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10,593 stories from A Younger Theatre

Review: Earthling, VAULT Festival by Hattie Pierce

Gemma Arrowsmith's comedy sketch show Earthling is a series of sketches which present the best and the worst of humanity to an objective alien observer. Arrowsmith is fixated by the events o…

SOURCE: A Younger Theatre at 3:06pm on March 5, 2017

Review: The Long Trick, VAULT Festival by Hattie Pierce

In Marietta Kirkbride's new play The Long Trick, Tristan lives aboard a boat on the Helford river in Cornwall, and reluctantly robs second homes to support himself and his teenage daughter, …

SOURCE: A Younger Theatre at 3:06pm on March 5, 2017

Offer: Get £15 tickets to see The Glass Menagerie by Laura Phillips

Get £15 tickets to see The Glass Menagerie The Glass Menagerie by By Tennessee Williams | Until 29 April | Duke of York's Theatre ‘John Tiffany's stunning revival. Remarka…

SOURCE: A Younger Theatre at 9:32am on March 5, 2017

Offer: Get £10 tickets to see Seventeen at Lyric Hammersmith by Laura Phillips

Get £10 tickets to see Seventeen Seventeen by Matthew Whittet | 04 March " 08 April | Lyric Hammersmith Acclaimed Australian writer Matthew Whittet’s unique play sees a ca…

SOURCE: A Younger Theatre at 12:24pm on March 2, 2017

Blog: Why Shakespeare's male characters should be for anyone to "get their mitts on" " regardless of gender by Dan Rubins

Won't someone please think of the men? Why one AYT critic took issue with the Telegraph's Dominic Cavendish's plea for women to steer clear of Shakespeare's male roles. Like Dominic Cavendis…

SOURCE: A Younger Theatre at 1:24pm on February 28, 2017

Review: The Wild Party, The Other Palace by Bethany Dickinson

Launching re-vamped venue 'The Other Palace', (formerly The St James Theatre) is an electric staging of Michael John LaChuisa and George C.Wolfe's 'The Wild Party.' Based on the 1928 poem by…

SOURCE: A Younger Theatre at 9:12am on February 28, 2017

Review: The Girls, Phoenix Theatre by India-inés Levy

The Girls, a musical comedy based on the original story of the 1998 Calendar Girls has arrived, and with it droves of raucous middle aged women. Achieving not only a standing ovation during …

SOURCE: A Younger Theatre at 9:12am on February 28, 2017

Review: A Midsummer Night's Dream, Young Vic by Franciska Éry

"If we shadows have offended…" says Puck, closing the two-hour long production of A Midsummer Night's Dream with the well-known epilogue. And while Joe-Hill Gibbins’ production p…

SOURCE: A Younger Theatre at 5:54pm on February 27, 2017

Review: Twelfth Night, National Theatre by Dan Rubins

The National Theatre's promotional campaign for Simon Godwin's new Twelfth Night has been all Tamsin Greig, all the time. The video trailer and the programme design devote themselves entirel…

SOURCE: A Younger Theatre at 4:48pm on February 27, 2017

Review: Living a Little, VAULT Festival by Jessica Handscomb

If the world as we know it were to end tomorrow, what would you do? Would you smartly ration and scrape by, rarely washing in tattered clothes? Or, given the opportunity, would you carry on …

SOURCE: A Younger Theatre at 4:48pm on February 27, 2017

Review: Boy Stroke Girl, Etcetera Theatre by James Bell

The topic of gender is never far from our minds. It informs our every interaction with other people, and goes right to the core of our self-perception. Society has made huge strides in recen…

SOURCE: A Younger Theatre at 3:42pm on February 27, 2017

Review: Testament, VAULT Festival by Tal Fox

In a simplistic church setting, four chairs and a giant luminous cross at the back, Tristan Bernay's Testament is an "exploration of the dark underside of The Greatest Story Ever Told." Know…

SOURCE: A Younger Theatre at 8:03am on February 27, 2017

Review: The Cherry Orchard, Arcola Theatre by Dan Rubins

What is The Cherry Orchard? In 1903, Anton Chekhov responded vehemently to Stanislavski's directorial interpretation of the play as a tragedy, asserting that, "what has emerged from me is no…

