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10,593 stories from A Younger Theatre

Review: Left Luggage, The Space by Holly O'Mahony

Left Luggage is an endearing play following sisters Nicola (Kim Burnett) and Danni (Bryony Thomas) as they rediscover each other in the wake of their grandmother’s death. Written by Is…

SOURCE: A Younger Theatre at 1:52pm on October 20, 2016

Review: Poker Face, King's Head Theatre by Fred Maynard

Václav Havel was probably the most powerful playwright who ever lived, having the distinction of being the first President of the Czech Republic as well as a heroic dissident and author o…

SOURCE: A Younger Theatre at 11:42am on October 20, 2016

Review: Blue Heart, Orange Tree Theatre by Fergus Morgan

It's probably a good idea to have a coffee or three before seeing David Mercatali's revival of Blue Heart, Caryl Churchill's 1997 double-bill of tongue-twisting, head-spinning wordplay. Beca…

SOURCE: A Younger Theatre at 11:42am on October 20, 2016

Review: The Red Barn, National Theatre by Franciska Éry

The Red Barn is David Hare’s new play based on Georges Simenon’s novel La Main, a story of crime, jealousy and desire. We are in Connecticut in 1969, and a snow storm is raging o…

SOURCE: A Younger Theatre at 10:39am on October 20, 2016

Review: Scherzo for Piano and Stick, Coronet Print Room by Holly O'Mahony

In a play featuring powerful poetry, captivating physical sequences and some first-rate piano playing, it's a shame the standalone talents don't gel together more in Riotous Company's Scherz…

SOURCE: A Younger Theatre at 4:55pm on October 19, 2016

Review: Method in Madness, Greenwich Theatre by James Bell

Method in Madness, on for a short run at the Greenwich Theatre, is part period piece, part physical theatre and part Shakespearean drama that is a joy to watch. The story follows an unnamed …

SOURCE: A Younger Theatre at 3:51pm on October 19, 2016

Review: Boys of Paradise, EGG by Connie Stride

WorkSHOPERA has a unique brand of theatre that has the potential to both deconstruct and revitalise the world of opera and theatre. However, despite the vibrancy of this new and exciting for…

SOURCE: A Younger Theatre at 3:51pm on October 19, 2016

Review: Lost in the Stars, Union Chapel Islington by Fergus Morgan

Highbury Opera Theatre's production of Lost In The Stars " Kurt Weill's last musical-cum-opera " in Islington's Union Chapel is actually the work's London premiere, only 67 years after it wa…

SOURCE: A Younger Theatre at 3:51pm on October 19, 2016

Opportunity: HighTide is looking for new theatre writers for First Commissions 2017 by Rebekah Ellerby

HighTide is looking for new theatre writers to help them start out in the profession HighTide festival, which is based in Suffolk, is looking for five emerging writers for First Commissions …

SOURCE: A Younger Theatre at 2:34pm on October 19, 2016

Feature: Dancing through disability " Suzie Birchwood's conversation with dystonia by Hannah Marsh

For any dancer or choreographer, to have an evening of your work staged by Sadler's Wells is a coup. But for Suzie Birchwood, who presents and performs in A Conversation with Dystonia, part …

SOURCE: A Younger Theatre at 10:06am on October 19, 2016

Review: A Man of Good Hope, Young Vic Theatre by Connie Stride

Isango Ensemble's stage adaptation of Jonny Steinberg's novel A Man of Good Hope is a goose-bump inducing production that portrays brilliantly the true story of Somalian refugee, Asad Abdull…

SOURCE: A Younger Theatre at 4:49pm on October 18, 2016

Review: Wonderful Town, Ye Olde Rose and Crown Pub by Bethany Dickinson

Wonderful Town is a Tony award winning musical written in 1953, based upon the play My Sister Eileen by Joseph Fields and Jerome Chodorov. Bursting with a joyous Leonard Bernstein score, the…

