DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
6,591 stories from Stage and Cinema

Cabaret Review: QUINTIN HARRIS TRIO (Quintin Harris, Griffin Frank, and Max Marsillo at Birdland Jazz Club) by Rob Lester

QUINTESSENTIAL QUINTIN Essential jazz, effortless swing, and a trio's genuine chemistry Jazz fans bid farewell to January with a smile at Birdland Jazz Club by settling into a sublimely sati…

SOURCE: Stage and Cinema at 3:00am on February 6, 2026

Theater Review: CONFEDERATES (Redtwist Theatre) by C.j. Fernandes

HISTORY IN DIALOGUE WITH ITSELF Dominique Morisseau's time-splitting drama refuses easy parallels On paper, Dominique Morisseau's Confederates might read as high concept: two Black women in …

SOURCE: Stage and Cinema at 4:00am on February 5, 2026

Theater Review: DESCRIBE THE NIGHT (Austin Playhouse West Campus) by Leo Emerson

HISTORY, POWER, AND WHO GETS TO DECIDE Rajiv Joseph's epic drama offers no comfort"only urgent questions For those seeking entertainment as a refuge from the nightmare of our current politic…

SOURCE: Stage and Cinema at 1:55am on February 5, 2026

Chicago Opera Review: COSÌ FAN TUTTE (Lyric Opera) by Barnaby Hughes

COSÃŒ FANTASTIC This was my third time seeing Mozart's Così Fan Tutte. The second was Lyric's 2018 production. While I was concerned about the three-and-a-half-hour runtime on a Sunday …

SOURCE: Stage and Cinema at 1:00am on February 5, 2026

Theater Review: RISING WATER (Theatre L'Acadie) by C.j. Fernandes

RISING WATER CAN'T FIND ITS CURRENT A powerful premise sinks under miscasting and flat pacing John Biguenet's Rising Water, a Pulitzer-nominated drama set in the immediate aftermath of Hurri…

SOURCE: Stage and Cinema at 3:37am on February 4, 2026

Theater Review: HOW SHAKESPEARE SAVED MY LIFE (Berkeley Repertory Theatre) by Chuck Louden

SHAKESPEARE AS LIFELINE Jacob Ming-Trent turns the Bard into a blazing solo tour de force at Berkeley Rep We are all on our personal journeys of living and being in the world. Everyone encou…

SOURCE: Stage and Cinema at 3:20am on February 4, 2026

Cabaret Events: AMERICAN SONGBOOK HIGH SCHOOL COMPETITION & CABARET WORKSHOP CONCERT (Mabel Mercer Foundation, Laurie Beechman Theatre) by Rob Lester

A CONTEST AND A CONCERT The Mabel Mercer Foundation nurtures the next generation of cabaret artists Three cheers for the Mabel Mercer Foundation (MMF) and its ongoing commitment to introduci…

SOURCE: Stage and Cinema at 2:31am on February 4, 2026

WHY MLB MATCHUPS FEEL LIKE LIVE THEATER by Brandon Metcalfe

A packed ballpark has its own sound check. You hear the sharp pop of warmup throws, then the softer murmur that settles in once the first hitter digs in. Even on a late night broadcast, the …

SOURCE: Stage and Cinema at 2:00am on February 4, 2026

Theater Review: STEREOPHONIC (National Tour, CIBC Theatre Chicago) by C.j. Fernandes

THEATER IN STEREOPHONIC A terrific docudrama about artistic temperament and the torment of creation David Adjmi's Stereophonic, now playing at the CIBC, is an unusual piece of theater. It's …

SOURCE: Stage and Cinema at 2:50pm on February 3, 2026

Off-Broadway Review: ULYSSES (Elevator Repair Service at The Public Theater) by Paola Bellu

JOYCE'S ODYSSEY ON STAGE Elevator Repair Service turns the impossible into a joyous theatrical sprint Beloved, despised, or abandoned halfway through by most readers, Joyce's Ulysses is one …

SOURCE: Stage and Cinema at 11:19pm on February 2, 2026

Theater Review: PUNISH ME: A PSYCHOLOGICAL THRILLER (Hudson Backstage Theatre) by Nick McCall

A SELF-INFLICTED WOUND POSING AS THEATER. SAFE WORD: CURTAIN An erotic psychological thriller script without the erotic, psychology, thrill, or script Dear Gay Theater-makers, I am writing t…

SOURCE: Stage and Cinema at 10:00pm on February 2, 2026

Theater Preview: CREATIVE STAGE SPECTACULAR 2026 (Creative Stage Collective, Symphony Space) by Rob Lester

AN INTERGENERATIONAL, SENSATIONAL THEATRE GROUP Creative Stage Collective's annual revue proves that age is irrelevant when imagination leads To get to their Sunday rehearsals, the many memb…

SOURCE: Stage and Cinema at 8:03pm on February 2, 2026

Theater Review: SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (La Mirada Theatre) by Nick McCall

