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10,593 stories from A Younger Theatre

Review: Amadeus, National Theatre by Fred Maynard

If ever there was a play which adhered to the dictum "show not tell", it is Amadeus, the story of the patron saint of mediocrities, Antonio Salieri, and his battle with God over the unjust d…

SOURCE: A Younger Theatre at 9:48am on October 30, 2016

Review: Knock Knock, Etcetera Theatre by Tal Fox

“In this place every child is destined to be a soldier,” the front of the programme reads. Going into a show about war you would assume that there will be some violence, some des…

SOURCE: A Younger Theatre at 8:36am on October 30, 2016

Review: Where the hell is Bernard?, The Space by Naomi Kerrigan Asress

As the audience enter a set with strong indications of a dystopian future, one could suggest that Haste Theatre were inspired by literary classics such as Orwell’s 1984 and Atwood̵…

SOURCE: A Younger Theatre at 10:12am on October 29, 2016

Review: Beyond the Blue, Omnibus Clapham by Dani Kolanis

Beyond the Blue is raising standards and redefining the role of theatre in education. Actors Alive is an innovative youth theatre company at Omnibus Clapham which is led by director and teac…

SOURCE: A Younger Theatre at 10:12am on October 29, 2016

Review: Apocalypse Cruise Ship Love Affair, Arts Theatre by Jessica Handscomb

After reading rave reviews for Beach Comets Vampire Hospital Waiting Room, I expected great things from their second B-musical – Apocalypse Cruise Ship Love Affair, which also swept up…

SOURCE: A Younger Theatre at 9:12am on October 29, 2016

Review: Mum's the Word, The Hen and Chickens Theatre by Emily May

As we enter the intimate auditorium above The Hen and Chicken pub in Islington, raucous jazz music fills our ears. We are confronted with a simplistic set reminiscent of a stereotypical Lond…

SOURCE: A Younger Theatre at 9:12am on October 29, 2016

Why there's room for British Asian science fiction in theatre by Tajinder Singh Hayer

Playwright Tajinder Singh Hayer on the inspiration behind his new play North Country, labels, identity, new genres, and why there's room for more British Asian science fiction in theatre. I …

SOURCE: A Younger Theatre at 5:54am on October 29, 2016

Review: The Hotel Cerise, Theatre Royal Stratford East by Rebecca Gwyther

Inspired by Chekov's 'The Cherry Orchard', Bonnie Greer takes us to Michigan and 'The Hotel Cerise', the almost abandoned getaway for the African-American elite. Relevantly set in our time o…

SOURCE: A Younger Theatre at 8:42am on October 28, 2016

Review: Lady Chatterley's Lover, York Theatre Royal by Adam Bruce

The English Touring Theatre tried their hand at adapting a text about love and classism earlier this year with Evelyn Waugh's Brideshead Revisited. Now, months later, they've teamed up with …

SOURCE: A Younger Theatre at 7:36am on October 28, 2016

Review: Harrogate, Royal Court by Calum McIntosh

Al Smith's Harrogate was thought of as the most impressive and engaging piece of writing at the 2015 HighTide festival. It is certainly not difficult to see why this is the case when watchin…

SOURCE: A Younger Theatre at 7:46am on October 26, 2016

Review: Pinocchio, Sadler's Wells by Emily May

Originally the protagonist of Carlo Collodi's book set in 19th Century Italy, and then the eponymous star of the Disney classic, Pinocchio is a fairytale character that many of us remember f…

SOURCE: A Younger Theatre at 12:20pm on October 25, 2016

Review: The Haunting of Exham Priory, Greenwich Theatre by Danny Shanahan

The Haunting of Exham Priory is based on one of my favourite H.P. Lovecraft stories, The Rats in the Walls, and so I was looking forward to seeing how the story – which contains severa…

SOURCE: A Younger Theatre at 11:13am on October 25, 2016

Blog: The Globe is a living theatre " not a time machine by Justine Malone

Justine Malone laments Emma Rice's departure from the Globe, and says that the Board’s obsession with the past has taken its toll. Poor Shakespeare. 'When will my work get the DAMN RES…