SOURCE: A Younger Theatre at 6:54am on February 27, 2017

Review: The Sorrows of Satan, Tristan Bates Theatre by Tal Fox

Set in a swanky London flat where the colour scheme seems to be black and grey with a hint of orange, poor and obscure playwright Geoffrey Tempest sets about rehearsing his play. It turns ou…

SOURCE: A Younger Theatre at 5:54am on February 27, 2017

Review: Will Power, Theatre N16 by Daniel Perks

As a name, Will Power conjures the image of a 'jack the lad', a confident (perhaps a touch arrogant) young guy with a slight swagger, affable nature, and consistently positive outlook on lif…

SOURCE: A Younger Theatre at 5:54pm on February 24, 2017

Review: Glitter Punch, King's Head Theatre by Tal Fox

Glitter Punch isn't exactly your average teen romance story. It tells the story of boy meets girl, boy and girl fall in love, but as standard as that may sound it will still leave you saying…

SOURCE: A Younger Theatre at 4:42pm on February 24, 2017

Review: Claustrophilia, VAULT Festival by Lydia Lakemoore

I will start by stating that one woman (or man) plays are one of my all-time favourite genres of theatre. They are often the most intimate or revealing pieces. And if done well can also be s…

SOURCE: A Younger Theatre at 4:42pm on February 24, 2017

Review: The South Afreakins, VAULT Festival by India-inés Levy

The South Afreakins written and performed by Robyn Paterson is, thankfully, not the sort of solo show that makes you shiver and predict the worst. The hour-long set, first performed at the E…

SOURCE: A Younger Theatre at 3:36pm on February 24, 2017

Review: Travesties, Apollo Theatre by Rebekah Ellerby

From a typically quizzical perspective, Tom Stoppard’s 1974 play Travesties presents the memories and fantasies of an amnesiac elderly man named Henry Carr. Tom Hollander (The Night Ma…

SOURCE: A Younger Theatre at 3:36pm on February 24, 2017

Review: How (Not) To Live in Suburbia, Soho Theatre by James Bell

How (Not) To Live in Suburbia feels both timelessly personal and very much of the current zeitgeist. It follows Annie Siddons, the work's author and main protagonist, on her life as a recent…

SOURCE: A Younger Theatre at 2:32pm on February 24, 2017

Review: A Clockwork Orange, Park Theatre by Samuel Sims

You'd think that a highly visual, shocking depiction of 'ultra-violence' would not generate quite as many huge belly laughs as Action To The Word's production of A Clockwork Orange does. The…

SOURCE: A Younger Theatre at 1:36pm on February 24, 2017

Review: This is Not Culturally Significant, VAULT Festival by Daniel Perks

Adam Scott-Rowley in is your face right from the start, gyrating and masturbating on a stool. The shock factor here is instant, but quickly subsides as Scott-Rowley rapidly transitions into …

SOURCE: A Younger Theatre at 12:24pm on February 24, 2017

Review: Witt 'n Camp, VAULT Festival by Daniel Perks

Hip H'Opera is now very much a thing thanks to the team behind Witt 'n Camp. These two staccato, shrill, singing divas appear in masquerade masks and constantly compete for centre stage. At …

SOURCE: A Younger Theatre at 11:42am on February 24, 2017

Review: Beau Brummell: An Elegant Madness, Jermyn Street Theatre by Connie Stride

To sum this play up in one word is easy: it was dull. Mind-numbingly so. While the writing in Beau Brummell: An Elegant Madness is both clever and funny, and is a credit to playwright Ron Hu…

SOURCE: A Younger Theatre at 5:31am on February 22, 2017

Review: Bucket List, Battersea Arts Centre by Daniel Perks

Uma Thurman's starring role in Kill Bill clearly provides inspiration for the latter part of Nir Paldi's Bucket List " a hit-list for daughter Milagros (Tamsin Clarke) to use when hunting do…

SOURCE: A Younger Theatre at 5:31am on February 22, 2017
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