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6,591 stories from Stage and Cinema

Theater Review: THIS SIDE OF CRAZY (Zephyr Theatre) by Marc Wheeler

HYMN-DINGER Sweet lovin' Jesus, Del Shores is back, and he's brought a band of gospel singers with him. In This Side of Crazy, writer/director/producer Shores introduces us to a Southern fam…

SOURCE: Stage and Cinema at 3:19pm on February 3, 2020

Theater Review: ARSENIC AND OLD LACE (La Mirada) by Tony Frankel

THERE'S ARSENIC AND LACE; BUT IT DOESN'T FEEL OLD Serial murder, euthanasia, slasher psychopaths, bodies buried in a crawl space, face-lifts for people trying to change their images, the cya…

SOURCE: Stage and Cinema at 2:50am on February 3, 2020

Theater Review: DO YOU FEEL ANGER? (A Red Orchid) by Lawrence Bommer

I DON'T FEEL YOUR PAIN Lately a chronic lack of empathy"sensitivity to the feelings of others"threatens to become a liability as great as any budget deficit. Compassion has never felt …

SOURCE: Stage and Cinema at 4:55pm on February 2, 2020

Theater Review: UNTIL THE FLOOD (Center Theatre Group at the Kirk Douglas Theatre) by Tony Frankel

AFTER THE FLOOD Until the Flood lasts only 70 minutes. But its concentrated running time delivers a devastating drama. A ton of truth-telling now on tour at the Kirk Douglas Theatre, this 20…

SOURCE: Stage and Cinema at 2:26pm on February 1, 2020

Theater Review: SOPHISTICATED LADIES (Porchlight Music Theatre at Ruth Page Center for the Arts) by Lawrence Bommer

SOPHISTICATED SWING FROM KING ELLINGTON Some shows are just pure pleasure, delivering unpretentious delight with no plot to process or points to proclaim. Much like Ain't Misbehavin', …

SOURCE: Stage and Cinema at 12:53pm on February 1, 2020

Theater Reviews: RED INK (Playwrights' Arena) and EARTHQUAKES IN LONDON (Rogue Machine) by Tony Frankel

YELLOW JOURNALISM, BLUE PLANET " UNCERTAIN FUTURES Propaganda has always existed. It's when people promote and publicize their agenda utilizing biased or misleading information, a perfect to…

SOURCE: Stage and Cinema at 9:14pm on January 30, 2020

Theater Review: KILLER'S HEAD & THE UNSEEN HAND (Sam Shepard One-Acts at the Odyssey) by Joan Alperin

SHEP IN TIME When I think of the late Sam Shepard, his plays Fool for Love, True West, Buried Child and Curse of the Starving Class usually come to mind. I was totally unfamiliar with Killer…

SOURCE: Stage and Cinema at 4:47pm on January 30, 2020

Theater Review: FOR THE LOVE OF A GLOVE (Carl Sagan & Ann Druyan Theater in Los Angeles) by Marc Wheeler

IF THE GLOVE FITS… On the heels of Leaving Neverland " the jaw-dropping 2019 documentary that explores the sexual abuse allegations against Michael Jackson " comes the world premiere of a …

SOURCE: Stage and Cinema at 6:54pm on January 29, 2020

Theater Review: THE LAST SHIP (National Tour) by Tony Frankel

A SHIP THAT REMAINS DOCKED Sting's musical The Last Ship has been in a shakedown cruise since it opened in Chicago six years ago. Based on last night's star-studded opening night at the Ahma…

SOURCE: Stage and Cinema at 8:27pm on January 24, 2020

Theater Review: ONCE ON THIS ISLAND (Nat'l Tour) by Lawrence Bommer

A TREE GROWS IN THE ANTILLES In 1990, eight years before he wrote Ragtime, Stephen Flaherty composed an eclectically exotic score for this one-act fairy tale. It's the forthright story of…

SOURCE: Stage and Cinema at 2:39pm on January 23, 2020

Theater Review: VOLTA (Cirque du Soleil) by Tony Frankel

PLENTY OF WATTAGE, EVEN WITH AN OBSCURE STORY Cirque du Soleil is back with its latest touring show, which opened last night, January 21, at Dodger Stadium. At its best, Volta provides all t…

SOURCE: Stage and Cinema at 7:46pm on January 22, 2020

Theater Review: NOWHERE ON THE BORDER (Road Theatre Company in North Hollywood) by Marc Wheeler

BYOC: BRING YOUR OWN CANTEEN In an effort to spark dialogue on Trump-era immigration, The Road Theatre Company has mounted a revised version of Carlos Lacámara's Nowhere on the Border, a …

SOURCE: Stage and Cinema at 3:07am on January 21, 2020

Theater Review: WHAT THE CONSTITUTION MEANS TO ME (Mark Taper Forum) by Tony Frankel

