The Prisoner of Second Avenue -- Review By Ray Bennett
Neil Simon's play has not aged well, and a miscast Jeff Goldblum cannot rescue it.
Neil Simon's play has not aged well, and a miscast Jeff Goldblum cannot rescue it.
For once, a great man provides a great role for a great actor.
A beautiful summer night will enhance one's appreciation of this good if not revelatory staging of the Bard's classic.
Al Pacino's mesmerizing star turn as Shylock dominates this darkly tinged production of Shakespeare's problematic play.
Thanks to its terrific new cast, David Mamet's problematic legal drama is well worth a second look.
Meryl Streep is in talks to reteam with her "Mamma Mia!" director Phyllida Lloyd for "Thatcher," a biopic of the controversial and long-governing former British prime minister.
Laudable Shakespeare productions that lack a certain spark.
Bobcat Goldthwait wrote, will direct movie based on album
"West Side Story" caliber thrills and pathos, but no knives or guns. So, not exactly edgy.
Thin backstage memory play featuring legendary actress Katharine Cornell as a central character.
Denzel Washington, Scarlett Johansson also among winners
For Chenoweth, one of the challenges of being a guest star is remembering the week on set is a marathon, not a sprint.
Same language, different cultures. It's the conclusion Broadway producers often have reached when hit plays have been shipped from London to New York, either intact or in recast incarnations…
This uneven satire of the culture wars is notable mainly for the terrific starring performance by Billy Crudup.
Excellent performances and incisive character studies compensate for the contrived elements of this drama about two lonely souls reconnecting.
Superb performances by Edie Falco and Alison Pill enliven this static drama about the reunion of two former prison cellmates.
So retro you won't know what hit you.
Commentary: Column on gay actors was tough but fair
Commentary: Black, org urge apology over gay-actors piece
The best efforts of an enthusiastic cast can't save a musical that has long passed its sell-by date.
Well-acted if stodgy revival of a little-known Russian classic.
Veteran filmmaker Jonathan Demme stumbles with his stage directorial debut.
The departure of Megan Mullally from the planned Broadway revival of Lips Together, Teeth Apart has resulted in a big break for actress Sherie Rene Scott. Her autobiographical musical Everyday Rapture—presented last season to great acclaim at off-Broadway's Second Stage—has been brought in as a last-minute substitute to placate the Roundabout Theatre Company's many subscribers. But though it will certainly boost this talented performer's profile, not to mention giving her a good shot at winning a Tony, the new incarnation doesn't necessarily do her show any favors.
Thomas Middleton's rich tale of decadent society in a rousing production at the National.
It's easy to see why Donald Margulies' two-hander drama Collected Stories is receiving a Broadway revival with this third major production since its 1997 premiere featuring a pre-stardom Debra Messing. This literary variation on All About Eve contains two meaty roles for actresses in its portrait of the shifting relationship between a celebrated fiction writer and her young acolyte.