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10,593 stories from A Younger Theatre

Review: Death Takes a Holiday, Charing Cross Theatre by Felix Clutson

In the Italian countryside circa 1920s, some cheerful socialites are buoyed by the engagement of Corrado (Ashley Stillburn) to our female protagonist, Grazia (Zoe Doano). Headed for Grazia's…

SOURCE: A Younger Theatre at 11:42am on January 30, 2017

Review: Twix, theSpace by Ethan Taylor

I have seen few plays whose subject matter ranges from calorie counting to Bolshevism through Everton's Youth Academy to The A-Team. I have seen even fewer which manage to remain entertainin…

SOURCE: A Younger Theatre at 11:42am on January 30, 2017

Review: Dirty Great Love Story, Arts Theatre by Jessica Handscomb

In most brilliant ‘will they, won’t they?’ stories, we kind of know that they will. But that doesn’t in any way soothe the special kind of aching frustration that bre…

SOURCE: A Younger Theatre at 11:42am on January 30, 2017

Feature: Let's have a conversation about mental health and make sure nobody has to be alone by Samuel Sims

“We still need to get into position where you can go to the chemist, say you’re having a panic attack, ask if they mind you meditating for a bit and no one will bat an eyelid, ju…

SOURCE: A Younger Theatre at 2:54am on January 30, 2017

Blog: Combining art and activism to change the narrative of the refugee crisis by Loren O'Dair

Loren O'Dair describes the making of a show that combines art and activism " and challenges you to join them in taking control and re-shaping the public narrative around the refugee crisis. …

SOURCE: A Younger Theatre at 2:54am on January 30, 2017

Blog: Friendship, nostalgia and two lives marked by global events in Years of Sunlight by Amelia Sears

Director Amelia Sears examines the human cost of global events in Michael McLean's play Years of Sunlight, exploring themes of class, identitity, addiction, judgement and home. Years of Sunl…

SOURCE: A Younger Theatre at 2:32pm on January 29, 2017

Blog: Trump's unlikely supporters in Palestine by Hassan Abdulrazzak

In the week of Donald Trump's inauguration, Theatre503 brought together a team of artists to present Top Trumps, a festival of plays, proposals and premonitions exploring all that has led to…

SOURCE: A Younger Theatre at 2:32pm on January 29, 2017

Review: Us/Them, National Theatre by Lydia Lakemoore

Us/Them is an immensely powerful and affecting piece of devised theatre. Winner of a Fringe First at last year's Edinburgh Fringe Festival the play was originally designed as a children's sh…

SOURCE: A Younger Theatre at 6:33am on January 26, 2017

Review: Richard III, Rosemary Branch Theatre by Toby Vaudrey

“I am Determined to prove a villain  And hate the idle pleasures of these days.” Considered by some to be one of the more difficult plays to stage from Shakespeare’s can…

SOURCE: A Younger Theatre at 9:24am on January 24, 2017

Review: Out There on Fried Meat Ridge Road, White Bear Theatre by Jessica Handscomb

Out There on Fried Meat Ridge Road, written by and starring Keith Stevenson as the loveable redneck JD, has delighted audiences for years at LA’s Pacific Resident Theatre on Venice Bou…

SOURCE: A Younger Theatre at 7:12am on January 24, 2017

Review: Holding the Man, Brockley Jack Studios by Connie Stride

Holding the Man, a play by Tommy Murphy, adapted from Timothy Conigrave's memoir, is one of the most beautiful love stories I have ever had the pleasure to behold on stage. Big Boots Theatre…

SOURCE: A Younger Theatre at 7:12am on January 24, 2017

Review: Assisted Suicide " The Musical, Southbank Centre by Hattie Pierce

Liz Carr, actor and prominent disability rights activist (D-list celebrity, in her own words), brought the enormous and tangled issue of euthanasia to the stage in Assisted Suicide: The Musi…

