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8,501 stories from Backstage

The Cripple of Inishmaan - Reviewed by ADAM R. PERLMAN

Martin McDonagh's black and bloody humor has forged some of the funniest contemporary stage work, but as made clear by this fully realized revival- presented by Galway's Druid Theatre Compan…

SOURCE: Backstage at 5:58pm on May 25, 2015

Simon Green Sings Coward for Christmas: A Cabaret for Noël - Reviewed by DAVID SHEWARD

Simon Green's yuletide solo act manages to find the sentiment within the sophistication. This holiday confection is the perfect cabaret cookie for a troubled metropolis.

SOURCE: Backstage at 5:58pm on May 25, 2015

Pal Joey - Reviewed by DAVID A. ROSENBERG

"Pal Joey" is back in a production that, although it can't quite make up its mind what it wants to be and is too remote to be engaging, still manages to find the brash undertones of a fabled…

SOURCE: Backstage at 5:58pm on May 25, 2015

The Diva-lution of Molly Pope - Reviewed by DAVID FINKLE

Molly Pope has a pile-driver alto, and she's going places with it - whether you like it or not.

SOURCE: Backstage at 5:58pm on May 25, 2015

Steve Tyrell - Reviewed by DAVID FINKLE

Tyrell's boyish gaiety -- in the old and marvelous sense -- is taking place for the fourth year on the Café Carlyle stage, where the joy he dispenses is right in line with the joy tha…

SOURCE: Backstage at 5:58pm on May 25, 2015

Bamboo Blues - Reviewed by LISA JO SAGOLLA

Set to a zesty compilation of appealing musical selections largely by contemporary Indian composers, Pina Bausch's "Bamboo Blues" is a pioneering brand of dance-theatre performance art.

SOURCE: Backstage at 5:58pm on May 25, 2015

The Frankophile - Reviewed by MARK PEIKERT

In a tiny basement theatre, six actors using their outdoor voices will leave you with ringing ears after almost two hours. You will not, however, be left weak from laughter at this new Molie…

SOURCE: Backstage at 5:58pm on May 25, 2015

Women Beware Women - Reviewed by KARL LEVETT

Thomas Middleton's 1621 drama, here given a colorful and fluid production by the Red Bull Theater in a lively adaptation by Jesse Berger, who also directed, suffers from the built-in problem…

SOURCE: Backstage at 5:58pm on May 25, 2015

Shrek: The Musical - Reviewed by ADAM R. PERLMAN

Like the popular film that inspired it, "Shrek: The Musical" is an honest-to-god, across-the-board crowd pleaser.

SOURCE: Backstage at 5:58pm on May 25, 2015

Margaret Preece: Isn't It Romantic? - Reviewed by DAVID FINKLE

Listening to Margaret Preece, I thought of what a stickler Richard Rodgers was about his tunes. He liked them sung precisely as he'd written them. Precisely as Rodgers wrote them is precisel…

SOURCE: Backstage at 5:58pm on May 25, 2015

3 Sisters - Reviewed by MARK PEIKERT

The funny-tragic tale of sisters Olga, Irina, and Masha, trapped in a loveless and wearying existence with their weak brother, his shrewish wife, and a host of interlopers, is undercut by ha…

SOURCE: Backstage at 5:58pm on May 25, 2015

The Weird Sisters - Reviewed by RONNI REICH

Zack Calhoon's play, a prequel to "Macbeth" that focuses on the three witches, is over almost as soon as it has begun, and most of what happens on stage lacks dramatic purpose. But viewed pu…

SOURCE: Backstage at 5:58pm on May 25, 2015

Water(gate) Under the Bridge By Simi Horwitz

Frank Langella humanizes a disgraced former president

SOURCE: Backstage at 5:58pm on May 25, 2015

O'Connor & Vogel: Found & Lost - Reviewed by DAVID FINKLE

Those who go for the kind of trumped-up bickering you'd have thought the Smothers Brothers and Sonny and Cher laid to rest three or four decades back will appreciate this. Those who don't, w…

SOURCE: Backstage at 5:58pm on May 25, 2015

ReWrite: A Musical Comedy Triple Feature - Reviewed by MARK PEIKERT

Perhaps if the first two mini-musicals in Joe Iconis' triple feature were more impressive, the staggering amount of navel-gazing in the third offering, "The Process," would be forgivable.

SOURCE: Backstage at 5:58pm on May 25, 2015

Chair - Reviewed by GWEN OREL

While the performances linger, the play evaporates in a puff. You think, "Good bit of theatre; now let's get a drink."

SOURCE: Backstage at 5:58pm on May 25, 2015

Mickey & Maud: Maud Hixson Sings the Music of Michael (Mickey) Leonard - Reviewed by DAVID FINKLE

I'll be ready to hear Maud Hixson again when she learns that lovely voices are a dime a dozen, but singers who have something to impart beyond a by-the-numbers songwriter homage are much mor…

SOURCE: Backstage at 5:58pm on May 25, 2015

Garrison Keillor: Man in Tux & Red Shoes With Piano - Reviewed by DAVID FINKLE

When it comes to whim, few are as reliably and as amusingly whimsical as Garrison Keillor is.

SOURCE: Backstage at 5:58pm on May 25, 2015

Lightning at Our Feet - Reviewed by RONNI REICH

Imagine Emily Dickinson at an open-mike night. How would her poems come across as she read, sang, and orchestrated them?

SOURCE: Backstage at 5:58pm on May 25, 2015

New House Under Construction - Reviewed by RON COHEN

Playwright Alan Hruska seems to be working with a different set of blueprints every 30 minutes or so in his problematic puzzle of a play.

SOURCE: Backstage at 5:58pm on May 25, 2015

Too Much Memory - Reviewed by GWEN OREL

Keith Reddin and Meg Gibson's contemporary version of "Antigone" wants to say something about politics and justice. But this retelling of the tragedy presents too many stereotypes to drive t…

SOURCE: Backstage at 5:58pm on May 25, 2015

Prayer for My Enemy - Reviewed by DAVID SHEWARD

With this loony bunch, Craig Lucas is too obviously creating a microcosm of America. See how screwed up this country is, he metaphorically screams at us.

SOURCE: Backstage at 5:58pm on May 25, 2015

Pig Tale: An Urban Faerie Story - Reviewed by PAUL MENARD

None of us has been as bad off as poor Johnny Lovejoy when his long-term trick, Dave, transforms into an honest-to-goodness pig in Chris Weikel's charming queer confection.

SOURCE: Backstage at 5:58pm on May 25, 2015

The Uncanny Appearance of Sherlock Holmes - Reviewed by A.J. MELL

For all its ambition and theatricality, North American Cultural Laboratory's production suggests a company under the unfortunate influence of semiotics and early Tom Stoppard.

SOURCE: Backstage at 5:58pm on May 25, 2015

Caligula - Reviewed by ROBERT WINDELER

David Greig's translation of Albert Camus' play is accessible but flat and contains far too many jarring British slang phrases. All told, this production seems much longer than its hour-and-…

SOURCE: Backstage at 5:58pm on May 25, 2015
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