From its opening moments—when three giant blind mice make their way onstage tapping their canes—it's clear that Lucy Pebble's Enron is not going to be a standard theatrical docudrama. This scathing depiction of one of history's most egregious examples of corporate malfeasance whips out every theatrical trick in the book to get its points across. But for all its undeniable inventiveness, the play is curiously uninvolving.
Look for Washington's fans to show up in droves for this superb revival of August Wilson's award-winning drama.
Women, song and sexual identity celebrate Chicago tenement life at La Brea and Santa Monica.
While there are plenty of quibbles to be found in this production directed and choreographed by Rob Ashford and starring Sean Hayes (in his Broadway debut) and Kristin Chenoweth, it's a gene…
For true Sondheim fanatics exclusively.
Theatrical version of Green Day's acclaimed concept album will need to attract all of the band's fans it can muster.
This scaled-down "La Cage" is even more endearing than the original.
Economic downturn not felt in theaters
Patton Oswalt is out of his co-starring role a few days after being cast.
Good rockin' tonight, indeed.
English high society pierced and lampooned with wonderful hilarity.
Gripping drama about bipolar disorder shows insight but little hope.
Even the talents of Nathan Lane and Bebe Neuwirth can't make this musical adaptation of the familiar property more than just ho-hum.
When it premiered more than 20 years ago, Ken Ludwig's Lend Me a Tenor felt like an uninspired attempt to write the kind of screwball farce that was so popular decades earlier. It seems no less so with its current Broadway revival, but there's no denying that director Stanley Tucci has staged the hell out of it. The play itself might be derivative, mechanical and devoid of real wit, but this production starring Anthony LaPaglia, Tony Shalhoub, and Justin Bartha is at times hysterically funny.
Superb performances enliven this fascinating drama about famed abstract expressionist Mark Rothko.
Superfluous Wooster Group revival of a vintage avant-garde piece that hasn't aged especially well.
Terrific dancing and classic vocals by the Chairman of the Board are entertainingly if too abstractly combined in Twyla Tharp's new show.
No stars in the "Funny Thing" troupe produces a star performance.
This ill-conceived theatrical marriage is likely to result in a quickie divorce.
Selleck will play Michael, the handsome, confident and highly commended chief of police for the NYPD who lives in Brooklyn with his father, Patrick (Len Cariou), the ex-chief who struggles t…
Valerie Harper makes a fine and funny Tallulah Bankhead, but will anybody care?
Jonathan Pryce triumphs in classic Harold Pinter revival.
Against the odds, Andrew Lloyd Webber creates a brilliant sequel to "Phantom."
Deeply moving comedy drama that deserves not to get lost in the Broadway shuffle.
A brilliant cast elevates this profane shaggy-dog comedy to wildly entertaining proportions.