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6,907 stories from Washington Post

Rita Moreno: The timeless woman in Hollywood who can't, and won't, stop by Peter Marks

NEW YORK " Rita Moreno is scooting from one broadcast studio to another inside Rockefeller Center, spewing sound bites in English and opinions in Spanish and hawking her new CD as if her car…

SOURCE: Washington Post at 11:24am on December 2, 2015

'Cinderella,' being what it wants to be by Nelson Pressley

The enduring charm of Rodgers and Hammerstein's "Cinderella" has become more of a charm offensive now that it's a full-blown Broadway show. Not to worry, though: Although the 1957 TV special…

SOURCE: Washington Post at 2:16pm on December 1, 2015

'Akeelah and the Bee' gets an upbeat reimagining at Arena Stage by Nelson Pressley

You may remember "Akeelah and the Bee" as the smart, feel-good 2006 movie about an 11-year-old girl struggling through her tough L.A. neighborhood to triumph at the national spelling bee. La…

SOURCE: Washington Post at 2:16pm on December 1, 2015

Shakespeare Theatre throws a musical punch with 'Kiss Me, Kate' by Nelson Pressley

"Kiss Me, Kate" is a lively, lusty musical comedy, and the Shakespeare Theatre Company's big, new staging takes a very fine straight-arrow approach. Director Alan Paul aims to get out of it …

SOURCE: Washington Post at 2:16pm on December 1, 2015

With zeal, Theater Alliance brings back its Hayes-winning 'Black Nativity' by Nelson Pressley

In a fitting finish for Theater Alliance's "Black Nativity," the last thing drummer Jonathan Livas did during Sunday's opening was knock a cymbal clear off its stand. Top to bottom, Eric Ruf…

SOURCE: Washington Post at 12:32pm on November 30, 2015

For Steve Martin and Edie Brickell, musical theater isn't so wild and crazy by Peter Marks

About his Broadway aspirations, Steve Martin is unequivocal. "We actually set out to create something traditional, that had a strong melody and a strong story," he said. "We are trying to pu…

SOURCE: Washington Post at 11:13pm on November 26, 2015

Shakespeare Theatre throws a musical punch with 'Kiss Me, Kate' by Nelson Pressley

"Kiss Me, Kate" is a lively, lusty musical comedy, and the Shakespeare Theatre Company's big new staging takes a very fine straight-arrow approach. Director Alan Paul aims to get out of it w…

SOURCE: Washington Post at 2:38pm on November 24, 2015

Tough luck leads to angsty laughs in 'Sons of the Prophet' by Nelson Pressley

"A nervous romance" was the great tag line for Woody Allen's "Annie Hall," and "an anxious comedy" would nicely fit Stephen Karam's "Sons of the Prophet" at Theater J. The 2012 Pulitzer Priz…

SOURCE: Washington Post at 1:51pm on November 23, 2015

The buzz about 'Akeelah and the Bee' at Arena by Nelson Pressley

You may remember "Akeelah and the Bee" as the smart, feel-good 2006 movie about an 11-year-old girl struggling through her tough L.A. neighborhood to triumph at the national spelling bee. La…

SOURCE: Washington Post at 6:15pm on November 22, 2015

'Pericles' shows how 'lesser' Shakespeare can be more by Peter Marks

"Pericles" begins as a so-so play that " presto! " turns into a far better one, a transformation achieved satisfyingly by Folger Theatre's gently melodic and ever more persuasive presentatio…

SOURCE: Washington Post at 7:25pm on November 19, 2015

"Cinderella," being what it wants to be by Nelson Pressley

The enduring charm of Rodgers and Hammerstein's "Cinderella" has become more of a charm offensive now that it's a full-blown Broadway show. Not to worry, though: Although the 1957 TV special…

SOURCE: Washington Post at 3:24pm on November 19, 2015

David Arquette falls flat as Sherlock Holmes at the Warner Theatre by Celia Wren

"All this rushing around " I feel quite giddy," the evil mastermind Professor Moriarty remarks at one point in "Sherlock Holmes," running at the Warner Theatre through Sunday. The Napoleon o…