SOURCE: A Younger Theatre at 3:39pm on October 18, 2016

Review: Kinetics, London Drama Studio by Franciska Éry

Rose (Sue Wylie), a retired actress and now drama teacher, is diagnosed with Parkinson’s Disease and Kinetics follows her struggle as she is determined to fight the disease an…

SOURCE: A Younger Theatre at 3:39pm on October 18, 2016

Review: Knock Knock, Old Red Lion by Danny Shanahan

The horror showcase began, as these things often do, with an eerie butler-like figure serving as a narrator to connect the five stories. In the first five minutes he lets slip a joke, just t…

SOURCE: A Younger Theatre at 3:39pm on October 18, 2016

Review: Shopping and Fucking, Lyric Hammersmith by Bethany Dickinson

Mark Ravenhill's infamous Shopping and Fucking created a new 'in-yer-face' genre within theatre.  He remarks before the script, “The theatre scandal – the play that shocked th…

SOURCE: A Younger Theatre at 2:34pm on October 18, 2016

Review: Oil, Almeida Theatre by Camilla Gurtler

We live in the hope that the future will be better than the reality we have today. That there will be better opportunities, more advanced technologies, more freedom, more choice. But what ha…

SOURCE: A Younger Theatre at 4:19pm on October 17, 2016

Review: Norway. Today, Etcetera Theatre by Ethan Taylor

If it wasn't the first word then "suicide" must at least have been the second spoken onstage tonight. Norway.Today does not beat around the bush or hold any punches when it comes to dealing …

SOURCE: A Younger Theatre at 4:19pm on October 17, 2016

Review: This is Matty and He is Fucked, The Winemaker's Club by Tal Fox

This is Matty and He is Fucked is part of Matchstick Theatre’s New Writing Nights. Its sold out one off performance at The Winemaker’s Club in Farringdon shows that new work has …

SOURCE: A Younger Theatre at 4:19pm on October 17, 2016

Review: The Book Club, King's Head Theatre by Tal Fox

Deborah’s youngest daughter has flown the nest; her oldest still hasn't given her any grandchildren and her husband is fixated on running a marathon – so home life is rather quie…

SOURCE: A Younger Theatre at 10:57am on October 17, 2016

Review: Skin a Cat, The Bunker by Fergus Morgan

Skin A Cat should be compulsory viewing for anyone under 25. Scratch that, it should be compulsory viewing for everyone. A hysterically funny, warm-hearted, autobiographical three-hander abo…

SOURCE: A Younger Theatre at 10:57am on October 17, 2016

Review: One Night in Miami, Donmar Warehouse by Daniel Perks

Four of the most influential black American men in popular culture assemble in a single, drab motel room on the eve of a world about to irreversibly change forever. Whether fictional or not,…

SOURCE: A Younger Theatre at 9:58am on October 17, 2016

Review: From the Mouths of the Gods, Greenwich Theatre by Danny Shanahan

I did not know what to expect of From the Mouths of the Gods, but what I found it to be I was not impressed with. The set consists of a chair and two glasses of water and the performer comes…

SOURCE: A Younger Theatre at 8:52am on October 17, 2016

Review: Thrive, artsdepot by Naomi Kerrigan Asress

Before entering the modern theatre space at artsdepot, the audience are given one piece of advice: trust your instincts. We begin by filling out luggage tags with our names and addresses,…

SOURCE: A Younger Theatre at 12:16pm on October 16, 2016

Review: The Season Ticket, York Theatre Royal by Adam Bruce

As I said in my review of Red Ladder Theatre's The Damned United a few months ago, I'm really not into football. I do of course love theatre, however, so I find myself at a bit of crossroads…

SOURCE: A Younger Theatre at 12:16pm on October 16, 2016

Review: Cathy, Pleasance Theatre by Rebecca Gwyther

Cardboard Citizens have reached their 25th anniversary – a company devoted to raising awareness and helping the homeless through programmes, theatre and workshops. Cathy blends togethe…

SOURCE: A Younger Theatre at 11:14am on October 16, 2016
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