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4,024 stories from http://www.theaterscene.net

Sagittarius Ponderosa by Darryl Reilly

Founded in 1991, the National Asian American Theater Company's mission is to present theater with all Asian-American casts. This is accomplished by producing classics of European and Americ…

SOURCE: www.theaterscene.net at 10:29am on November 1, 2016

Cox and Box & Trial by Jury by Victor Gluck, Editor-in-chief

Introducing what he dubbed a pair of "Comedies of Crime," NYGASP's artistic director Albert Bergeret offered what he said was a first of a new series for the company: intimate performances o…

SOURCE: www.theaterscene.net at 10:03pm on October 31, 2016

Phantasmagoria; or, Let Us Seek Death! by Cynthia Allen

Benjamin Stuber's puppetry designs are a disappointment and should be more thoughtful and complementary to the play. Ghoulish puppets that are meant to disturb seem make-shift and thrown tog…

SOURCE: www.theaterscene.net at 12:06pm on October 31, 2016

Plenty by Victor Gluck, Editor-in-chief

In his Broadway productions, David Leveaux has often used a strong directorial concept such as his Chekhovian 'Fiddler on the Roof" and his interracial "Romeo and Juliet" which did not work …

SOURCE: www.theaterscene.net at 5:04pm on October 29, 2016

Duat by Ryan Mikita

Constructed in three parts, the first part of Jones' memoir-meets-manifest-destiny is an enchanting origin story that takes place in a mystical library that holds an archive of Jones' life (…

SOURCE: www.theaterscene.net at 11:23pm on October 28, 2016

Paris (Company XIV) by Victor Gluck, Editor-in-chief

Company XIV has applied its inimitable Baroque-Burlesque style to the Greek myth of the Judgement of Paris for the second time and come up with Paris, an exotic and erotic adults-only entert…

SOURCE: www.theaterscene.net at 4:23pm on October 27, 2016

Tick, Tick… BOOM! by Darryl Reilly

Out of this frustration, Larson in 1991 began performing a rock monologue about his life and stalled career called 30/90, as it was set in 1990 as he turned thirty. Later it was retitled "…

SOURCE: www.theaterscene.net at 4:16pm on October 27, 2016

What We're Up Against by Victor Gluck, Editor-in-chief

The play is both satiric and trenchant. The conversations of the men are laced with profanity much like David Mamet's real estate men in Glengarry Glen Ross. Eliza is called everything in th…

SOURCE: www.theaterscene.net at 11:23pm on October 25, 2016

A Life by Darryl Reilly

Pierce coolly addresses the audience while delivering this mundane litany. His superb comic timing, long evident on the television situation comedy "Frasier," is on glorious display here. …

SOURCE: www.theaterscene.net at 3:22pm on October 25, 2016

The Cherry Orchard by Victor Gluck, Editor-in-chief

Directed by high profile new British director Simon Godwin, associate director of the U.K.'s National Theatre, making his New York debut, this "Cherry Orchard" seems to have no interpretatio…

SOURCE: www.theaterscene.net at 1:05pm on October 25, 2016

Funny Face by Victor Gluck, Editor-in-chief

Aside from the syncopated, bouncy score, the single best element is the sensational choreography by director Colgan whose dances also impressed in his revival of Oh, Kay! last year. While th…

SOURCE: www.theaterscene.net at 3:27pm on October 24, 2016

The Resistible Rise of Arturo Ui by Darryl Reilly

British author Stephen Sharkey's new translation is faithful to Brecht, but the Phoenix Theatre Ensemble has fashioned the presentation as an old-time radio show. Brecht was known for his s…

SOURCE: www.theaterscene.net at 12:11am on October 24, 2016

End of Summer by Victor Gluck, Editor-in-chief

While S. N. Behrman was one of the leading Broadway playwrights from the twenties through the early sixties, he went into an eclipse after his death in 1973. Since 2000, however, there have …