SOURCE: Washington Post at 2:15pm on November 19, 2015

Coming soon to the Kennedy Center: More reasons to laugh? by Peter Marks

Move over, "Shear Madness." After a mind-boggling 28 years as the money-minting chief tenant of a coveted performance space in the Kennedy Center " a uniquely advantageous perch in the world…

SOURCE: Washington Post at 11:21am on November 18, 2015

'Spring Awakening' brings deaf and hearing Broadway actors"and spirit of inclusion"to the White House by Peter Marks

Spencer Liff puts bodies in motion under some remarkably high-stress conditions, most prominently for the popular television competition show, "So You Think You Can Dance" " an assignment…

SOURCE: Washington Post at 7:51am on November 18, 2015

Sound effects star in 'It's a Wonderful Life: A Live Radio Play' by Celia Wren

Among the stars of Washington Stage Guild's latest production: a comb, a metal bucket and a tray of cornflakes.Sure, there are also human performers in "It's a Wonderful Life: A Live Radio P…

SOURCE: Washington Post at 6:04pm on November 17, 2015

A lively 'Guys and Dolls' that's easy on the eyes and the ears by Nelson Pressley

By the time the Olney Theatre Center's bright, lively new "Guys and Dolls" gets to the jubilant gospel knockoff "Sit Down, You're Rockin' the Boat," the night's an easy winner. The musical n…

SOURCE: Washington Post at 2:31pm on November 16, 2015

David Hare's political stages by Nelson Pressley

Sir David Hare is almost certainly the premiere political dramatist writing in English, yet last weekend he slinked through Washington almost unnoticed. Not that it bothered him: By now, the…

SOURCE: Washington Post at 1:27pm on November 13, 2015

Oregon's theater trail to Washington by Celia Wren

ASHLAND, ORE. " The princely title character in "Pericles" sails from country to country, meeting with shipwreck and human villainy, devastating loss and unexpected joy. The version of "Peri…

SOURCE: Washington Post at 1:27pm on November 13, 2015

Behind the scenes of "Oliver!", Arena's artisans by Nelson Pressley

Sets with walls will block the audience's views when your theater is in the round, so designs in Arena Stage's signature Fichandler work differently, in full-blown and fine-grained 3-D. For …

SOURCE: Washington Post at 12:22pm on November 13, 2015

An astonishing 'View From the Bridge' on Broadway by Peter Marks

NEW YORK " And just like that, Ivo van Hove cements his place irrefutably among the most revolutionary theater makers of our time.Because in its elemental economy, its flashes of uncanny�…

SOURCE: Washington Post at 9:34pm on November 12, 2015

Updated 'Oliver!' goes a bridge too far by Nelson Pressley

If you don't mind "Oliver!" doing drug deals, it's a fine show.The twisted "Oliver!" that opened at Arena Stage Wednesday night keeps a toe in Charles Dickens's London and the rest of its ha…

SOURCE: Washington Post at 6:21pm on November 12, 2015

A gender-bending 'Henry IV' by Celia Wren

With apologies to Falstaff, the better part of valor is not always discretion. You have to be glad that Brave Spirits Theatre has flung caution to the wind and staged an almost entirely re-g…

SOURCE: Washington Post at 4:57pm on November 11, 2015

Can lighting designer turned director help theaters break out of their silos? by Peter Marks

To tackle the direction of a Pulitzer Prize-winning play, David Muse, the artistic head of Studio Theatre, had an illuminating thought: Why not ask a five-time Tony Award-winning lighting de…

SOURCE: Washington Post at 12:14pm on November 11, 2015

Belarus Free Theatre, in a breathless display of its wares by Peter Marks

LONDON " "Why is everyone in the KGB so stupid?" Irina, one of the jailed journalists asks, in Belarus Free Theatre's intense and highly watchable "Time of Women."Pausing from the bowl of…

SOURCE: Washington Post at 11:03am on November 11, 2015

Ripe for the political season, the Apple Family Cycle returns to Studio by Nelson Pressley

Food is served and lives quietly fall apart in the incredibly intimate "Sorry" and "Regular Singing," the final installments of Richard Nelson's four-play Apple Family Cycle. Studio Theatre …

SOURCE: Washington Post at 7:18pm on November 9, 2015
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