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4,024 stories from http://www.theaterscene.net

Kunstler by Darryl Reilly

In "Kunstler," playwright Jeffrey Sweet recounts the defense attorney's life and career in his well-written, comprehensively researched, and affectionate treatment. The conceit is that Kuns…

SOURCE: www.theaterscene.net at 12:40pm on February 24, 2017

Man from Nebraska by Victor Gluck, Editor-in-chief

Birney seems to have cornered the market on sensitive, ordinary guys and his performance is similar to his awarding-winning "Erik" in The Humans. However, here he is extremely sympathetic an…

SOURCE: www.theaterscene.net at 2:15pm on February 23, 2017

Fish Men by Darryl Reilly

Each character is conveniently a different, representative type of oppressed nationality. Though Tirado goes overboard in detailing these culturally diverse, downtrodden characters' backstor…

SOURCE: www.theaterscene.net at 11:58am on February 23, 2017

See Reverse by Darryl Reilly

Presented by the acclaimed Broken Box Mime Theater, "See Reverse" consists of ten short pieces with some even shorter vignettes sometimes in between. Lasting close to two hours with an inte…

SOURCE: www.theaterscene.net at 12:10am on February 22, 2017

Cabaret Spotlight: Hey There, Good Times by John Hoglund

The measure of a singer's worth is in the ear of the beholder. What is one person's Piaf is another person's Barbra. There's no magic formula to being one of the great ones. All one can do i…

SOURCE: www.theaterscene.net at 7:20am on February 21, 2017

Life According to Saki by Victor Gluck, Editor-in-chief

The evening is narrated by Saki (played by an appealing and suave David Paisley) talking to us from the trenches of France, in 1916. His five soldiers (played by Phoebe Frances Brown, Ellen …

SOURCE: www.theaterscene.net at 12:51pm on February 20, 2017

Ring Twice for Miranda by Joel Benjamin

Although "Ring Twice" is filled to the brim with socio-political symbolism, it's not likely that the author was trying for any direct reference to the current maddening political scene since…

SOURCE: www.theaterscene.net at 12:06pm on February 19, 2017

The Dressmaker's Secret by Joel Benjamin

The playwrights have a keen understanding of this place and time, helped by the simple, but telling scenery of Stephen C. Jones, who also lit the small performing space to give the illusion …

SOURCE: www.theaterscene.net at 11:33am on February 19, 2017

Sunset Boulevard by Darryl Reilly

The score remains an uneven but catchy patchwork that has yielded several choice songs amidst the acceptable filler. Mr. Lloyd Webber's music is a heady pastiche of old movie melodies with …

SOURCE: www.theaterscene.net at 3:35pm on February 17, 2017

Adam by Darryl Reilly

With slicked back hair, a melodiously rough voice and a smooth physical presence, Timothy Simonson offers an accurate impression of Powell that captures his swagger. Mr. Simonson's appealin…

SOURCE: www.theaterscene.net at 12:41pm on February 17, 2017

Composer Portraits Series: Beat Furrer featuring Either/Or by Jean Ballard Terepka

This is serious work. Without defiance of traditional or conservative contemporary classical music simply for mere defiance's haughty sake, Furrer is developing his own particular vocabulary…

SOURCE: www.theaterscene.net at 10:45pm on February 16, 2017

The Object Lesson by Victor Gluck, Editor-in-chief

Illusionist/actor Geoff Sobelle's show is a combination of happening, art installation, and a meditation on the role objects have in our lives. Using audience participation, objects both hid…

SOURCE: www.theaterscene.net at 5:13pm on February 15, 2017

Berlin to Broadway with Kurt Weill: A Musical Voyage by Victor Gluck, Editor-in-chief

One of the remarkable things about the theater songs of Kurt Weill is that like the later songs of Stephen Sondheim they are all really little one act plays which give the performers a great…

SOURCE: www.theaterscene.net at 5:04pm on February 15, 2017

Complexions Contemporary Ballet 2017 at the Joyce by Joel Benjamin

"Star Dust," Rhoden's tribute to rock original David Bowie forced Rhoden to study and use each of the nine chosen songs as vignettes to comment on Bowie's magic, the superb quirkiness of his…

SOURCE: www.theaterscene.net at 11:42am on February 15, 2017

Jonah and Otto by Victor Gluck, Editor-in-chief

While the play is at times Pinteresque, it is talky in a way Pinter never is, explaining everything over and over, covering the same ground again and again. Nothing much happens other than t…

SOURCE: www.theaterscene.net at 1:20am on February 15, 2017

The Big Broadcast on East 53RD by Ryan Mikita

Rounding out the cast are Alexis Bronkovic as Ruth--Penny's best friend--and Bill Tatum, who plays Ray's boss. Once again, the driving motivation behind nearly every character is nowhere to …

SOURCE: www.theaterscene.net at 10:10am on February 14, 2017

Big River: The Adventures of Huckleberry Finn by Darryl Reilly

Red-haired, animated and engagingly boyish, 18-year-old Nicholas Barasch is sensational as Huckleberry Finn. Mr. Barasch is onstage virtually the entire time and winningly carries the show.…

SOURCE: www.theaterscene.net at 11:00pm on February 12, 2017

Boys of a Certain Age by Darryl Reilly

This volatile quartet battle over the personal and the political during a Scotch-fueled weekend at Ira's Fire Island house. There's not much in the way of plot, but secrets are revealed, sc…

SOURCE: www.theaterscene.net at 10:17pm on February 12, 2017

Batsheva Dance Company: "Last Work" by Joel Benjamin

The centerpiece of "Last Work" was the image of a single dancer, in a blue costume, jogging on a treadmill far upstage while the rest of the troupe, dressed in chic practice outfits by Eri N…

SOURCE: www.theaterscene.net at 3:30pm on February 11, 2017

Hi-Fi | Wi-Fi | Sci-Fi: Predictions Past Present and Future by Victor Gluck, Editor-in-chief

The only real high-tech exchanges take place only three times during the run of the show. At the performances of February 6, 9 and 17, one of the roles in "Camera Obscura" will be performed …

SOURCE: www.theaterscene.net at 12:40pm on February 11, 2017

The Mother of Invention by Darryl Reilly

Playwright James Lecesne has been acclaimed for his solo performance works, most recently "The Absolute Brightness of Leonard Pelkey." Here, he has written a traditional play employing thea…

SOURCE: www.theaterscene.net at 1:12pm on February 10, 2017

Bound to Rise by Victor Gluck, Editor-in-chief

Unfortunately, Policoff's book is too cluttered with characters too allow for much development. While some of his lyrics are clever, most are prosaic and heavy-handed. As played by music dir…

SOURCE: www.theaterscene.net at 11:01pm on February 9, 2017

The Liar by Victor Gluck, Editor-in-chief

However, it is Ives' joy in language that is the most infectious. The rhymed couplets keep coming and surprising us over and over again (bitter/twitter; prize/rhapsodize, jocular/interlocuto…

SOURCE: www.theaterscene.net at 10:42pm on February 6, 2017

Made in China by Ryan Mikita

The ensuing journey is a bizarre and sometimes hilarious exploration of China and the culture within, even if it doesn't always make the most sense. "Made in China" makes the most of the lib…

SOURCE: www.theaterscene.net at 10:53pm on February 5, 2017

New York Polyphony: Palestrina's "Marcellus Mass" by Jean Ballard Terepka

The second work of the evening was the world premiere of Ivan Moody's Vespers Sequence. In careful, clear program notes, Moody described his goals in his compositions in general and in this …

SOURCE: www.theaterscene.net at 4:47pm on February 4, 2017
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