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10,593 stories from A Younger Theatre

Review: Captain Amazing, The Albany by Daniel Perks

Captain Amazing is the story of a superhero and a puppet. Like all good stories, it needs a good guy and a bad guy, a villain hellbent on destroying the world with his nuclear missile. Mark …

SOURCE: A Younger Theatre at 6:03am on March 23, 2017

Review: After Liverpool, The Albany by Daniel Perks

After Liverpool has nothing to do with the city in North West England " it's best to reveal that detail straightaway so there are no misconceptions of scousers with their hair in rollers, ja…

SOURCE: A Younger Theatre at 6:03am on March 23, 2017

Review: The Open Couple, The Albany by Daniel Perks

Here we have a squabbling couple, going through marital difficulties. The premise for Dario Fo's The Open Couple may seem fairly typical for a play, but the solution in this case is somewhat…

SOURCE: A Younger Theatre at 6:03am on March 23, 2017

Review: The Fall, Bay 56 Theatre by Josephine Balfour-oatts

Adapted for stage by performing arts company Empath Eyes, The Fall is a forty-minute theatrical reimagining of Tarsam Singh's 2006 adventure/fantasy film of the same name. The company are de…

SOURCE: A Younger Theatre at 6:03am on March 23, 2017

Review: Passing By, The Albany by Daniel Perks

Nowadays, no festival programme is complete without a LGBTQ production, so engrained as they are in modern day society. It's a wonderful thing. Highlighting and debating previously taboo iss…

SOURCE: A Younger Theatre at 5:03pm on March 22, 2017

Review: Wasted, The Albany by Isaac Ouro

Kate Tempest's spoken word script flows like water out of the mouths of the actors, gently cascading between the three as they recite different parts of her poetry during the transition scen…

SOURCE: A Younger Theatre at 5:03pm on March 22, 2017

Review: Counting Stars, The Albany by Daniel Perks

Sophie (Rebecca Omogbehin) and Abiodun (Joseph Rowe) never directly interact, confined as they are to their separate nightclub toilets. But there is a natural partnership between them, a dee…

SOURCE: A Younger Theatre at 4:32pm on March 20, 2017

Review: Partenope, English National Opera by Dan Rubins

There's a little something for everyone in the English National Opera's revival of Christopher Alden's Olivier Award-winning production of Handel's Partenope. If you're in the market for a p…

SOURCE: A Younger Theatre at 4:32pm on March 20, 2017

Review: The End of All Miracles, The Albany by Daniel Perks

They enter in high spirits, partying through life to their wheelchairs. As the music fades, only the remnants of the celebration remain, the leftovers of two lives as they reflect in their t…

SOURCE: A Younger Theatre at 3:06pm on March 20, 2017

Review: The Shawl, The Albany by Daniel Perks

John (Alec Gray) is a charlatan, a sham. Convincing in his craft, but swindling Miss A (Nicola Peluso) out of her fortune nevertheless. Stricken with grief over the passing of her mother, sh…

SOURCE: A Younger Theatre at 3:06pm on March 20, 2017

Review: The Man of Mode, Upstairs at the Gatehouse by India-inés Levy

Until the 18th of March, Upstairs At the Gatehouse Theatre in Highgate becomes home to George Etherege's complex 17th century play, The Man of Mode. Directed by Alexandria Anfield, and pr…

SOURCE: A Younger Theatre at 9:03am on March 20, 2017

Review: The Machine Stops, Jacksons Lane Theatre by Calum McIntosh

E.M. Forster’s The Machine Stops is adapted for the stage by Neil Duffield and relates to humanity's growing reliance on technology. The audience are taken into a dystopian world, year…

SOURCE: A Younger Theatre at 3:18pm on March 19, 2017

Review: Yamato " Chousensha " The Challengers, The Peacock, Sadler's Wells by Josephine Balfour-oatts

Founded in 1993 by Masa Ogawa, Yamato are a troupe of sixteen Japanese drummers. Based in Asuka, Japan, their artistry is centred around the Taiko, a traditional musical instrument. The comp…

