and wisely, to…
The Acton Off-Broadway Theatre Review: Kinkakuji at Japan Society By Acton That young man's been watching us since we sat down, hidden in shadows at the back of the stage. And even once K…
The Toronto Theatre Review: Lucy Kirkwood's The Welkin By Ross With the sounds of crickets and creaks, a woman, Sally Poppy, moves steadfast in the dark, drawing us fully into The Welkin at …
The TIFF Film Review: Adam Carter Rehmeier's "Carolina Caroline" By Ross World Premiere " United States of America | 2025 | 105m | English "How do you know if you are a good person pre…
The TIFF Film Review: Alejandro Amenábar's "The Captive" / "El Cautivo" WORLD PREMIERE " Spain, Italy | 2025 | 134m | Spanish, Arabic, Italian By Ross Forgoing any tales that include "mag…