SOURCE: A Younger Theatre at 9:12am on January 23, 2017

Review: Misirlou, Etcetera Theatre by Marcus Emmanuel

Misirlou explores death: understanding it, accepting it and cheating it. It's a dark and meaningful topic that has me expecting a philosophical and stimulating evening; one that The Diva …

SOURCE: A Younger Theatre at 8:12am on January 23, 2017

Review: Winter Solstice, Orange Tree Theatre by Toby Vaudrey

“Can I come in?” The dramatic trope of the ‘Third Man’ is well established in theatre; from Harold Pinter’s Davies in The Caretaker to J.B Priestley’s Ins…

SOURCE: A Younger Theatre at 8:12am on January 23, 2017

Review: Promises Promises, Southwark Playhouse by Tal Fox

Promises Promises, is based on the Oscar winning Billy Wilder movie from 1960, The Apartment. In 1968 it received the Broadway treatment with Neil Simon writing the book and Burt Bacharach a…

SOURCE: A Younger Theatre at 11:18am on January 22, 2017

Review: The Red Balloon, The Puppet Theatre Barge by Lydia Lakemoore

Aboard a quaint little barge, that moors in the waters of Little Venice during the winter months, I am surprised to find a fully functioning theatre complete with stage, lighting rig, and ma…

SOURCE: A Younger Theatre at 11:18am on January 22, 2017

Review: The Doppel Gang, Tristan Bates Theatre by Ethan Taylor

As something that originally came to being as a university assignment, The Doppel Gang has snowballed into a tour in 2015 and now gets a lengthy run at the Tristan Bates Theatre, all in the …

SOURCE: A Younger Theatre at 11:18am on January 22, 2017

Review: Turmoil, The Courtyard Theatre by Calum McIntosh

All the way from Brazil, Jô Bilac’s Turmoil explores a bizarre Jane Austen-esque world with a twist. Dende Collective along with a vastly international cast, (hailing from all over …

SOURCE: A Younger Theatre at 9:48am on January 21, 2017

Review: The Collector, The Greenwich Theatre by Steph J. Watkins

Take yourself back to 2003, turning on the news and hearing story after story of bombings and terrorism when the invasion of Iraq began in the Middle East. 'Thousands killed in horrific atta…

SOURCE: A Younger Theatre at 9:48am on January 21, 2017

Review: The HIV Monologues, Theatre 503 by Marcus Emmanuel

With the 16th January being labelled as the ‘most depressing day of the year’, concluding 'Blue Monday' watching a play that focuses on the HIV/Aids epidemic is, perhaps, apt. Th…

SOURCE: A Younger Theatre at 8:42am on January 21, 2017

Feature: Fear & Loathing: a transatlantic quest across a divided political landscape by Squint

In the lead up to the US elections, director Andrew Whyment, playwright Brad Birch and writer Adam Foster of London-based theatre company Squint hit the campaign trail, travelling almost …

SOURCE: A Younger Theatre at 5:42am on January 20, 2017

Blog: We Live In A Global Society. Let's Not Pretend The US Elections Don't Matter Here by Jennifer Tuckett

Six female students studying the arts share their reaction to the US elections, and how it impacts them and their work. On the day Donald Trump was elected, we held our third University Wome…

SOURCE: A Younger Theatre at 4:36am on January 20, 2017

Review: Resolution 2017, The Place by Emily May

Resolution 2017 is the 28th edition of the celebrated platform for emerging contemporary dance choreographers. With a different triple-bill every night for just over a month, Resolution prov…

SOURCE: A Younger Theatre at 2:18pm on January 19, 2017

StoneCrabs blog: where we are a year on by Stonecrab Young Directors

One of the only programmes of this type in the country, the StoneCrabs Young Directors' Training Programme aims to help train and develop the potential of a group of theatre makers in …

SOURCE: A Younger Theatre at 5:33am on January 19, 2017

Review: Wish List, Royal Court Theatre by Calum McIntosh

Katherine Soper’s Wish List follows two struggling siblings, trying to make the best of their lives after the death of their mother. Battling with financial desperation, a lack of gove…

SOURCE: A Younger Theatre at 2:18pm on January 18, 2017
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