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10,593 stories from A Younger Theatre

Review: Finders Keepers, Park Theatre by Dan Rubins

Among the knickknacks piled high in Mr. Pharaoh's junkyard, there is a broken clock, frozen in time. And while this clock doesn't stand out among the eclectic ingenuities surrounding it (all…

SOURCE: A Younger Theatre at 10:36am on April 11, 2017

Review: Run, The Place by Alice Devoy

Run by the 2faced Dance Company is, in fact, a collection of three different pieces: all emotive, potent and wholly individual. The opening piece, which is also the longest, is entitled 'Fro…

SOURCE: A Younger Theatre at 7:12am on April 10, 2017

Review: I Capture the Castle, Watford Palace Theatre by Dan Rubins

"I write this sitting in the kitchen sink," begins young Cassandra Mortmain in Dodie Smith's much-beloved novel I Capture the Castle. Composer Steven Edis and librettist Teresa Howard, in th…

SOURCE: A Younger Theatre at 7:12am on April 10, 2017

Review: The Goat, or Who is Sylvia?, Theatre Royal Haymarket by Jessica Handscomb

Modern drama, for me, often evokes the same reaction as modern art does. I consume it, I often enjoy it, but I also am left wondering 'why?'. Why would someone make something like that? Or, …

SOURCE: A Younger Theatre at 7:12am on April 10, 2017

Review: Consent, National Theatre by Jessica Handscomb

Nina Raine, writer of well received Tiger Country and Olivier-nominated Tribes, is back with a fiercely witty new play that brings the politics of the courtroom into everyday life. Consent f…

SOURCE: A Younger Theatre at 6:02am on April 9, 2017

Blog: Why rural theatre is thriving by Jack Bond

Audience numbers for professional shows in rural UK venues are growing, according to new figures from the National Rural Touring Forum (NRTF). Jack Bond, who works for the organisation, alon…

SOURCE: A Younger Theatre at 12:24pm on April 8, 2017

Review: Jewels, Royal Opera House by Manuel Muñoz

Now celebrating its 50th anniversary, George Balanchine's Jewels comes back to the stage giving plenty of opportunities for the whole company to show their skills off. This collection of thr…

SOURCE: A Younger Theatre at 5:54am on April 6, 2017

Review: Posh, Pleasance Theatre by Josephine Balfour-oatts

Notorious for its depiction of 'The Riot Club', a fictional, all-male society loosely-based on Oxford University's infamous Bullingdon Club, Laura Wade's Posh returns to the stage "with a ca…

SOURCE: A Younger Theatre at 5:54am on April 6, 2017

Review: Gabriel, Richmond Theatre by Katie Walsh

In Nazi occupied Guernsey, Jeanne Becquet is faced with the hard task of protecting her exuberant and dysfunctional family with her Jewish daughter in-law Lily and daughter Estelle. With the…

SOURCE: A Younger Theatre at 5:12pm on April 3, 2017

Review: Tejas Verdes, Ugly Duck by Dan Rubins

Director Emily Louizou has found the perfect space for Tejas Verdes, Fermín Cabal's 2004 collection of seven haunting monologues surrounding the disappearance, torture, and death of a you…

SOURCE: A Younger Theatre at 1:54pm on April 3, 2017

Review: Natives, Southwark Playhouse by Lydia Lakemoore

Natives is a new written piece by Glenn Waldron that follows three teenagers on one day of their lives " their fourteenth birthday. Coldly but aptly named A, B, and C, these characters colle…

SOURCE: A Younger Theatre at 12:48pm on April 3, 2017

Review: Don Juan in Soho, Wyndham's Theatre by Annie Starkey

Soho serves once more as the backdrop for this new version of Patrick Marber's previous 'loose adaptation' of Moliere's tragicomedy Don Juan. Not much has changed since 2006's version of Don…

SOURCE: A Younger Theatre at 6:12am on April 3, 2017

Review: The Poetry of Exile, White Bear Theatre by Josephine Balfour-oatts

Previously known for works such as Basildon (2009), Bridlington (2015) and Playground (2016), writer Peter Hamilton returns to The White Bear Theatre in Kennington with his most recent play:…

