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6,907 stories from Washington Post

In uncovering tensions, productions expose humor and society's fears by Peter Marks

"Drama's vitallest expression is the common day / That arise and set about us," wrote the 19th-century American poet Emily Dickinson " words that would suit as a preamble to many of Annie Ba…

SOURCE: Washington Post at 6:03pm on February 4, 2016

'Midsummer Night's Dream': There's life in the warhorse yet by Peter Marks

Never say never.I thought I was completely over and done with "A Midsummer Night's Dream."Having seen it dozens of times, indoors and outdoors, in productions influenced by the Renaissance o…

SOURCE: Washington Post at 3:32pm on February 2, 2016

Vampire-friendly critic in 'St. Nicholas' has the right kind of bite by Nelson Pressley

A jaded theater critic falls in with vampires in "St. Nicholas," the popular monologue that helped make Irish playwright Conor McPherson's name roughly 20 years ago. It has a couple things i…

SOURCE: Washington Post at 2:21pm on February 2, 2016

'West Side Story,' 'Salome,' 'Avenue Q' top 2016 Hayes nominations by Nelson Pressley

Big established musicals and new plays by women lead a rangy field in the 2016 Helen Hayes Awards, announced Monday evening at the National Theatre. The Shakespeare Theatre Company's "Kiss M…

SOURCE: Washington Post at 8:14pm on February 1, 2016

A "Menagerie" of real feeling by Peter Marks

When the required lump is raised in your throat as Jenna Sokolowski's Laura hands Thomas Keegan's Gentleman Caller a shiny crystal memento of her awakening, you know that the emotional guida…

SOURCE: Washington Post at 1:28pm on February 1, 2016

Shakespeare Theatre still faces hurdles for new administrative center by Nelson Pressley

The saga continues for the Shakespeare Theatre Company as it tries to consolidate its scattered operations into a new administrative facility two blocks from Arena Stage.On Wednesday, STC wi…

SOURCE: Washington Post at 9:34am on January 31, 2016

Audiences' enduring 'love affair' with Alvin Ailey's 'Revelations' by Celia Wren

"It's pretty clear that there's a love affair between audiences and 'Revelations,' " choreographer Alvin Ailey wrote in his autobiography, speaking of the work that would become the s…

SOURCE: Washington Post at 12:22pm on January 29, 2016

Who's an American? The current crop of musicals may have the best answer. by Peter Marks

"Immigrant!" Anita sneers, playfully but dismissively, at her lover, Bernardo, in the run-up to "West Side Story's" glorious Act 1 number, "America." The time is the mid-1950s, when a large …

SOURCE: Washington Post at 11:19am on January 29, 2016

You're tempted to look away during 'I Shall Not Hate.' But you shouldn't. by Peter Marks

A moment arrives in the harrowing and absorbing "I Shall Not Hate" that is so unbearably sad you may want to hide your eyes. As this monodrama by Izzeldin Abuelaish and Shay Pitovsky is in H…

SOURCE: Washington Post at 2:06pm on January 28, 2016

Musical theater nerds? Not here. by Nelson Pressley

If you audition for a Thomas W. Jones II show with a standard tune from a Broadway musical, you may be told, "Great. Now, can you sing us something that's not in that tradition? Because we w…

SOURCE: Washington Post at 12:58pm on January 28, 2016

Center Stage moves to Towson U. with all-female 'As You Like It' by Nelson Pressley

TOWSON " Center Stage aimed to open "As You Like It" Friday, but the company responded to the blizzard forecast and let critics in Thursday night. Nimbleness is the watchword for the troupe …

SOURCE: Washington Post at 12:28pm on January 25, 2016

"Sweat": A necessary if familiar tale of the plight of American workers by Peter Marks

For insight into why blue-collar America is so riled up, fed up and downright distraught in 2016, "Sweat" makes for " if nothing more novel " a useful and colorful bases-covering restatement…

SOURCE: Washington Post at 6:48pm on January 24, 2016

Keegan gives bright rendering to Steve Martin's 'Picasso at the Lapin Agile' by Celia Wren

His canvases may still be selling for a relative pittance, but the Pablo Picasso who shows up at a Parisian bar in 1904 is making a killing on personality. As zestily portrayed by Matthew J.…

