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4,024 stories from http://www.theaterscene.net

Blueprint Specials by Victor Gluck, Editor-in-chief

Never before seen on mainland U.S.A, the current show is an amalgam of the four existing shows ("P.F.C. Mary Brown;" "Hi, Yank!;" "About Face" and "OK, USA") of the six that were written. Di…

SOURCE: www.theaterscene.net at 4:08pm on January 10, 2017

Martin Luther on Trial by Victor Gluck, Editor-in-chief

Set in The Afterlife, a crossroad between Heaven and Hell, the play presupposes a trial of Luther on the grounds of being guilty of "the unforgiveable sin." The prosecuting attorney is The D…

SOURCE: www.theaterscene.net at 2:24pm on January 10, 2017

17th Contemporary Dance Showcase: Japan + East Asia by Joel Benjamin

All the choreographers displayed over-intellectualization and overuse of gimmicks, avoiding dealing directly and honestly with their subjects. Homosexuality raised its head in two of the wo…

SOURCE: www.theaterscene.net at 3:18pm on January 9, 2017

For Annie by Darryl Reilly

Playwright Beth Hyland's very effective conceit is that we're watching the dress rehearsal of Annie Lambert's memorial celebration in an auditorium of the State University of New York at Ono…

SOURCE: www.theaterscene.net at 10:32pm on January 8, 2017

What We Wanted by Victor Gluck, Editor-in-chief

While Harms has a fine ear for dialogue, the play moves by revelation and incident. Consequently, it plays like a sophisticated soap opera as every scene brings a new wrinkle not previously …

SOURCE: www.theaterscene.net at 11:53pm on January 7, 2017

Confucius by Joel Benjamin

This dance/theater piece is subtitled "Teacher, philosopher, man who shaped a nation," a rather big theme to dramatize effectively, especially when the mandate is spectacle. Mr. Liu's bareb…

SOURCE: www.theaterscene.net at 5:28pm on January 6, 2017

The Mikado Reimagined (NYGASP) by Victor Gluck, Editor-in-chief

In keeping with Sullivan having been hit over the head, the cast is clothed in a motley collection: a combination of late Victorian and Japanese styles. Some are in all Japanese, some in all…

SOURCE: www.theaterscene.net at 4:09pm on January 5, 2017

ON THE TOWN WITH CHIP DEFFAA…. January 3rd 2017 by Chip Deffaa, Editor-at-large

The three new albums are "The Chip Deffaa Songbook" (39 of my theater songs, from shows I've written over the years); "Chip Deffaa's Irving Berlin Revisited" (featuring rare, and in many cas…

SOURCE: www.theaterscene.net at 9:08am on January 3, 2017

God of Vengeance by Victor Gluck, Editor-in-chief

Surprisingly, Eleanor Reissa's production for New Yiddish Rep has made some debatable choices which damage the power of the play. First of all and most obviously, although not a word has bee…

SOURCE: www.theaterscene.net at 8:41pm on December 31, 2016

Sweet Charity by Victor Gluck, Editor-in-chief

The real reason to see the new "Sweet Charity," its third major New York revival, is for Sutton Foster's bravura performance. Aside from nightclub singer Reno Sweeney in Anything Goes, Foste…

SOURCE: www.theaterscene.net at 1:47pm on December 28, 2016

The Tallis Scholars: "A Renaissance Christmas" by Jean Ballard Terepka

It was a Tallis-perfect performance. Palestrina has long been one of the most sure-fire dazzling jewels in the Tallis Scholars' treasury. In writing sacred music, Palestrina made his particu…

SOURCE: www.theaterscene.net at 11:54am on December 27, 2016

Alvin Ailey American Dance Theater (Fall 2016 Season) by Joel Benjamin

"r-Evolution, Dream." was a jaunty new ballet by Ailey member Hope Boykin to music by Ali Jackson plus narration spoken by Leslie Odom, Jr. which included a Shakespeare sonnet, "A Negro's Co…

SOURCE: www.theaterscene.net at 10:39pm on December 26, 2016

A Christmas Carol (Blessed Unrest) by Darryl Reilly

Director and choreographer Jessica Burr has created a number of dazzling moments with her precise unison of expressive staging, movement and dance. With only a few vintage trunks and a door…