SOURCE: www.theaterscene.net at 10:59pm on October 22, 2016

Heisenberg by Joel Benjamin

Simon Stephens, whose Tony Award winning "The Curious Incident of the Dog in the Night-Time" recently amazed audiences with its razor-sharp take on the inner workings of an autistic boy, is …

SOURCE: www.theaterscene.net at 10:37pm on October 22, 2016

I Like It Like That by Darryl Reilly

Despite its formulaic story, "I Like It Like That" is quite exhilarating with its sensational salsa renditions as performed by its appealing cast and excellent band. The post I Like It Like …

SOURCE: www.theaterscene.net at 11:25pm on October 21, 2016

Oh, Hello on Broadway by Joel Benjamin

In the guise of two old Upper West Side bachelor geezers, Kroll as failed actor, Gil Faizon, and Mulaney as failed writer, George St. Geegland, wander about Pask's brilliant combination apar…

SOURCE: www.theaterscene.net at 2:28pm on October 20, 2016

Ship of Fools by Cynthia Allen

Visual artist and puppeteer Jessica Scott navigates through a satiric and fascinating new media "seascape" with a dysfunctional ship's crew, albeit all women. Scott's "Ship of Fools" uses ni…

SOURCE: www.theaterscene.net at 1:26pm on October 20, 2016

The God Projekt by Cynthia Allen

In "The God Projekt," the "Divine He" repeatedly tries to make reparations for his past destructive deeds, but to no avail. God is wrestling with dementia and in a time loop. Yet, he is dete…

SOURCE: www.theaterscene.net at 8:48am on October 19, 2016

The Maids by Darryl Reilly

Obie award-winning playwright José Rivera is an Oscar nominee for his adapted screenplay for "The Motorcycle Diaries." For this adaptation, he has set "The Maids" (which premiered in Paris…

SOURCE: www.theaterscene.net at 12:59pm on October 18, 2016

Th New York Pops: The Musical World of Lerner and Loewe by Victor Gluck, Editor-in-chief

Music Director/Conductor Steven Reineke chose three fine singers, Colin Donnell, Laura Osnes and Nathan Gunn, to animate the Lerner and Loewe songbook, along with the terrific choir, Essenti…

SOURCE: www.theaterscene.net at 11:04am on October 18, 2016

She Stoops to Conquer by Darryl Reilly

The scenic design by Brett Banakis is a functional, minimalist configuration of a slightly raised wooden performance platform surrounded by a wooden frame dotted with small antlers suggestin…

SOURCE: www.theaterscene.net at 2:45pm on October 17, 2016

Anna Deavere Smith: My teacher in the 1980's by Darryl Reilly

Darryl Reilly, Critic "Hookers and drug addicts are all my agent sends me out for," said Anna Deavere Smith to her acting class at New York University in 1983. Ms. Smith was articulating the…

SOURCE: www.theaterscene.net at 11:30am on October 17, 2016

Inner Voices by Joel Benjamin

Paulette Haupt, producing artistic director of Premieres, should be very proud of herself. Her "Inner Voices" program at the TBG Theatre managed to shock, move and entertain. The three sh…

SOURCE: www.theaterscene.net at 12:41am on October 17, 2016

Public Enemy by Victor Gluck, Editor-in-chief

Ibsen's "An Enemy of the People" is a classic of modern drama but at times it can seem musty in a poor translation. David Harrower's "Public Enemy" is not only a shrewd, accessible adaptatio…

SOURCE: www.theaterscene.net at 6:36pm on October 16, 2016

The Clearing by Victor Gluck, Editor-in-chief

Playwright Helen Edmundson whose stage plays have been mostly adaptations of famous literature ("The Mill on the Floss," "War and Peace," "Anna Karenina," as well as "Coram Boy" and "Thérè…

SOURCE: www.theaterscene.net at 12:16am on October 16, 2016
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