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10,593 stories from A Younger Theatre

Review: Tonight with Donny Stixx, The Bunker Theatre by Callum McCartney

We walk through the door, take our seats and look out on a bare stage. We are here to see a show, and Donny is determined to give us one. This teenage magician's desire is to be famous; to f…

SOURCE: A Younger Theatre at 3:42pm on November 15, 2016

Blog: Chrysalis festival " a vital platform for emerging talent by Fiona McCurdy

This week sees three days of ambitious and provocative work from young talent as Chrysalis festival runs in Edinburgh. Producer Fiona McCurdy explains why, against a background of cuts and l…

SOURCE: A Younger Theatre at 6:48am on November 15, 2016

Review: The Worst Was This, The Hope Theatre by Jessica Handscomb

The Worst Was This tells the story of three sisters running a tavern in an imagined post-apocalyptic universe in which Will Shakespeare (Ben Clifford) is a struggling young playwright who ca…

SOURCE: A Younger Theatre at 3:24pm on November 14, 2016

Review: Boy with Beer, The King's Head Theatre by Rebecca Latham

90s Brixton. Raves. Dub Music. Beer. Love. A heady cocktail of swirling colours, thumping music and flirtatious sprees. Or not quite.  Harry MacKrill's production of Paul Boakye's Boy wit…

SOURCE: A Younger Theatre at 3:24pm on November 14, 2016

Review: An Inspector Calls, Playhouse Theatre by Lucy Ricketts

Having not done An Inspector Calls for GCSE, I was pretty excited to see this West-End production. To summarise the plot: Inspector Goole arrives unannounced at the Birling home, announcing …

SOURCE: A Younger Theatre at 3:24pm on November 14, 2016

Review: It is Easy to be Dead, Trafalgar Studios by Jessica Handscomb

Charles Hamilton Sorley died in the Battle of Loos in 1915 during the First World War. He was just 20 years old. Now, over a hundred years after his death, Neil McPherson has written It Is E…

SOURCE: A Younger Theatre at 3:24pm on November 14, 2016

Blog: In the name of opera by Ella Marchment

Ella Marchment, Artistic Director of Helios Collective, challenges AYT readers to re-assess the way they look at opera.  "A Younger Theatre"…. avant-garde, culturally exhilarating, and …

SOURCE: A Younger Theatre at 5:36am on November 14, 2016

Blog: The NYT at 60: We are proud of our young by Paul Roseby

A nation strives and struggles to find a new identity and place in the world. Hundreds of young people unite to celebrate 60 years of the world's first youth theatre and our members suffer r…

SOURCE: A Younger Theatre at 5:36am on November 14, 2016

Review: Feathers, Hen and Chickens Theatre by Rebecca Latham

Can a family be left to self-govern their own laws? If acts of brutality are inflicted upon family members by family members, should the family retain control of the consequences? Two couple…

SOURCE: A Younger Theatre at 7:31am on November 13, 2016

Review: This Really Is Too Much, Blue Elephant Theatre by Rob Ellis

It's not as though gender hasn't been explored in theatre. That doesn't mean we should stop – the problems haven't stopped – but it does mean finding a creative way to put your c…

SOURCE: A Younger Theatre at 7:31am on November 13, 2016

Review: Orca, Southwark Playhouse by Steph J. Watkins

It's no surprise that Orca, as Matt Grinter's first full length play, has already been awarded the 2016 New Writing Prize by Papatango. It's such a brilliant piece to be paired with a venue …

SOURCE: A Younger Theatre at 6:24am on November 13, 2016

Review: Randy Writes a Novel, Soho Theatre by Rob Ellis

So I'm guessing we could all do with a laugh around now? From Bowie to Brexit, to the complete and utter lunacy of the U.S. Election, 2016 has thrown little to chuckle about our way. You'll …

SOURCE: A Younger Theatre at 6:24am on November 13, 2016

Review: Quint-Essential, Sadler's Wells by Daniel Perks

Despite its title, Quint-Essential is not a traditional set of ballet performances " the New English Ballet Theatre seeks to bring upcoming dancers and choreographers together and explore th…