SOURCE: A Younger Theatre at 3:18pm on March 19, 2017

Offer: Get £8 tickets to Heads Up at Battersea Arts Centre by A Younger Theatre

Heads Up Battersea Arts Centre, 20 March – 1 April, 8pm 'Urgent, compelling, beautiful writing… confirms Hurley's status as one of the most powerful writers to emerge in British thea…

SOURCE: A Younger Theatre at 5:42am on March 17, 2017

Review: One Last Thing (For Now), Old Red Lion Theatre by Dan Rubins

The ensemble of Althea Theatre's One Last Thing (For Now) seems particularly good at listening. One character reads a letter aloud, or writes one, or sends a Skype message, and the rest of t…

SOURCE: A Younger Theatre at 4:42pm on March 16, 2017

Review: Die Meistersinger von Nürnberg, Royal Opera House by Manuel Muñoz

Kasper Holten's latest production for the Royal Opera House " and his last as Director of Opera " is also, arguably, one of his best. Die Meistersinger von Nürnberg, one of Wagner's most po…

SOURCE: A Younger Theatre at 4:42pm on March 16, 2017

Review: Limehouse, Donmar Warehouse by Jessica Handscomb

The Labour party is divided. Its left-wing leader is unpopular within the party, and there are MPs and cabinet members threatening to leave. Labour is tearing itself apart from the inside an…

SOURCE: A Younger Theatre at 3:31pm on March 16, 2017

Opportunity: Free Acts of Resistance devising workshop with Antler Theatre by Rebekah Ellerby

Acts of Resistance Workshop with Antler Theatre Date: Wednesday 22 March 2017, 10.30am-5pm Location: Bush Theatre, Attic Are you angry? Are you baffled at some of the things going on in the …

SOURCE: A Younger Theatre at 9:54am on March 16, 2017

Review: The Very Perry Show, Hope Theatre by Beatrix Swanson Scott

Some people collect stamps, or garden gnomes. But Kate Perry, as she tells us at the beginning of her show, collects people. Through a series of monologues, she is going to introduce us to s…

SOURCE: A Younger Theatre at 7:42am on March 16, 2017

Review: Perfectly Imperfect, Ovalhouse by Katie Walsh

What is perfect? Danyah Miller asks the audience this very daunting question, prompting some terribly uncomfortable looks around the theatre. 'Perfection' is no doubt subjective, whether one…

SOURCE: A Younger Theatre at 7:36am on March 15, 2017

Feature: Inua Ellams on masculinity, home, displacement and identity by Kate Wyver

Inua Ellams updates the script of An Evening with an Immigrant as global change occurs. "I have to keep the text new so it always feels current," Ellams says. Given the state of global immig…

SOURCE: A Younger Theatre at 9:42am on March 14, 2017

Review: Rosencrantz and Guildenstern are Dead, Old Vic by Alice Devoy

'Almost everybody thinks of himself as a nobody. A cipher, not a cog.' These are the nullifying, yet somewhat pertinent, words of playwright Tom Stoppard when discussing the mentality behind…

SOURCE: A Younger Theatre at 3:36pm on March 13, 2017

Review: One Was Nude and One Wore Tails, Hen and Chickens by Josephine Balfour-oatts

Created in a living room in Southend by Darren Ruston, Elena Clements and Michael Ward, Theatre of Heaven and Hell revive Italian playwright Dario Fo's One Was Nude and One Wore Tails at The…

SOURCE: A Younger Theatre at 3:36pm on March 13, 2017

Opportunity: Hamlet For Free Festival " get your tickets by Laura Phillips

The Almeida Theatre has announced their full programme for Hamlet For Free, a free festival of events, workshops and performances for anyone aged 25 and under. Hamlet for Free will run from …

SOURCE: A Younger Theatre at 4:48am on March 13, 2017

Review: Who's Afraid of Virginia Woolf?, Harold Pinter Theatre by Franciska Éry

Walking into the Harold Pinter Theatre, already one can feel the excitement in the air. Expectations are high. We take our seats, knowing we are about to see a spectacle: not only is Edward …

SOURCE: A Younger Theatre at 11:24am on March 12, 2017
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