SOURCE: www.theaterscene.net at 11:51am on December 26, 2016

Life is for Living: Conversations with Coward by Victor Gluck, Editor-in-chief

Green's dry delivery is in the Coward manner, crisp, almost spoken to the music, with impeccable diction. Shrubsole's accompaniment supports him without ever getting in the way. The most fam…

SOURCE: www.theaterscene.net at 1:23pm on December 24, 2016

Natasha, Pierre & The Great Comet of 1812 on Broadway by Victor Gluck, Editor-in-chief

We knew it was a great novel, but who knew Leo Tolstoy's "War and Peace," Part I, would make such an exciting and innovative electro pop-rock opera? Not that the epic novel isn't a fantastic…

SOURCE: www.theaterscene.net at 10:23pm on December 23, 2016

The Strange Undoing of Prudencia Hart by Darryl Reilly

The Heath, The McKittrick Hotel's restaurant, bar and music venue, has been dressed up with appropriate signs and objects such as a stuffed wolf to resemble a pub in Scotland. After the aud…

SOURCE: www.theaterscene.net at 9:02pm on December 23, 2016

Othello (New York Theatre Workshop) by Victor Gluck, Editor-in-chief

Two ways to invigorate Shakespeare in our time is to either cast actors not identified with classical roles or to reset the play in some unfamiliar setting. Sam Gold's magnificent production…

SOURCE: www.theaterscene.net at 11:30pm on December 21, 2016

Richard Holbrook: "Always December" by Darryl Reilly

"The Little Drummer Boy" was an emotionally shattering highlight of Richard Holbrook: "Always December." Mr. Holbrook's performance of this perennial was revelatory due to the intensity he …

SOURCE: www.theaterscene.net at 3:25pm on December 20, 2016

The Babylon Line by Joel Benjamin

Aaron Port (Josh Radnor), a down on his luck writer, is reduced to teaching Adult Ed classes in middle class/middle brow 1960's Levittown, Long Island. Richard Greenberg ("Take Me Out," "Ou…

SOURCE: www.theaterscene.net at 1:21pm on December 19, 2016

The New York Pops: "Make the Season Bright" by Darryl Reilly

The beautiful wreath and garlands hanging above the stage were festively lit up for the wonderful finale, the "Jingle Jangle Sing-Along." All of the performers appeared and encouraged the a…

SOURCE: www.theaterscene.net at 12:44am on December 19, 2016

The Band's Visit by Victor Gluck, Editor-in-chief

Seven musicians of Egypt's Alexandria Ceremonial Police Orchestra have been sent to Israel to open the new Arab cultural center at Petah Tivah. Due to a mix up at the border, they end up in …

SOURCE: www.theaterscene.net at 10:58am on December 17, 2016

In Transit by Darryl Reilly

The score by Kristen Anderson-Lopez, James-Allen Ford, Russ Kaplan and Sara Wordsworth is a pleasant collection of serviceable songs. Their book, based on their original concept, is a workm…

SOURCE: www.theaterscene.net at 1:11pm on December 16, 2016

Boubacar Traore by Jean Ballard Terepka

For those who could not understand the lyrics of Traore's songs " he sang in Mali's French " each song was an experience of four interconnected musical sounds: the calabash thump and click r…

SOURCE: www.theaterscene.net at 11:59am on December 16, 2016

American Classical Orchestra: Johann Sebastian Bach by Jean Ballard Terepka

The consistency " the from-the-very-beginning wholeness " of Bach's genius was clear in this chronological arrangement. The kinds of writing techniques and subjects " the sequences and suspe…

SOURCE: www.theaterscene.net at 2:14pm on December 15, 2016

His Royal Hipness Lord Buckley by Darryl Reilly

Raucous highlights include a jive reinterpretation of A Christmas Carol, "by Chazzie D, about a cat called Scrooge...who lives in Scrooge Tower." There's also Buckley's irreverent take on T…

SOURCE: www.theaterscene.net at 11:30pm on December 14, 2016
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