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10,593 stories from A Younger Theatre

Review: May Contain Food, Shoreditch Town Hall by Tal Fox

It’s a new twist on the meaning of ‘dinner theatre’.  It’s not so much that you are sat back, relaxed and enjoying a delicious three course meal while watching the…

SOURCE: A Younger Theatre at 9:42am on December 8, 2016

Blog: Opera singers can't act. Fact or fallacy? by Alisdair Kitchen

As he takes on a run of Chekhov shorts – performed by opera singers-turned-actors – Artistic Director of Euphonia Studio, Alisdair Kitchen, muses on why acting in opera has su…

SOURCE: A Younger Theatre at 2:02pm on December 7, 2016

Review: Babe, the Sheep-Pig, Polka Theatre by Katie Walsh

The story of Babe, the Sheep-Pig is undoubtedly appealable to people of all ages, genders and walks of life. Whether you spent your childhood reading the books, or watching the film, Babe is…

SOURCE: A Younger Theatre at 12:31pm on December 7, 2016

Review: Thebes Land, Arcola Theatre by Rob Ellis

It's not often that a show will tell you, within its script, that you'll be giving it a good review – but then Thebes Land is no ordinary play. Daniel Goldman's adaptation of Sergio Bl…

SOURCE: A Younger Theatre at 10:54am on December 7, 2016

Review: Once in a Lifetime, Young Vic by James Bell

The era of silent cinema will seem to many as remote as the last days of the Roman Empire. It is difficult, therefore, to imagine the revolution the "talkies" would have sparked in the Holly…

SOURCE: A Younger Theatre at 10:54am on December 7, 2016

Review: Il trovatore, Royal Opera House by Callum McCartney

Lurking sheets of ashes cover the stage, drifting by its disturbers. The warn down branches of isolated trees have been stripped and burnt. We are here to bear witness to director David Bös…

SOURCE: A Younger Theatre at 9:48am on December 7, 2016

Blog: What's going on with men, power, work and politics? by Alister Lownie

Ahead of their last tour date, Alister Lownie looks at the themes of power and the politically complex commentary on England's working men tackled in Two Destination Language's Manpower. Men…

SOURCE: A Younger Theatre at 4:02am on December 5, 2016

Review: Licensed to Ill, Southwark Playhouse by Callum McCartney

'You gotta fight, for the right, to party!' As an answer to the polished West-End jukebox musical, this show is every inch the opposite. The Beastie Boys began as a hardcore punk band and th…

SOURCE: A Younger Theatre at 8:24am on December 4, 2016

Review: Peter Pan, National Theatre by Rob Ellis

'To die will be an awfully big adventure!' roars Peter Pan (Paul Hilton), washed atop Marooner's Rock in Mermaid's Lagoon, his grim fate now all but sealed by the evil Captain Hook (Anna Fra…

SOURCE: A Younger Theatre at 8:24am on December 4, 2016

Review: An Act of Kindness, Lion and Unicorn Theatre by Jessica Handscomb

An Act of Kindness, written by Helena Westerman, is a two-hander with Westerman herself playing 22-year-old bohemian free-spirit Leila, and Robert Hayes as businessman and alpha male Martin.…

SOURCE: A Younger Theatre at 7:18am on December 4, 2016

Review: This House, Garrick Theatre by Ellie Bannerman

"Does anyone want to come and sit on the stage?" Normally such a question from a stage manager would fill me with dread but the opportunity to pose as a Westminster MP on stage in James Grah…

SOURCE: A Younger Theatre at 6:12am on December 4, 2016

Review: Her Aching Heart, The Hope Theatre by Fred Maynard

Good genre parody is harder to get right than it looks. It has to have an intimate familiarity with (and more often than not, palpable affection for) its source conventions, it has to know e…

SOURCE: A Younger Theatre at 1:42pm on December 3, 2016

Review: Post, Ovalhouse by Rob Ellis

With three productions in the last week asking me about national identity, we're now officially in the post-Brexit era of storytelling. Frankly it's a conversation worth having at any time, …

