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6,907 stories from Washington Post

A balletic 'Hamlet' takes one giant leap from Texas to Washington by Rebecca Ritzel

Washington Ballet to perform Stephen Mills's third Shakespearean adaptation.

SOURCE: Washington Post at 12:38pm on March 30, 2016

With Polish dance, Company E takes a bad hand and finds beauty by Rebecca Ritzel

After tough luck in D.C., the troupe performed works by contemporary choreographers.

SOURCE: Washington Post at 12:38pm on March 30, 2016

'Aladdin' stars sign up for another year on Broadway by Mark Kennedy

Fans of "Aladdin" on Broadway have gotten their wish " the show's Genie and its leading actors will be sticking around.

SOURCE: Washington Post at 12:38pm on March 30, 2016

At Ford's, a cool '110 in the Shade' by Nelson Pressley

The 1963 musical is old-fashioned but easy to warm to.

SOURCE: Washington Post at 12:38pm on March 30, 2016

'After the War,' about an Israeli musician, shows there's no country for bold men by Peter Marks

Motti Lerner's new play, "After the War," explores the depths of alienation in an Israeli family irrevocably divided by the country's near-perpetual state of war. But if the vague and unsett…

SOURCE: Washington Post at 3:54pm on March 29, 2016

Venus in "Fur," keeping strange romantic flames burning by Nelson Pressley

Because we're keeping the Women's Voices initiative in mind even though Washington's groundbreaking fall festival is done (and we are, aren't we?), let's wrap our heads around this one mo…

SOURCE: Washington Post at 5:48pm on March 25, 2016

A playwright who wants to change society, not merely observe it by Peter Marks

Reeling from his service as a soldier in the 1973 Yom Kippur War, Motti Lerner felt the need to express his deep misgivings about the conflict publicly. So he gathered 30 of his fellow stude…

SOURCE: Washington Post at 11:28am on March 25, 2016

'Bright Star' is a spoonful of southern sugar. by Peter Marks

NEW YORK -- The first time it struck me as pretty. The second, it just seemed kind of sappy."Bright Star," the twangy new musical by Steve Martin and Edie Brickell, has moved onto Broadway a…

SOURCE: Washington Post at 10:46pm on March 24, 2016

Keegan's 'American Idiot' is lively but lacking in the song-and-dance department by Celia Wren

The young adults in the rock musical "American Idiot" may suffer from alienation and malaise, but they apparently don't have a problem with vertigo. In Keegan Theatre's pleasant if rather di…

SOURCE: Washington Post at 5:33pm on March 23, 2016

Fable of grief has clipped wings at Theater J by Nelson Pressley

When David Grossman's novel "Falling Out of Time," about parents grieving for dead children, came out in 2014, some reviewers suggested that the poetic fable read like a play. Now it is a pl…

SOURCE: Washington Post at 2:16pm on March 23, 2016

'Moment' review: Kitchen-sink realism makes this Irish drama shine by Nelson Pressley

The acting in Deirdre Kinahan's "Moment" at Studio Theatre is so sharp it's like seeing a play in a live equivalent of high-def. The drama revolves around a criminal incident that blew a fam…

SOURCE: Washington Post at 12:32pm on March 22, 2016

At Ford's, a cool '110 in the Shade' by Nelson Pressley

Musicals just don't get a lot smarter or more sensitive than the loping "110 in the Shade" that opened Wednesday at Ford's Theatre. The 1963 show is simple but bighearted, with an underrated…

SOURCE: Washington Post at 4:06pm on March 18, 2016

An intense '1984,' with echoes of 2016 by Celia Wren

At one point in the intense and memorable "1984" by the British ensemble Headlong, a squall of paper swirls through the air. A wary freethinker named Winston, having found a momentary refuge…

SOURCE: Washington Post at 2:00pm on March 18, 2016

Why 'She Loves Me' remains easy to love by Peter Marks

NEW YORK -- Exuberance, thy musical name is "She Loves Me."The melodies of this 1963 show by Joe Masteroff, Jerry Bock and Sheldon Harnick sound as sweet and richly evocative as ever in dire…

