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4,024 stories from http://www.theaterscene.net

Privacy by Victor Gluck, Editor-in-chief

Playing his most mature role to date, Radcliffe, late of Harry Potter, is charming as he begins as an introverted, reticent Englishman and then slowly panics as he realizes the extent to whi…

SOURCE: www.theaterscene.net at 10:51pm on July 26, 2016

Strange Country by Darryl Reilly

These are among the choice zingers in playwright Anne Adams' emotionally raw, earthy and often very funny contemporary dysfunctional Texas-set, family drama, "Strange Country." This enterta…

SOURCE: www.theaterscene.net at 6:33pm on July 26, 2016

Oslo by Cynthia Allen

Bartlett Sher complements Rogers by punctuating the play with visual puns that substantially add to the drama and importance of the enfolding events. A dinner party at Mona and Larsen's home…

SOURCE: www.theaterscene.net at 5:05pm on July 26, 2016

A Man Like You by Ryan Mikita

Stannah, who gives a wrenching and emotionally present turn as the diplomat in distress, rarely leaves the stage for more than thirty seconds out of the entire 100 minute production with no …

SOURCE: www.theaterscene.net at 12:08pm on July 26, 2016

Shakespeare and the Alchemy of Gender by Darryl Reilly

Dressed in black slacks, a white shirt and a black vest, Ms. Wolpe demonstrates a fluid physicality and a soothing vocal expressiveness. Wolpe quite adeptly offers rich characterizations of…

SOURCE: www.theaterscene.net at 11:56pm on July 24, 2016

No End of Blame: Scenes of Overcoming by Darryl Reilly

Director Richard Romagnoli who also staged the 2007 production and he has done an excellent job of visualizing the scope of the scenes. Action on the battlefield, political conflicts in Mos…

SOURCE: www.theaterscene.net at 4:55pm on July 22, 2016

2 by Tennessee Williams: "27 Wagons Full of Cotton" & "Kingdom of Earth" by Victor Gluck, Editor-in-chief

While the play can be a tour de force, Kathryn Luce Garfunkel is so one dimensional that her Flora has little weight. She exudes languidness and laziness, but fails to make Flora anything ot…

SOURCE: www.theaterscene.net at 3:34pm on July 21, 2016

Bridgman|Packer Dance by Joel Benjamin

At times, Hopper's paintings"mostly the moody ones"were inhabited by the dancers who took on the iconic, emotionally laden poses so brilliantly painted by Hopper, helped by Frank DenDanto II…

SOURCE: www.theaterscene.net at 10:23am on July 20, 2016

The Red Room by Darryl Reilly

After a less then engrossing hour of prattling and a too stylized presentation, in its last thirty minutes "The Red Room" becomes the powerful family drama it intends to be. The post The Red…

SOURCE: www.theaterscene.net at 12:37am on July 18, 2016

Two Good To Be True by John Hoglund

If you're stuck in the city in the hot summer, there's good reason to come to the cabaret. All the Manhattan clubs have impressive lineups for the summer months. Some of the most entertainin…

SOURCE: www.theaterscene.net at 9:01pm on July 17, 2016

Pillars of New York by Darryl Reilly

The score that Mr. Antin composed and wrote the lyrics for is a serviceable collection of songs that could possibly have succeeded in a show about the conflicts among married couples. Wedge…

SOURCE: www.theaterscene.net at 10:47am on July 15, 2016

The New York Pops with Megan Hilty and Matthew Morrison by Ryan Mikita

Megan Hilty with conductor Steve Reineke and The New York Pops (Photo credit: Richard Termine) Ryan Mikita As The New York Pops has become increasingly popular and successful across the grea…

SOURCE: www.theaterscene.net at 5:01pm on July 14, 2016

Simon Says by Victor Gluck, Editor-in-chief

Three-time Tony nominee Brian Murray returns to the New York stage for the first time in four years as a retired professor of parapsychology who has put aside his own career to foster that o…

