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10,593 stories from A Younger Theatre

Review: Whisper House, The Other Palace by Dan Rubins

What do you do when you're a ghost doomed to roam the moody corners of Duncan Sheik's new musical Whisper House for all eternity? You can blow out candles and knock papers out of people's ha…

SOURCE: A Younger Theatre at 7:24am on April 22, 2017

Blog: Unpicking the distinctive appeal of Edward Albee by Carl Woodward

The late Edward Albee is in vogue in the UK right now. Ian Rickson's production of the US playwright's The Goat, or Who Is Sylvia? starring Damian Lewis and Sophie Okonedo is entertaining au…

SOURCE: A Younger Theatre at 6:12am on April 21, 2017

Blog: Tracing the route of the not-so 'Idle Women' who navigated the waterways in World War II by Kate Saffin

February 2016. I had completed an MFA in creative writing. My efforts at reworking a play didn't seem to be making much progress and The Royal Court hadn't called… So, I decided that I sho…

SOURCE: A Younger Theatre at 11:48am on April 20, 2017

Offer: Get £15 Tickets to OUT OF THIS WORLD at the Peacock Theatre by Laura Phillips

Get £15 tickets to OUT OF THIS WORLD at the Peacock Theatre. OUT OF THIS WORLD | Peacock Theatre | 1 – 3 May Enter into a visually spectacular world as stunning special ef…

SOURCE: A Younger Theatre at 7:24am on April 20, 2017

Review: The Legend of Mulan, Southbank Centre by Camilla Gurtler

Anyone who remotely sees themselves as a Disney fan will sing-scream at the top of their lungs when hearing that famous opening “let’s get down to business”. Mulan is such …

SOURCE: A Younger Theatre at 8:36am on April 17, 2017

Review: Threads, The Hope Theatre by Jessica Handscomb

Threads, written by David Lane, imagines a world in where 'there are these invisible threads stretching between lovers and husbands and wives and couples'. The two-hander is the story of wha…

SOURCE: A Younger Theatre at 7:06am on April 17, 2017

Review: Shit-faced Shakespeare: Much Ado About Nothing, Leicester Square Theatre by Dan Rubins

I had the fairly disorientating experience of seeing two performances back to back half an hour apart in the Leicester Square Theatre on Friday night: Shit-faced Shakespeare: Much Ado About …

SOURCE: A Younger Theatre at 7:06am on April 17, 2017

Review: Guards at the Taj, Bush Theatre by Daniel Perks

Everything Jamie Lloyd touches seems to turn to gold, the current Midas of the directing world. A long-standing partnership with designer Soutra Gilmour is certainly one of the reasons that …

SOURCE: A Younger Theatre at 7:24am on April 14, 2017

Review: Betroffenheit, Sadler's Wells by Josephine Balfour-oatts

Co-created by choreographer Crystal Pite, her company Kidd Pivot, and actor-playwright Jonathon Young of Electric Company Theatre, Betroffenheit returns to Sadlers Wells following its UK pre…

SOURCE: A Younger Theatre at 7:24am on April 14, 2017

Review: 42nd Street, Theatre Royal Drury Lane by Beatrix Swanson Scott

A very jovial Jae Alexander raises his conducting baton, and everybody is buzzing for the show to begin. As the cheerful overture comes to an end, the curtain raises a fraction to reveal a c…

SOURCE: A Younger Theatre at 6:18am on April 14, 2017

Review: Executioner Number One, Soho Theatre by Steph J. Watkins

What do you get when you mix classic British humour with hanging people for a living? Well, Executioner Number One, of course. The piece, written and performed by Toby Whithouse combines the…

SOURCE: A Younger Theatre at 6:18am on April 14, 2017

Review: Carousel, London Coliseum by Dan Rubins

On the one hand, the pundits and prognosticators who decried the star casting of Alfie Boe and Katherine Jenkins in the English National Opera's new production of Carousel were right: Boe an…

