Surely you remember exactly where you were and who you were with and what everyone was wearing when you first heard the news that New York City's Theater 80 would play host to an unauthorize…
The Walnut Street Theatre's set for Jon Robin Baitz's Other Desert Cities, with its airy vaulted ceiling, floating staircase, and open hearth with an enormous hammered-copper hood, implies m…
To hear UArts student Steven Burke tell it, theater, like Trix, is for kids.
IT WAS A BIG DAY for Philadelphia on the national gossip scene yesterday.
Harry Potter is now a man, and that man is intensely interested in bridges. Daniel Radcliffe has officially signed on to Douglas McGrath's Brooklyn Bridge, an ode to the construction of one …
People's Light & Theatre Company has given us a phenomenal production of Henrik Ibsen's Ghosts. It has so much resonance for our time that it could almost have been set in 2014 - except for …
Luna Theater's crackerjack production of The Pillowman, Martin McDonagh's terrifying, almost-funny play, adds to Luna's roster of profoundly edgy, creepy shows. Luna has carved out a niche m…
What a difference two decades make. In 1993, Jonathan Harvey's Beautiful Thing seemed like a fairy tale of two gay teens finding love and acceptance in the violent, addiction-plagued public …
Megan Diehl, of the Kennedy Center American College Theater Festival's Region 2 Institute for Theatre Journalism and Advocacy looks at student design updates of classic drama.
Vortex, produced by Albright College, directed by Jeffrey Lentz, designed by Cocol Bernal for the Kennedy Center American College Theater Festival Region 2. Reviewed by Megan Diehl, Victoria…
Bowie State University's Lysistrata, produced for the Kennedy Center American College Theater Festival's Region 2, reviewed by Tiana Bias and Hannah Eyler for the Institute for Theater Journ…
Well, no wonder Johnnie Hobbs Jr. taught acting at the University of the Arts for 30 years: His performance, in the Walnut Independence Studio's production of Driving Miss Daisy as the Afric…
Thornton Wilder's Our Town, produced by Carroll Community College, directed by John Moletress, reviewed by Hannah Eyler for the Kennedy Center American College Theater Festival Region 2 Inst…
It's a Cinderella story, a musical that is at once compelling and bizarre. Les Ballets Jazz de Montréal presented "Harry" on a program of four dances when it opened Thursday …
Kennedy Center American College Theater Festival Region 2 Alive review by Megan Diehl, produced by Arcadia University, directed by Alisa Sickora Kleckner.
world premiere of Susan Rethorst's THEN, with Group Motion and artistic director Manfred Fischbeck, was a bright, cheery, even cheeky little dance
Dead Man's Cell Phone, reviewed by Tiana Bias for the Kennedy Center American College Theater Festival Region 2 and Institute for Theatre and Journalism Advocacy. Produced by Slippery Rock U…
Lisa D'Amour's Cherokee is receiving its world premiere at the Wilma, and under Anne Kauffman's direction, it's an impressive production: a terrific cast and an eye-popping set (designed by …