SOURCE: A Younger Theatre at 11:13am on October 25, 2016

Review: Tomorrow I Was Always A Lion, Arcola Theatre by Jessica Handscomb

Based on the memoir of Arnhild Lauveng, Tomorrow I Was Always A Lion gives a unique and honest perspective on the mind of a girl who is suffering from schizophrenia. It is simultaneously mes…

SOURCE: A Younger Theatre at 10:10am on October 25, 2016

Feature: Black Theatre Live's Hamlet, and why it matters to have all-black theatre by Naomi Kerrigan Asress

Earlier this year, Warwick University launched an innovative online database, charting the Shakespearean roles played by Black, Asian and Minority Ethnic actors in the UK, from 1930 to the p…

SOURCE: A Younger Theatre at 4:41am on October 25, 2016

Review: The House of Usher, Hope Theatre by Ethan Taylor

From the creative minds of Luke Adamson and Dan Bottomley comes a haunting, sombre, gothic tale… with a musical twist. The House of Usher is a gothic musical thriller (three words you don'…

SOURCE: A Younger Theatre at 5:42pm on October 24, 2016

Review: Spring and The Last Dance, The Theatre Room by Connie Stride

Frontier Theatre Productions, founded by James Roose-Evans, is a theatre company that creates theatre for the older generation, otherwise known as the Third Age. The theatre they make is inc…

SOURCE: A Younger Theatre at 12:33pm on October 24, 2016

Review: My Mother Medea, Unicorn Theatre by Laura Peatman

My Mother Medea flips the ancient tragedy of Medea on its head by removing the focus from the tragic heroine and placing it on her doomed children, while transporting them to 2016. The show …

SOURCE: A Younger Theatre at 12:33pm on October 24, 2016

Review: Fire in the Ballroom, The Peacock by Tal Fox

The nights may be getting colder but Fire in the Ballroom by Burn the Floor really does heat things up at The Peacock theatre this month. If you are familiar with Strictly Come Dancing an…

SOURCE: A Younger Theatre at 10:19am on October 23, 2016

Review: A Conversation with Dystonia, Sadler's Wells by Camilla Gurtler

“A diagnosis is a release, but it is also a separation.” In a physical dialogue with her disability, Suzie Birchwood expresses her struggle with dystonia as she trained as a ball…

SOURCE: A Younger Theatre at 10:19am on October 23, 2016

Review: This Might Hurt, York Theatre Royal by Adam Bruce

John Godber is well known for being pretty prolific; since setting up the John Godber Company in 2010, in partnership with the Theatre Royal Wakefield, both his old and new work receive regu…

SOURCE: A Younger Theatre at 10:19am on October 23, 2016

Review: Scare Slam, Old Red Lion Theatre by Calum McIntosh

Blackshaw Theatre Company present a combination of scary stories, spooky anecdotes and powerful spoken word pieces in Scare Slam. Blackshaw work with new writing and adaptations but mainly a…

SOURCE: A Younger Theatre at 1:39pm on October 21, 2016

Review: Moby Dick! The Musical, Union Theatre by Ethan Taylor

oby Dick! The Musical possibly lacks the… subtlety of Herman Melville's 1851 novel of which (and I am quoting the programme here) it is "freely adapted" from but tonight that is by no mean…

SOURCE: A Younger Theatre at 1:39pm on October 21, 2016

Review: A Pacifist's Guide to the War on Cancer, The National Theatre by Calum McIntosh

A musical about cancer is of course, no easy feat. Complicité and performance Artist, Bryony Kimmings (with the help of co-writers, Brian Lobel and Tom Parkinson) aim to get people talking …

SOURCE: A Younger Theatre at 3:03pm on October 20, 2016

Review: Ragtime, The Charing Cross Theatre by Steph J. Watkins

Taken from the musical era, Ragtime is performed upon a stave of hatred, rebellion and piano blues. The storyline, although a little clunky and inconsistent at times, follows examples of …

SOURCE: A Younger Theatre at 3:03pm on October 20, 2016
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