SOURCE: www.theaterscene.net at 11:20pm on July 13, 2016

Twyla Tharp and Three Dances by Joel Benjamin

From 1976, "Country Dances" represented the post-experimental avant-garde phase after breakout success with her ballets for major dance companies. From 1980, there was "Brahms Paganini," he…

SOURCE: www.theaterscene.net at 3:31pm on July 13, 2016

Liberty: A Monumental New Musical by Victor Gluck, Editor-in-chief

The production team uses most of the same people who were involved with the show's 2014 run at Theater 80 St. Marks as well as four of the eight actors. Directing again, Evan Pappas keeps th…

SOURCE: www.theaterscene.net at 2:55pm on July 13, 2016

Katdashians! Break the Musical! by Courtney Marie

Under John Duff's direction, this energetic group of performers get an A+ for accurately portraying their chosen characters. As KimKat, Carmen Mendoza is as self-centered as can be and let h…

SOURCE: www.theaterscene.net at 11:46pm on July 12, 2016

Runaways by Victor Gluck, Editor-in-chief

The most remarkable thing about the Encores! Off-Center revival of the late Elizabeth Swados' 1978 musical "Runaways" is that it is as fresh as when it was written almost four decades ago. T…

SOURCE: www.theaterscene.net at 11:23pm on July 12, 2016

The Lost Ones: A New Musical by Cynthia Allen

Karen Carpenter singing her song, We Have Only Just Begun (to live), sitting on a stool in the afterlife takes the meaning of ill-fated to a whole new level. However, Karen Carpenter, Whitne…

SOURCE: www.theaterscene.net at 3:42pm on July 12, 2016

HYPERBOLIC! (The Last Spectacle) by Darryl Reilly

It is August 11, 2033, and there's a wild party happening because the world is ending. That's the setup of the exuberant one-hour multimedia fantasia "HYPERBOLIC! (The Last Spectacle)." Th…

SOURCE: www.theaterscene.net at 11:57pm on July 10, 2016

Phoenix Rising: Girls and the Secrets We Keep by Cynthia Allen

"Phoenix Rising: Girls and the Secrets We Keep" takes place in two worlds: the New York CBGB punk scene of 1985, and a dark, Greek mythological other world of indeterminate time and place. I…

SOURCE: www.theaterscene.net at 4:49pm on July 10, 2016

DELIRIOUS Dances: To Begin the World Over Again by Joel Benjamin

Edisa Weeks' DELIRIOUS Dances company presented "To Begin the World Over Again," an ultimately hopeful, informal look at American values filtered through the words of Thomas Paine, the Revol…

SOURCE: www.theaterscene.net at 12:28pm on July 9, 2016

PRISM Quartet Color Theory: Sō Percussion and PARTCH by Jean Ballard Terepka

Over the last several years, PRISM and two colleague chamber groups, Sō Percussion on the one hand and PARTCH on the other, have been engaged in the "Color Theory" project, and presented…

SOURCE: www.theaterscene.net at 2:49pm on July 7, 2016

Here I Sit, Brokenhearted by Ryan Mikita

Bathroom humor is an art of its own kind, but Seth Panitch's musical parody "Here I Sit, Brokenhearted: A Bathroom Odyssey" takes this particular blend of humor and exploits it entirely. The…

SOURCE: www.theaterscene.net at 12:15pm on July 7, 2016

Out of the Mouths of Babes by Darryl Reilly

At one point stumbling around in a sleep mask and wearing a colorful nightgown, the 88 year-old Estelle Parsons has a field day as the 88 year-old Evelyn, a former journalist for The Interna…

SOURCE: www.theaterscene.net at 12:13pm on July 7, 2016

On the Verge by Joel Benjamin

As the women find themselves further and further in the future, it is how each reacts and is forever changed that give the play its emotional weight. Two manage to adjust quite well; one no…

SOURCE: www.theaterscene.net at 10:59pm on July 6, 2016
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