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4,024 stories from http://www.theaterscene.net

Wakey, Wakey by Joel Benjamin

"Wakey, Wakey" is Will Eno at his surreal, troubling, beautiful best, a play both challenging and easily absorbed. He truly approaches the unapproachable: the meaning of life. The post Wak…

SOURCE: www.theaterscene.net at 11:07pm on March 14, 2017

The Glass Menagerie by Victor Gluck, Editor-in-chief

Sam Gold's revival of "The Glass Menagerie," the fifth major production of the play in New York since 2005, is such a one. He has decided to remove all of the historical relevance as well as…

SOURCE: www.theaterscene.net at 11:02pm on March 14, 2017

The New York Pops: "Life is a Cabaret: The Songs of Kander and Ebb" by Darryl Reilly

"It looks like when you got your Kennedy Center Honor!" exclaimed Mr. Reineke, as a spotlight shone on John Kander, who was attending the concert from a first tier box at Carnegie Hall. He …

SOURCE: www.theaterscene.net at 2:21pm on March 14, 2017

Deconstruction by Joel Benjamin

The acting isn't detailed or expansive enough to make Leaf's words come alive or give the slightest notion of the intelligence of these three. Ms. Dobbins' McCarthy is far too girlish. Yes…

SOURCE: www.theaterscene.net at 12:27pm on March 14, 2017

Linda by David Kaufman

A revolving stage permits set designer Walt Spangler to depict, with dead-on realism and dispatch, not only Linda's home--including an upstairs bedroom, which her daughters share--but also v…

SOURCE: www.theaterscene.net at 3:05pm on March 13, 2017

The Gravedigger's Lullaby by Darryl Reilly

Playwright Jeff Talbott offers an overall well-written and plotted social drama that detours into a strident political battle over capitalism. The sympathetic characters are trapped by thei…

SOURCE: www.theaterscene.net at 2:05am on March 13, 2017

Villa by Darryl Reilly

Chilean playwright Guillermo Calderón constructs a simple, engrossing and often funny scenario. Three women, all named Alejandra, have been selected as members of a deliberative, special …

SOURCE: www.theaterscene.net at 1:33am on March 13, 2017

Composer Portraits Series: Misato Mochizuki by Jean Ballard Terepka

Neither a "Western composer" nor a "Japanese composer," Mochizuki hasn't sought to manufacture some sort of mix-and-match blend. She doesn't borrow or build add-ons. Instead, seeking inspira…

SOURCE: www.theaterscene.net at 11:45am on March 11, 2017

Book Review: "The Actor Uncovered: A Life in Acting" by Michael Howard by Darryl Reilly

Mr. Howard is eminently qualified to hold forth on the subject, having been a prominent New York City acting teacher for over 60 years. Concurrently with an active theatrical career, he stu…

SOURCE: www.theaterscene.net at 12:44pm on March 10, 2017

The Penitent by David Kaufman

Perhaps because Mamet-regular Jordan Lage is so effective as Richard, the scenes between Charles and his own attorney prove the most effective. While Laura Bauer's sensible costumes do all t…

SOURCE: www.theaterscene.net at 12:34am on March 10, 2017

The Skin of Our Teeth by Victor Gluck, Editor-in-chief

Thornton Wilder's "The Skin of Our Teeth" with its benign belief in the resilience of the human condition is unlike any other American play you are likely to see. Both heavily influenced by …

SOURCE: www.theaterscene.net at 11:27pm on March 8, 2017

Miriam Colón 1936-2017 by Darryl Reilly

Darryl Reilly, Critic Miriam Colón died recently at the age of 80. She was a great actress who had a long and distinguished career on the stage, screen and television. She arrived in New …

SOURCE: www.theaterscene.net at 11:58pm on March 6, 2017

Nibbler by David Kaufman

Urban may have an admirable mission, in attempting to document the customary passage from youth to adulthood--or high-school to college, to be more precise--as he focuses on five graduating …

SOURCE: www.theaterscene.net at 11:56pm on March 6, 2017

Nihon Buyo Dance by Geimaruza by Joel Benjamin

Three musical pieces displayed the instruments on which the music is made. "Nagare (Flow)" was played on two shamisen (stringed instruments) by Touon Minamidani Mai and Touon Sakata Maiko, …

SOURCE: www.theaterscene.net at 9:17pm on March 6, 2017

Messenger #1, A New Ancient Greek Tragedy by Victor Gluck, Editor-in-chief

In addition to the swiftness of the storytelling and the use of contemporary language, Jackson uses a sort of upstairs-downstairs approach. Aside from what is happening to the royals, we als…

SOURCE: www.theaterscene.net at 6:01pm on March 6, 2017

Kid Victory by Victor Gluck, Editor-in-chief

It would be difficult to imagine anything darker than the content of the second musical collaboration by John Kander and Greg Pierce having its New York premiere at the Vineyard Theatre. Pos…

SOURCE: www.theaterscene.net at 11:35am on March 6, 2017

All the Fine Boys by Darryl Reilly

Playwright Erica Schmidt has a minor aptitude for believably snappy dialogue, but not much else. Her tired scenario is astonishingly familiar and offers no fresh insights. That adolescence…

SOURCE: www.theaterscene.net at 5:39pm on March 5, 2017

William Daniels: There I Go Again by Darryl Reilly

Darryl Reilly, Critic You need to somehow get into a play, be seen in it, remembered for your performance, and be seen by a person (an author or director or producer) who just happens to hav…

SOURCE: www.theaterscene.net at 8:47am on March 5, 2017

Louisiana Purchase by Victor Gluck, Editor-in-chief

Based on a story by lyricist/bookwriter/producer B.G. DeSylva ("Good News," "The Best Things in Life Are Free," "The Varsity Drag"), this musical satire sends unworldly, teetotaler Oliver P.…

SOURCE: www.theaterscene.net at 10:48pm on March 4, 2017

Everybody by Joel Benjamin

The original was aimed at an audience that most certainly was illiterate, so that the clever creators used cartoonish, unsubtle characters who spoke in popular jargon, even spouting profanit…

SOURCE: www.theaterscene.net at 9:55pm on March 3, 2017

Dear World by Victor Gluck, Editor-in-chief

Having played such indomitable women as Mama Rose and Maria Callas, Daly slips into the role of the Madwoman of Chaillot which fits her like a glove with her crisp, authoritative delivery. A…

SOURCE: www.theaterscene.net at 9:43am on March 1, 2017

Interview: A New Musical by Darryl Reilly

Composer Soo Hyun Huh's original music is a fine and eclectic assortment of modern melodies. The English lyrics are written by Bryan Michaels. The combined results are stilted and pedestria…

SOURCE: www.theaterscene.net at 12:56pm on February 28, 2017

Turning Page by Darryl Reilly

Much is made of her numerous Oscar nominations, and this reaches a wonderfully presented climax. She finally wins the award for Best Actress on her eighth nomination for the 1985 screen adap…

SOURCE: www.theaterscene.net at 11:40am on February 28, 2017

Leah, the Forsaken by Victor Gluck, Editor-in-chief

Nevertheless, while the play is startlingly not politically correct, the acting is of a high caliber. In the title role, Regina Gibson (who appeared last season in the rediscovered operetta …

SOURCE: www.theaterscene.net at 3:43pm on February 26, 2017

Evening at the Talk House by Victor Gluck, Editor-in-chief

However, as the title implies it is also a very verbose, long-winded affair giving an excellent cast made up of such veterans as Matthew Broderick, John Epperson (a.ka.a Lypsinka), Jill Eike…

SOURCE: www.theaterscene.net at 3:43pm on February 24, 2017
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