SOURCE: A Younger Theatre at 8:54am on December 2, 2016

Review: Another Night Before Christmas, The Bridge House Theatre by Emily May

With Christmas just around the corner, many of the audience at the Bridge House Theatre may be able to empathise with protagonist Carole's disdain for the commercialism of the season. "It st…

SOURCE: A Younger Theatre at 5:36am on December 2, 2016

Review: Bianco, Southbank Centre by Tal Fox

On paper this seems like it could be the most exciting show in the world. Immersive theatre with a thrilling contemporary circus performance. In my mind, I imagined standing under a trapeze …

SOURCE: A Younger Theatre at 4:36am on December 2, 2016

Review: The Peony Pavilion, Sadler's Wells by Callum McCartney

As ballet and dance becomes ever globalised and appears to be merging ever-closer, it is worth remembering that the National Ballet of China has always embodied this principle, originally fo…

SOURCE: A Younger Theatre at 7:36am on December 1, 2016

Review: Scrooge and the Seven Dwarves, Theatre 503 by Calum McIntosh

The festive season is upon us and award winning comedy trio, The Sleeping Trees return to Theatre 503 for their third pantomime, Scrooge And The Seven Dwarves. This time they tell the tale o…

SOURCE: A Younger Theatre at 6:31am on December 1, 2016

Review: The Three Musketeers, Pleasance Theatre by Hattie Pierce

Cyphers' production of The Three Musketeers sets itself the ambitious task of reducing the whole of Alexander Dumas' dense and action-driven story into a comedy stage production, using just …

SOURCE: A Younger Theatre at 5:24am on December 1, 2016

Review: Dr Angelus, Finborough Theatre by Rob Ellis

They say write what you know, so let's hope James Bridie was delving into some fiction when he wrote Dr Angelus. Bridie, a GP turned playwright, and without who we wouldn't have a little thi…

SOURCE: A Younger Theatre at 8:31am on November 30, 2016

Review: A Christmas Carol " As told by Jacob Marley (deceased), New Wimbledon Theatre by Katie Walsh

The tale of Ebenezer Scrooge is one of which most people are accustomed to, perhaps from reading the book, or having watched many the film adaption, which quite possibly had the Muppets in. …

SOURCE: A Younger Theatre at 7:24am on November 30, 2016

Review: Ilé la Wà, Rich Mix by Rob Ellis

Ilé la Wà translates to 'We Are Home.' Sometimes we all need some perspective – for all we'd like to complain about 2016, the unimaginable horrors of those suffering from displacem…

SOURCE: A Younger Theatre at 7:24am on November 30, 2016

Review: The Snowman, The Peacock Theatre by Samuel Sims

As an army of minute children descend down the aisle towards a Christmas coated stage and form a freakish, yet excitable mosh pit, it can only mean one damn thing, The Snowman is back …

SOURCE: A Younger Theatre at 6:18am on November 30, 2016

Review: Swan Lake/Loch na hEala, Sadler's Wells by Emily May

The stage is set with an unlikely assortment of objects. A utilitarian platform, instruments, ladders, wiring and microphones conjure thoughts of a warehouse. It is as if the backstage of th…

SOURCE: A Younger Theatre at 2:06pm on November 29, 2016

Review: After October, Finborough Theatre by James Bell

There's a moment in After October, a restaging of a 1936 Rodney Ackland play, that made the critics in the audience collectively draw breath. "By what right" goes Clive's (Adam Buchanan) adm…

SOURCE: A Younger Theatre at 12:48pm on November 29, 2016

Review: The Tempest, The Print Room at the Coronet by Callum McCartney

The mistakes of an older generation impacting the young. A group arrival to a mysterious isle. Flitters of much needed redemptive romance. There could not be a more relevant time for directo…

SOURCE: A Younger Theatre at 12:48pm on November 29, 2016
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