SOURCE: A Younger Theatre at 6:06am on April 13, 2017

Feature: Outsiders, dodging stereotypes and honesty in MOTH by Rachel Kevern

AYT's Rachel Kevern speaks to Piers Black-Hawkins, co-founder of award-winning Ransack Theatre, about how the company have maintained the unique allure of theatre throughout their work, and …

SOURCE: A Younger Theatre at 5:06am on April 13, 2017

Review: Women Redressed, Jermyn Street Theatre by Emily May

A platform for the prominence of female characters, playwrights and issues, Women Redressed is an intriguing feminist theatre festival produced by Sheer Height Theatre. In its fourth instalm…

SOURCE: A Younger Theatre at 6:12am on April 12, 2017

Review: It's Not Yet Midnight, The Roundhouse by Daniel Perks

If It's Not Yet Midnight comes across as a complete mess, may there be more chaos in the world. This is a show that may look slapdash, messy and at times dangerously close to falling apart, …

SOURCE: A Younger Theatre at 6:12am on April 12, 2017

Review: 46 Beacon, Trafalgar Studios by Jessica Handscomb

How many of us can look back at a specific night in our lives and recognise that it has changed who we are forever? Bill Rosenfield can, and 46 Beacon is a semi-autobiographical account of a…

SOURCE: A Younger Theatre at 5:06am on April 12, 2017

Review: Consent, National Theatre by Jessica Handscomb

Nina Raine, writer of well received Tiger Country and Olivier-nominated Tribes, is back with a fiercely witty new play that brings the politics of the courtroom into everyday life. Consent f…

SOURCE: A Younger Theatre at 1:54pm on April 11, 2017

Review: Run, The Place by Alice Devoy

Run by the 2faced Dance Company is, in fact, a collection of three different pieces: all emotive, potent and wholly individual. The opening piece, which is also the longest, is entitled 'Fro…

SOURCE: A Younger Theatre at 1:54pm on April 11, 2017

Review: I Capture the Castle, Watford Palace Theatre by Dan Rubins

"I write this sitting in the kitchen sink," begins young Cassandra Mortmain in Dodie Smith's much-beloved novel I Capture the Castle. Composer Steven Edis and librettist Teresa Howard, in th…

SOURCE: A Younger Theatre at 1:54pm on April 11, 2017

Review: The Goat, or Who is Sylvia?, Theatre Royal Haymarket by Jessica Handscomb

Modern drama, for me, often evokes the same reaction as modern art does. I consume it, I often enjoy it, but I also am left wondering 'why?'. Why would someone make something like that? Or, …

SOURCE: A Younger Theatre at 1:54pm on April 11, 2017

Review: Boat, Battersea Arts Centre by Katie Walsh

Boat devised and created by Company Three, is inspired by news stories across Europe in the face of the migrant crisis. The ensemble use their own stories and understandings of their familie…

SOURCE: A Younger Theatre at 12:48pm on April 11, 2017

Review: Dark Corners, Battersea Arts Centre by Katie Walsh

We're all presented with a blank canvas in our life, a blank sheet to create our own story, with the opportunity to build and form our life narrative. Dark Corners presents the story of 13-y…

SOURCE: A Younger Theatre at 11:42am on April 11, 2017

Review: It Is So Ordered, Pleasance Theatre by Lucy Streeten

'Freedom, courage, and persistence': central to the American Civil Rights Movement of the '60s, these currents also coursed strongly through the new arrival of It is So Ordered at the Pleasa…

SOURCE: A Younger Theatre at 11:42am on April 11, 2017

Review: The Winter's Tale, Silk Street Theatre by Katie Walsh

In a clinical kingdom on dark grey and blues, King Leontes reveals his suspicions of his Queen's fidelity with his brother; which in true Shakespearean fashion means one misunderstanding has…

SOURCE: A Younger Theatre at 10:36am on April 11, 2017

Review: Out of Blixen, The Print Room by Camilla Gurtler

After a heatwave of Nordic Noir over the past few years, it makes my Danish heart flutter that the Print Room has decided to celebrate Karen Blixen, one of our greatest storytellers and an a…

SOURCE: A Younger Theatre at 10:36am on April 11, 2017
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