SOURCE: Washington Post at 10:14pm on March 17, 2016

A hard-knock 'Annie' hits the National Theatre this week (and gets heckled) by Nelson Pressley

A Trump rally briefly threatened to break out Tuesday night at the National Theatre in downtown Washington during the normally adorable musical "Annie" as a viewer fleetingly protested the s…

SOURCE: Washington Post at 1:37pm on March 16, 2016

A battle of wills and wits in Forum Theatre's 'The Pillowman' by Celia Wren

It is the rare police interrogation chamber that doubles as a shadow-puppetry stage. It's a rarer one still that also appears to be located inside a security-directorate meeting hall. But a …

SOURCE: Washington Post at 6:05pm on March 15, 2016

Theater lovers will get hooked on the marvelous moviehouse play 'The Flick' by Peter Marks

Curling up with a good novel, permitting an author to close the door artfully on your world for a spell and open up theirs, gradually, to you " that's one of the pleasures of solitary, liter…

SOURCE: Washington Post at 4:52pm on March 15, 2016

Tony winner Laura Benanti gets the last bow in 'She Loves Me' by Peter Marks

NEW YORK -- Self-consciousness seems a strange affliction for an actress. But Laura Benanti used to experience such a profound case of it at the end of a performance that curtain calls becam…

SOURCE: Washington Post at 3:52pm on March 15, 2016

The comfort of robots in sci-fi 'Marjorie Prime' at Olney Theatre by Nelson Pressley

Are you more at ease talking into a device or on social media than speaking face to face with a loved one? Are you more frank when the chat is virtual? The sly new play "Marjorie Prime" will…

SOURCE: Washington Post at 1:46pm on March 15, 2016

Better than meeting Michelle Obama? Meeting 'Hamilton's' Lin-Manuel Miranda. by Peter Marks

Lin-Manuel Miranda returned Monday to the room where it happened. And, at the behest of first lady Michelle Obama, he brought the entire cast of his mega-hit musical, "Hamilton," to that roo…

SOURCE: Washington Post at 6:22pm on March 14, 2016

Broadway's man of the moment: Ivo van Hove by Peter Marks

Although he has always been fond of this country's drama, Ivo van Hove " a European vying for the mantle of America's hottest stage director " never felt any affinity for one of our most rev…

SOURCE: Washington Post at 11:36am on March 11, 2016

Jeff Daniels and Michelle Williams play the troubled combatants of Broadway's 'Blackbird' by Peter Marks

NEW YORK -- It isn't only war and weather that leave devastation in their wakes. The aftermath of intimacy, too, can be a brutal, obliterating ordeal, especially if -- as David Harrower's sc…

SOURCE: Washington Post at 10:45pm on March 10, 2016

'Disaster!' (Not really!) by Peter Marks

NEW YORK -- The year is 1979, and a porn-stachioed sleaze named Tony (Roger Bart) is packing his rat trap of a floating casino with enough comedy material to fill a Zucker brothers mov…

SOURCE: Washington Post at 11:12pm on March 8, 2016

Singer-guitarist Benjamin Scheuer purrs his life and times in 'The Lion' by Nelson Pressley

Benjamin Scheuer is a mesmerizing guitarist, and he tells his story strumming in his solo show "The Lion." Scheuer pours his heart into his own coming-of-age tale, dealing with a difficult d…

SOURCE: Washington Post at 5:20pm on March 4, 2016

Ntozake Shange's famous 'choreopoem' gets a hip-hop dance partner by Nelson Pressley

The empowerment of Ntozake Shange's "for colored girls who have considered suicide/when the rainbow is enuf" doesn't date, and the simmering verbal style of this 1976 "choreopoem" will land …

SOURCE: Washington Post at 6:09pm on March 3, 2016
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