SOURCE: Washington Post at 3:58pm on January 20, 2016

Shadow puppets lend an otherworldliness to 'Midsummer' by Celia Wren

The shadow-puppet fairies in WSC Avant Bard's "A Midsummer Night's Dream" are a striking lot. Oberon is a muscular figure with an angry thicket of hair. Titania's attendant Cobweb dangles on…

SOURCE: Washington Post at 2:51pm on January 20, 2016

Wasserstein's "Sisters Rosensweig" coasts on comedy at Theater J by Nelson Pressley

Wendy Wasserstein's "The Sisters Rosensweig" is a tough play: Wasserstein thought it was a Chekhovian drama but was surprised at how much early audiences laughed. It's a drawing-room comedy,…

SOURCE: Washington Post at 6:37pm on January 19, 2016

NextStop Theatre's 'Middletown' ponders life's mysteries by Celia Wren

Partway through dramatist Will Eno's quirky, philosophical and nearly plot-free "Middletown," an eccentric couple who have opted to tour a run-of-the-mill small American community explain th…

SOURCE: Washington Post at 2:32pm on January 19, 2016

'Between Riverside and Crazy' off to reasonably good start " with room to grow by Peter Marks

Stephen Adly Guirgis won the Pulitzer Prize for drama last year for "Between Riverside and Crazy," a wise, wry portrait of an embittered ex-New York cop whose entire reason for being is the …

SOURCE: Washington Post at 12:10pm on January 19, 2016

Tony winner 'Gentleman's Guide' is good but not a killer by Nelson Pressley

"A Gentleman's Guide to Love & Murder" tidily wraps serial murder into an operetta packet with a big ribbon of farce. The 2013 show, touring through the end of this month at the Kennedy …

SOURCE: Washington Post at 10:42pm on January 14, 2016

Signature, Disney join forces on new musical version of 'Freaky Friday' by Peter Marks

In a deal that rockets Signature Theatre into a whole new producing orbit, the Arlington company will team up this fall with the Walt Disney Co. to present a world-premiere musical version o…

SOURCE: Washington Post at 5:56pm on January 13, 2016

Playwrights get last word in delightful 'Critic' and 'Real Inspector Hound' by Peter Marks

At the start of "The Critic," a self-regarding theater reviewer " is there any other kind? " scans the morning papers and disgustedly tosses them all away. They're filled, it seems, with the…

SOURCE: Washington Post at 8:16pm on January 12, 2016

The one-man "Georgie" offers a thorny portrait of George Rose by Nelson Pressley

Ed Dixon has two distinct gears in his new backstage autobiography "Georgie: My Adventures With George Rose" " adoring, and aghast. For a pleasantly conversational hour, Dixon recalls himsel…

SOURCE: Washington Post at 2:22pm on January 11, 2016

David Bowie, man of the theater by Peter Marks

NEW YORK " Right up to the end, David Bowie was exploring new universes. In this case, musical theater was his destination. Just 36 days before his death, in fact, a musical featuring Bow…

SOURCE: Washington Post at 11:04am on January 11, 2016

'Wrestling Jerusalem' revives Roth's Middle East Festival at Mosaic by Nelson Pressley

When and how did it all go so wrong in the Middle East? Aaron Davidman provides a breathtaking litany at the opening of his solo show "Wrestling Jerusalem.""Golda blew it," Davidman declares…

SOURCE: Washington Post at 3:22pm on January 10, 2016

Nottage and Parks talk shop, politics as their new dramas come to D.C. by Nelson Pressley

NEW YORK " Suzan-Lori Parks interrupts herself to look up a word on her cellphone, because that's the kind of thing the Pulitzer-winning playwright does. She's playful yet exacting: Is it fa…

SOURCE: Washington Post at 1:45pm on January 8, 2016

The wrath of Michael Kahn in comedies about critics by Nelson Pressley

Michael Kahn can quote the first review he ever got as a student director in the 1960s. It was cruel."You remember the bad ones," the Shakespeare Theatre Company's artistic director says, wa…

SOURCE: Washington Post at 12:26pm on January 1, 2016
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