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618 stories from The New York Theatre Experience

Review: OPEN REHEARSAL by Ed Malin

Open Rehearsal is a new play by Lazarre S. Simckes, now playing at Theater For The New City. It was selected by Edward Albee as first runner up in Yale’s inaugural Drama Series Competi…

SOURCE: The New York Theatre Experience at 12:00am on January 25, 2012

Review: BOB by Julie Congress

They say you should practice what you preach, and Bob is one of the most vivid examples I have seen of that. After having the privilege of studying with performer and SITI Company founding m…

SOURCE: The New York Theatre Experience at 12:00am on January 25, 2012

Review: GOB SQUAD'S KITCHEN (YOU'VE NEVER HAD IT SO GOOD) by Will Fulton

This notion of timeliness weighs heavily on British/German company Gob Squad as they take Warhol's films and adapt them into a live theatrical event, with "one hundred years from now" one of…

SOURCE: The New York Theatre Experience at 12:00am on January 25, 2012

Review: THE GERSHWINS' PORGY AND BESS by Melanie N. Lee

I've seen many versions of Porgy and Bess, from the 1959 Sidney Poitier-Dorothy Dandridge film to the 1970s' full operatic production by the Houston Grand Opera, from the 1980s' Metropolitan…

SOURCE: The New York Theatre Experience at 12:00am on January 22, 2012

Review: JACKSON HEIGHTS 3AM by Ed Malin

Jackson Heights, Queens is one of the most ethnically diverse neighborhoods in the world. A walk from the 7 train to the school where this lovely production was presented offers tempting Sou…

SOURCE: The New York Theatre Experience at 12:00am on January 22, 2012

Review: HORATIO ALGER FESTIVAL by Martin Denton

For the seventh time, Metropolitan Playhouse is presenting a "Living Literature Festival," in which the life and work of one or more artists from American's past serves as the insp…

SOURCE: The New York Theatre Experience at 12:00am on January 21, 2012

Review: FLYING SNAKES IN 3-D!!! by Michael Mraz

With the combination of a still-reeling economy and a rapidly shortening attention span of the American public, the idea has begun to surface that theater is a dying art-form. Film and TV ha…

SOURCE: The New York Theatre Experience at 12:00am on January 21, 2012

Review: RICHARD III by Loren Noveck

In all my previous encounters with Shakespeare's Richard III, on stage, on screen, and even on the page, the character of Richard himself has been central to my experience of the play: a …

SOURCE: The New York Theatre Experience at 12:00am on January 21, 2012

Review: THE FALL TO EARTH by Leslie Bramm

The Fall to Earth tells the story of Fay (Deborah Hedwall) and her estranged daughter Rachel (Jolie Curtsinger) who reluctantly agree to take a trip together to an unnamed city in order to b…

SOURCE: The New York Theatre Experience at 12:00am on January 19, 2012

Review: INSTINCT by Ed Malin

In Matthew Maguire's new drama Instinct, we learn that diseases and animals usually adapt more quickly than humans. The four characters in this story are all scientists who work at the Cente…

SOURCE: The New York Theatre Experience at 12:00am on January 19, 2012

Review: ADVANCE MAN by Mitchell Conway

After seeing the first marvelous show in Mac Rogers' Honeycomb Trilogy, I am eagerly awaiting the next two in the series at the Secret Theatre in the coming months. If you would enjoy an int…

SOURCE: The New York Theatre Experience at 12:00am on January 19, 2012

Review: ONE THOUSAND BLINKS by Martin Denton

One Thousand Blinks, a new play by Nick Starr now playing at 59e59, annoyed me greatly. It's about a man named Morgan who takes a job in an unnamed (vaguely Asian?) country as an English pro…

SOURCE: The New York Theatre Experience at 12:00am on January 17, 2012

Review: NEWYORKLAND by Jason S. Grossman

Newyorkland rages in its New York premiere at the Baryshnikov Arts Center, exposing the grim, isolated world of the NYPD in a stark multimedia installation. The claustrophobic presentation p…

SOURCE: The New York Theatre Experience at 12:00am on January 17, 2012

Review: THE PICTURE BOX by David Gordon

It's an evocative idea, going through a shoebox full of old photos and remembering each moment, good or bad. Cate Ryan's new drama The Picture Box, a production of The Negro Ensemble Company…

SOURCE: The New York Theatre Experience at 12:00am on January 16, 2012

Review: UNTITLED FEMINIST SHOW by Stephen Cedars

Don't let the name fool you. Paired with the advertisements that promise six nude performers, the title of Young Jean Lee's Untitled Feminist Show promises to deliver nothing if not extremel…

SOURCE: The New York Theatre Experience at 12:00am on January 16, 2012

Review: LEO by Ed Malin

Winner of a 2011 Edinburgh Festival Fringe Best, LEO is a fabulous piece of physical theater. It is the funniest, most imaginative wordless performance I have ever seen.

SOURCE: The New York Theatre Experience at 12:00am on January 16, 2012

New Podcast: WILL BOND AND "BOB"

An interview with actor/creator Will Bond about his solo performance BOB, moderated by one of his former students, Julie Congress.

SOURCE: The New York Theatre Experience at 12:00am on January 15, 2012

Review: MIRANDA by Martin Denton

Miranda knocked my socks off. This new theater work by Kamala Sankaram and Rob Reese mashes up a variety of traditional musical theatre forms (mostly operatic and classical ones) with uber-r…

SOURCE: The New York Theatre Experience at 12:00am on January 15, 2012

Review: MISSION DRIFT by Heather J. Violanti

TEAM stands for "Theatre of the Emerging American Moment""and together, the members of this innovative ensemble have created some extraordinary theatrical moments. Perhaps none has more been…

SOURCE: The New York Theatre Experience at 12:00am on January 14, 2012

Review: RIGHTEOUS MONEY by Martin Denton

In Righteous Money, actor-playwright Michael Yates Crowley imagines what might happen if a TV money evangelist got stricken by a severe case of conscience. To add drama and immediacy, Crowle…

SOURCE: The New York Theatre Experience at 12:00am on January 14, 2012

Review: AWKWARD LEVITY by Martin Denton

Awkward Levity, a trio of one-act plays by Richard Hinojosa, offers just what its title promises. Each of these three pieces, in very distinct and surprising ways, finds what's darkly humoro…

SOURCE: The New York Theatre Experience at 12:00am on January 13, 2012

Review: THE HISTORY OF THE WORLD by Mitchell Conway

With a title audacious enough to warrant a parody film of a similar title, The Living Theatre's newest production matches that boldness with its vision. Who are you in history? In The Histor…

SOURCE: The New York Theatre Experience at 12:00am on January 12, 2012

Review: SUPER NIGHT SHOT by Will Fulton

On arriving at The Public, the audience is asked to line the hallway outside the Newman Theater, leading up to a banner proclaiming "The End." After a few minutes of waiting, the intrepid me…

SOURCE: The New York Theatre Experience at 12:00am on January 11, 2012

Review: OUTSIDE PEOPLE by David Gordon

Zayd Dohrn's Outside People, a production of the Vineyard Theatre and Naked Angels, directed by Evan Cabnet, has the unlucky timing of opening the same season as a much higher-profile play a…

SOURCE: The New York Theatre Experience at 12:00am on January 11, 2012

nytheatre.com review

Freckleface Strawberry reviewed by Wendy Remington Bowie

SOURCE: The New York Theatre Experience at 12:00am on December 24, 2011
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