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4,024 stories from http://www.theaterscene.net

Dell'Arte Opera Ensemble: Verdi's La Traviata & Chansons de Baudelaire by Jean Ballard Terepka

The performance of Verdi's "La Traviata" featuring Bonnie Frauenthal as Violetta and Jose Heredia as Alfredo Germont was wonderful in many ways. Frauenthal sang and acted her complex role co…

SOURCE: www.theaterscene.net at 6:13pm on September 19, 2016

Empathitrax by Darryl Reilly

Playwright Ana Nogueira has a facility for often arch dialogue but not much else. The play's potentially promising sci-fi premise is undermined by its bizarre vagueness. Not only do the le…

SOURCE: www.theaterscene.net at 12:34pm on September 19, 2016

Dead Shot Mary by Courtney Marie

While proud of how she is portrayed in the press, as a woman who couldn't be broken, McPhee delves beneath the surface to illustrate how Shanley really felt once she returned to an empty apa…

SOURCE: www.theaterscene.net at 11:37am on September 19, 2016

Phaedra(s) by Joel Benjamin

During the three and a half hours of "Phaedra(s)," Huppert masturbates, menstruates, throws up, fellates several versions of Hippolytus, flails about with masochistic glee, and screams so lo…

SOURCE: www.theaterscene.net at 4:50pm on September 17, 2016

The Birds by Victor Gluck, Editor-in-chief

Unlike the original short story which was set on a rural farm in Cornwall, England, and the film which was reset in Bodega Bay, California, the play takes place entirely in the main room of …

SOURCE: www.theaterscene.net at 11:48pm on September 16, 2016

Maestro by Joel Benjamin

Felder's play begins with a video of the actual Leonard Bernstein delivering a colorful, yet entertaining, illustrated lecture on music. When Felder sashays down the aisle, a cigarette in o…

SOURCE: www.theaterscene.net at 5:46pm on September 16, 2016

Blossom by Cynthia Allen

Lott employs skillful puppetry, complementary video projections, innovative lighting and novel sound design to show the transitions between the present and make-believe. Five puppeteers (Rob…

SOURCE: www.theaterscene.net at 2:25pm on September 13, 2016

Bachelorette by Courtney Marie

This comedy revival of Leslye Headland's 2010 play, that was adapted for the 2012 film of the same name, "Bachelorette," is as caustic and outrageous as ever. While looking ahead to a weddin…

SOURCE: www.theaterscene.net at 11:42am on September 13, 2016

Aubergine by Darryl Reilly

Playwright Julia Cho has crafted an engaging and universal work that unevenly blends reality with mysticism. The characters are all very well delineated and the dialogue is flavorful and re…

SOURCE: www.theaterscene.net at 10:39am on September 13, 2016

Aleko & Pagliacci (New York City Opera) by Victor Gluck, Editor-in-chief

While the New York City Opera's staging of "Aleko" could not be called a major rediscovery, it was an admirable attempt to offer a non-standard repertory work that had probably not been seen…

SOURCE: www.theaterscene.net at 2:52pm on September 12, 2016

Toruk " The First Flight (Cirque du Soleil) by Victor Gluck, Editor-in-chief

The show includes pole vaulting, giant flowers that rise up out of the ground, the building of the bone structure of the totemic Thanator, the high flying of the Toruk, a flock of birds play…

SOURCE: www.theaterscene.net at 9:50pm on September 10, 2016

Crackskull Row by Darryl Reilly

Director Kira Simring's superior staging theatrically presents the play's complicated situations with clarity and surrealistic flourishes. Characters often enter and exit through unlikely p…

SOURCE: www.theaterscene.net at 1:26pm on September 8, 2016

The Layover by Victor Gluck, Editor-in-chief

Following "Bachelorette" and "Assistance," Leslye Headland's latest play, The Layover, is a taut psychological thriller told in an updated film noir style. Trip Cullman, who has directed all…

SOURCE: www.theaterscene.net at 11:52pm on September 6, 2016

Twelfth Night (Public Works) by Victor Gluck, Editor-in-chief

Taub's eclectic score to original lyrics includes jazz, rhythm and blues, pop, Broadway and ragtime. Among Kwei-Armah's ingenious touches were his use of a series of community cameo groups p…

SOURCE: www.theaterscene.net at 11:00pm on September 5, 2016

About Clarence and Me by Ryan Mikita

To call "About Clarence and Me" simply a play is misleading, as the project features an entirely original score by co-writer Scott Hiltzik. A classical musician, Hiltzik's music is technical…

SOURCE: www.theaterscene.net at 11:19pm on September 4, 2016

The Trojan Women by Victor Gluck, Editor-in-chief

Written in 415 B.C. as a criticism of the Athenian capture of Melos and the subjugation of its population earlier that year, "The Trojan Women" has remained relevant throughout the last 2,50…

SOURCE: www.theaterscene.net at 6:26pm on September 4, 2016

The Jamb by Darryl Reilly

Besides achieving sensitive and strong performances from the cast, director David Drake masterfully fulfills the playwright's intentions with his lively and brisk staging. The collaborative…

SOURCE: www.theaterscene.net at 12:40pm on September 3, 2016

Caught by Courtney Marie

The beauty of Chen's technique lies in engaging the audience in a guessing game that they don't immediately know they are a part of " presenting them with certain messages that appear to be …

SOURCE: www.theaterscene.net at 1:11pm on August 31, 2016

A Day by the Sea by Victor Gluck, Editor-in-chief

Now that we have been through all the angry play movements, literate writers like N.C. Hunter and Terence Rattigan are once again ripe for revival. While in his own time, Hunter was criticiz…

SOURCE: www.theaterscene.net at 3:09pm on August 30, 2016

The Good Earth by Darryl Reilly

Gwenllian Higginson and Michael Humphrey in a scene from "The Good Earth" (Photo credit: Tom Flannery) Darryl Reilly, Critic "Then there's the queen and she lives in Buckingham Palace in Eng…

SOURCE: www.theaterscene.net at 1:05pm on August 30, 2016

Crashlight by Darryl Reilly

"Crashlight" is a musical that is so inept that the recurring age-old mental question while watching it is, "What were they thinking?" The "King Lear"-style eye gouging sequence in the seco…

SOURCE: www.theaterscene.net at 1:49pm on August 28, 2016

Touch by Victor Gluck, Editor-in-chief

Toni Press-Coffman's "Touch" is a rather challenging play both in that a great deal of it is narrated in recollection and also that it deals with much naked emotion. The cast led by Peter Mc…

SOURCE: www.theaterscene.net at 8:19pm on August 27, 2016

Las Vegas Supports Performing Arts

Vegas still maintains its status as a hotspot for Broadway musicals, theatrical plays, and live entertainment. Although Performing Arts doesn't appeal as largely to today's youth in relation…

SOURCE: www.theaterscene.net at 2:25pm on August 24, 2016

Mother Emanuel (The New York International Fringe Festival 2016) by Darryl Reilly

The dynamic cast is made up of Marquis Gibson, Lauren Shaye, Nicole Stacie and Christian Lee Branch. These four very talented performers all portray numerous characters during this 75-minut…

SOURCE: www.theaterscene.net at 11:12am on August 23, 2016

BalaSole Dance Company: Mixtus by Joel Benjamin

The ten solos proceeded efficiently and smoothly with certain similarities becoming apparent: black was the color of all but one of the costumes and black was the mood of most the works. Cr…

SOURCE: www.theaterscene.net at 12:22pm on August 22, 2016
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