WHAT WHAT THE CONSTITUTION MEANS TO ME MEANS TO ME Given the barrage of nasty nightly news, I don't doubt that Americans are champing at the bit for a large slice of patriotism as they watch…

SOURCE: Stage and Cinema at 2:47am on January 21, 2020

Theater Review: BABETTE'S FEAST (Lamb's Players Theatre in San Diego) by Milo Shapiro

SIMPLE PLEASURES IN THIS FEAST The Shakers have a song in their hymnal that reads: 'Tis the gift to be simple, 'tis the gift to be free 'Tis the gift to come down where we ought to be, And w…

SOURCE: Stage and Cinema at 11:52pm on January 20, 2020

Theater Review: TOP GIRLS (Remy Bumppo Theatre Company at Theater Wit) by Lawrence Bommer

LONELY HUBRIS "I want it all." "The sky's [not] the limit." "You only live once." "You can't take it with you.": We're fascinated by all the pride that precedes a fall. We can conditionally …

SOURCE: Stage and Cinema at 2:00pm on January 20, 2020

Theater Review: THE GULF (About Face Theatre at Theater Wit in Chicago) by Lawrence Bommer

ROCKING THE BOAT When we enter the theater, we see two women in a small fishing boat. It's surrounded by huge buckets depicting the shallows of an inlet in the Alabama delta. Overhead nettin…

SOURCE: Stage and Cinema at 12:57pm on January 18, 2020

Theater Review: STOP KISS (Pride Films and Plays and The Arc Theatre at by Tony Frankel

TOUCHING BUT TRAPPED IN A TIME WARP Stop Kiss was a big 1998 hit at New York's Joseph Papp Public Theater. In 2000 it arrived in Chicago in a tepid local premiere by the Naked Eye Theatre Co…

SOURCE: Stage and Cinema at 1:32pm on January 17, 2020

Concert Preview: LILLIAS WHITE (Samueli Theater at Segerstrom Center for the Arts in Costa Mesa) by Frank Arthur

MY WHITE NIGHT I first saw Lillias White when she made her Broadway debut in Barnum in 1981; I've been watching her work for almost four decades since, and I promise you she never fails to b…

SOURCE: Stage and Cinema at 8:43pm on January 16, 2020

Theater Review: WHISPER HOUSE (Black Button Eyes Productions at The Athenaeum Theatre) by Lawrence Bommer

A LIGHTHOUSE SPILLS ITS SECRETS Isolation forces intimacy on its inhabitants, if only by its process of elimination. It can also foster secrets: Scattered souls protect their privacy by keep…

SOURCE: Stage and Cinema at 4:06pm on January 13, 2020

Los Angeles Theater Preview: GROUNDLINGS MIX TAPE (The Groundlings Theatre) by Frank Arthur

MIXING IT UP For over four decades, The Groundlings has proved itself to be one of the premiere comedy troupes in the nation, creating more stars than the Big Bang. Performers showcase mater…

SOURCE: Stage and Cinema at 5:49pm on January 8, 2020

Theater Review: THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME (Greenway Court Theatre) by Tony Frankel

AN AMAZING INCIDENT Meet Christopher, a wannabe bloodhound who has significant social, behavioral and communication challenges; we assume the unnamed disorder is on the autism spectrum, but …

SOURCE: Stage and Cinema at 2:55am on December 29, 2019

Theater Review: THE MAN WHO CAME TO DINNER (Group Rep at the Lonny Chapman Theatre) by Tony Frankel

NOT A SEVEN-COURSE DINNER, BUT FILLING JUST THE SAME While on a Midwest lecture tour, arrogant and overbearing critic and radio commentator Sheridan Whiteside slips on an icy doorstep, injur…

SOURCE: Stage and Cinema at 6:40pm on December 28, 2019

Theater Review: DANCE NATION (Steppenwolf) by Lawrence Bommer

DANCING AROUND ADOLESCENCE It happened with You're A Good Man, Charlie Brown, that peculiar, often cloying, problem of adult actors playing unfledged kids. There's an unavoidable condesce…

SOURCE: Stage and Cinema at 2:30pm on December 21, 2019

Theater Review: PRIDE & PREJUDICE (World Premiere Musical at TheatreWorks in Palo Alto) by Tony Frankel

LOST IN AUSTEN All of Jane Austen's novels are built on the same premise. A woman meets and marries an eligible man after a series of usually comic difficulties. But Austen extracts a remark…

SOURCE: Stage and Cinema at 2:33am on December 19, 2019

Theater Review: JULIUS CAESAR (Warriors for Peace at the Hudson Theatre in Hollywood) by Dale Reynolds

HAIL, CAESAR! Shakespeare's 1599 history play has, of course, had many lives " conservative as well as wildly interpretive " which has kept the slain Dictator of Rome in the forefront of our…

SOURCE: Stage and Cinema at 9:03pm on December 18, 2019
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