SOURCE: A Younger Theatre at 6:12am on April 3, 2017

Review: Ballistic, Mirth Marvel and Maud by Manuel Muñoz

In May 2014, Elliot Rodger killed several people at a university campus before shooting himself. In what were subsequently known as the Isla Vista killings, six people were killed and fourte…

SOURCE: A Younger Theatre at 6:12am on March 30, 2017

Review: Dog Ends, Tabard Theatre by Josephine Balfour-oatts

Originally broadcast as part of the BBC's 'Play for Today' series in 1984, Dog Ends by Richard Harris is a black comedy set in the living room of a family home in East London. Harris has upd…

SOURCE: A Younger Theatre at 5:54am on March 29, 2017

Review: Madama Butterfly, Royal Opera House by Manuel Muñoz

Madama Butterfly is one of the most performed operas ever, as it has en enduring appeal due of its themes of love, loss, dignity and deceit. Reaching new heights of realistic exoticism, Pucc…

SOURCE: A Younger Theatre at 4:48am on March 29, 2017

Review: The Chemsex Monologues, King's Head Theatre by Daniel Perks

The Chemsex Monologues is not a poster production " it does not preach of the dangers that this ever-growing scene is obviously intimately entwined with, nor does it paint a rosy picture of …

SOURCE: A Younger Theatre at 8:36am on March 27, 2017

Review: Undermined, Wilton's Music Hall by Lydia Lakemoore

Political theatre can be somewhat consuming with a thin line between conveying a message and attempting to shove an entire ideology down one's throat in the mere space of an hour. Much to my…

SOURCE: A Younger Theatre at 7:32am on March 27, 2017

Review: Dark Vanilla Jungle, Theatre N16 by Daniel Perks

It feels fictional but never absurdist, outlandish but never untenable. Andrea's (Emily Thornton) situation is shocking and slightly outrageous, but is ultimately believable. Philip Ridley a…

SOURCE: A Younger Theatre at 4:24pm on March 26, 2017

Review: After Party, Pleasance Theatre by India-inés Levy

In a world ruined from the Holocaust, nuclear warfare, post-fact politics, artificial intelligence, climate change, the erosion of rights to privacy, the increasing polarization of society, …

SOURCE: A Younger Theatre at 3:18pm on March 26, 2017

Review: The Frogs, Jermyn Street Theatre by Dan Rubins

"You can stop rhyming right there," the Greek god of wine and drama Dionysos commands his slave Xanthias mid-song in Stephen Sondheim's musical adaptation of The Frogs, now making its UK pre…

SOURCE: A Younger Theatre at 1:42pm on March 24, 2017

Review: La Cage aux Folles, New Wimbledon Theatre by Katie Walsh

Herman and Fierstein's La Cage aux Folles was, when it first premiered, a risque and outrageous show which brought with it a rebellious and brave statement for homosexuality and expression. …

SOURCE: A Younger Theatre at 12:24pm on March 24, 2017

Offer: Get £5 tickets to Boat at Battersea Arts Centre by Laura Phillips

Under 26s get £5 tickets to Boat by Company Three Boat | Battersea Arts Centre | 5 " 8 April It’s easy to spot a freshie. Like maybe some people – like lawyers or po…

SOURCE: A Younger Theatre at 7:18pm on March 23, 2017

Review: Boxman, The Albany by Daniel Perks

In arguably the most challenging production seen at the festival so far, Boxman is a one-man show. The 45 minutes focussed on Ringo (Reice Weathers), a homeless man who fled from his war-str…

SOURCE: A Younger Theatre at 6:03am on March 23, 2017

Review: An American in Paris, Dominion Theatre by Manuel Muñoz

After his successes as a choreographer for The Royal Ballet " Alice's Adventures in Wonderland, The Winter's Tale " Christopher Wheeldon is now bringing his first Broadway adventure to Londo…

SOURCE: A Younger Theatre at 6:03am on March 23, 2017
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