SOURCE: A Younger Theatre at 7:18am on November 12, 2016

Review: The Royale, Bush Theatre by Steph J. Watkins

Lasting through six rounds of plot in The Royale is far from being too much of a match. A packed audience squeezes in to The Tabernacle, a grade III listed former church which only enhances …

SOURCE: A Younger Theatre at 7:18am on November 12, 2016

Feature: Walking: Holding " why we need radical softness now by Kate Wyver

Rosana Cade's performance piece, Walking: Holding, is designed for one audience member to make their way through a city as they hold hands with strangers. It is an explosion. It is a whisper…

SOURCE: A Younger Theatre at 1:48pm on November 11, 2016

Review: Glitter Punch, Theatre N16 by Steph J. Watkins

Glitter Punch is not your average teen romantic drama, it offers an entirely different spin with an unexpected twist. "Yeah, I've heard that one before…", I hear you say, but this piece is…

SOURCE: A Younger Theatre at 5:42pm on November 10, 2016

Review: Oreste, Wilton's Music Hall by Emily May

It is not every day that an audience member enters the world's oldest surviving music hall and is confronted with staging adorned with aggressive graffiti. This juxtaposition of antiquated s…

SOURCE: A Younger Theatre at 4:36pm on November 10, 2016

Review: Trumpageddon, Kings Head Theatre by Connie Stride

Given the election's outcome, this is perhaps the most difficult review I've ever had to write. Trumpageddon, written and performed by Simon Jay, is intended as political satire. Little did …

SOURCE: A Younger Theatre at 4:36pm on November 10, 2016

Review: Mule, Omnibus by Veronica Aloess

Mule is a fast-paced two-hander inspired by the story of the Peru Two, two British girls convicted of attempting to smuggle cocaine into Peru in 2013. Writer and Director Kat Woods' retellin…

SOURCE: A Younger Theatre at 4:36pm on November 10, 2016

Review: Cincinnatus, The Barons Court Theatre by Tal Fox

Cincinnatus is meant to be a darkly comedic portrayal of a man in prison for an unknown crime. He’s tormented by the indifference he receives from everyone else be they the prison̵…

SOURCE: A Younger Theatre at 7:48am on November 10, 2016

Review: Trainspotting, The Vaults by Hattie Pierce

In Your Face Theatre's returning production of Trainspotting is first and foremost a show, rather than a piece of theatre. Having moved into a bigger venue at The Vaults on its return to Lon…

SOURCE: A Younger Theatre at 5:36am on November 10, 2016

Competition: Win tickets to Attic Theatre's Great Expectations by A Younger Theatre

Win a pair of tickets to see Great Expectations by Attic Theatre at Merton Arts Space Great Expectations | 30 Nov – 18 Dec 2016 | Merton Arts Space Attic Theatre Company̵…

SOURCE: A Younger Theatre at 3:12pm on November 9, 2016

Review: Lazarus, King's Cross Theatre by Bethany Dickinson

Built in just seven weeks , Kings Cross Theatre provides an original theatre venue for Bowie's last body of work. Lazurus originally played on Broadway last December, and has made its way…

SOURCE: A Younger Theatre at 6:18pm on November 8, 2016

Review: Les Contes D'Hoffmann, The Royal Opera House by Daniel Perks

John Schlesinger's production of Les Contes D'Hoffmann has achieved 173 performances at the Royal Opera House alone, even before counting this final revival by Daniel Dooner. The story of di…

SOURCE: A Younger Theatre at 2:02pm on November 8, 2016

Review: The Acedian Pirates, Theatre 503 by Hattie Pierce

Set in the top of a lighthouse in an unfamiliar past or future dystopia, The Acedian Pirates explores the morality and logic of war through the story of a failing occupation. This play knits…

SOURCE: A Younger Theatre at 5:06pm on November 7, 2016
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