Curtains is a killer musical - and I mean that in both senses of the word.
The success of Inherit the Wind belongs to its relevant script, its skilled direction and its two triumphant leading men.
A pair of breathtakingly intense performances from Jeff Daniels and Torontonian Alison Pill combine with David Harrower's stiletto of a script and Joe Mantello's take-no-prisoners direction …
Vanessa Redgrave skilfully tells author Joan Didion's tragic tale of turmoil, love and loss in new play
Piper Goodeve plays PEI's most famous redhead in a new musical of Anne of Green Gables that has angered some.
Just before the Stratford Festival starts previews of the classic Bway hit, Richard Ouzounian re-examines its rocky road to Broadway.
So much of The Pirate Queen is full of promise that it makes you lament the fact that its music " the one thing on which a musical must be built " is a major disappointment.
Ask Jennifer Waiser how she feels about making her debut on Broadway in The Pirate Queen and she has a simple answer.
"It's totally surreal."
Block straps on sword as an Irish sea captain in 'girl power' saga
And although no one could confirm or deny the report, Tony Award-winners Donna McKechnie (A Chorus Line) and Frances Ruffelle (Les Misérables), who were part of the abandoned London p…
Civic wrangling continues to delay choice of venue for show.
Matthew Bourne talks about his life and how Edward Scissorhands is a part of it.
The biggest hit on Broadway is coming to Toronto - the only questions are where and when.
Canstage launches a production of The Rocky Horror Show. Richard Ouzounian explores its history and interview its leading man, Adam Brazier, on Broadway last season in The Woman in White.
Two deaths close to home might have stopped another writer entirely. But Joan Didion is hard to faze.
Daniel Radcliffe smokes, gets naked and delivers a 'heartbreakingly vulnerable' performance in Equus
When The Phantom of the Opera left in 1999, Toronto's commercial theatre scene slowly faded. Now that the show has returned, will our audiences?