SWEENEY TODD SLICES DEEP " EVEN WITH A FEW MISSTEPS Jason Alexander's ambitious concept does not blunt the impact of a blisteringly performed revival McCoy Rigby Entertainment has been doing…

SOURCE: Stage and Cinema at 4:30pm on February 2, 2026

Theater Review: LAUGHTER ON THE 23RD FLOOR (Desert Theatreworks in Indio) by Frank Arthur

COMEDY UNDER PRESSURE A writers' room in early television on deadline, and a production that hits every punchline Neil Simon's Laughter on the 23rd Floor fictionalizes the writers' room behi…

SOURCE: Stage and Cinema at 1:50am on February 2, 2026

Theater Review: POETRY FOR THE PEOPLE: THE JUNE JORDAN EXPERIENCE (Fountain Theatre) by Ernest Kearney

POETRY AS ACTIVISM, MEMORY, AND INVITATION A moving, participatory tribute to June Jordan that insists poetry still matters June Jordan was a seminal feminist poet and essayist who"beyond ge…

SOURCE: Stage and Cinema at 3:00am on February 1, 2026

HOW BEATVIZ IS REDEFINING THE AI MUSIC VIDEO GENERATOR FOR FILM AND STAGE ARTISTS by Lamont Washington

For decades, music videos have been a meeting point between sound and image"a space where rhythm becomes motion and emotion takes visual form. From experimental cinema to theatrical performa…

SOURCE: Stage and Cinema at 2:00am on February 1, 2026

Theater Review: JOB (SpeakEasy Stage Company) by Lynne Weiss

A PRESSURE COOKER OF A PRODUCTION A thriller that examines the effects of social media Josephine Moshiri Elwood (Jane) and Dennis Trainor Jr. (Loyd) pull out all the stops in Job, an 80-minu…

SOURCE: Stage and Cinema at 1:50am on February 1, 2026

Theater Review: GILDED SPINDLE (Stephanie Feury Studio Theatre) by Ernest Kearney

ZANDER RAPHAEL SPINS PUPPETRY INTO GOLD Gilded Spindle offers Shannon L. Reagan's retelling of the Rumpelstiltskin tale with a slight #MeToo twist. While the talents and artistry of Reagan, …

SOURCE: Stage and Cinema at 2:17pm on January 31, 2026

Theater Review: KIND STRANGER … A MEMORY PLAY (Zephyr Theatre) by Ernest Kearney

Kind Stranger … A Memory Play, conceived and performed by Rick Simone-Friedland is successful as a historical rendering of Playwright Tennessee Williams' life. It is also successful as a r…

SOURCE: Stage and Cinema at 1:00am on January 31, 2026

Dance Review: GRAHAM100 (Martha Graham Dance Company at The Auditorium Theatre, Chicago) by C.j. Fernandes

About midway through Martha Graham's powerful Chronicle, performed last Saturday at the Auditorium Theatre in Chicago, I realized that the elevated platform at center stage was not just a pl…

SOURCE: Stage and Cinema at 9:08pm on January 30, 2026

Obituary: CATHERINE O'HARA (1954-2026) by Michael M. Landman-karny

THE ACTRESS WHO MADE THE RIDICULOUS PROFOUND Catherine O'Hara, who has died aged 71, could make you laugh and break your heart in the same scene. Most performers pick a lane; she moved betwe…

SOURCE: Stage and Cinema at 8:04pm on January 30, 2026

Theater Review: SOME LIKE IT HOT (National Tour, Broadway in Boston) by Lynne Weiss

A REIMAGINING OF A HOLLYWOOD CLASSIC Frothy fun with an affirmingly progressive perspective The art deco sets (Scott Pask, scenic design), broad-shouldered plaids (Gregg Barnes, costumes), a…

SOURCE: Stage and Cinema at 1:59am on January 30, 2026

Off-Broadway Review: DATA (Lucille Lortel Theatre) by Alex Simmons

ALGORITHMS, ETHICS, AND THE COST OF INFORMATION A sleek, jargon-charged tech thriller that trades in privacy, prediction, and moral gray zones Between ownership battles over data-rich social…

SOURCE: Stage and Cinema at 5:54pm on January 29, 2026

Theater Interview: DAVID ZIPPEL (Artistic Director of rePLAY at the Plaza Theatre in Palm Springs) by Jason Mannino

OSCAR WILDE, REWIRED FOR NOW David Zippel brings star power and modern snap to Palm Springs Tony-winner for Liza's at the Palace, David Zippel"one of Broadway and Hollywood's sharpest comic …

SOURCE: Stage and Cinema at 7:03pm on January 27, 2026

Theater Review: BIRDS OF NORTH AMERICA (A Red Orchid Theatre) by C.j. Fernandes

A DELICATE CHAMBER PIECE THAT WILL BREAK YOUR HEART One of the advantages of a small performance space is that, in the right hands, one can set the mood even before the play has begun. In th…

SOURCE: Stage and Cinema at 9:00pm on January 26, 2026
« Previous 25   Page 13 of 264   Next 25 »