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4,024 stories from http://www.theaterscene.net

Joan of Arc: Into the Fire by Victor Gluck, Editor-in-chief

Don't blame singer Jo Lampert who gives a passionate performance as the Maid of Orleans. Unfortunately, she hasn't been given anything very interesting to sing in this mostly sung-through mu…

SOURCE: www.theaterscene.net at 10:59pm on April 1, 2017

William Inge in Rep: Picnic & Come Back, Little Sheba by Darryl Reilly

Though rather flawed in execution, there is much to enjoy in "Picnic" & "Come Back, Little Sheba": William Inge in Repertory. It is also revelatory in proving William Inge's high ranki…

SOURCE: www.theaterscene.net at 3:49pm on April 1, 2017

Paul Taylor American Modern Dance: Spring Season 2017 by Joel Benjamin

Now named Paul Taylor American Modern Dance, Taylor has included ballets by other choreographers which allows for some healthy comparisons and a hope for the future of this legendary company…

SOURCE: www.theaterscene.net at 3:24pm on March 31, 2017

Growing Up Gonzalez by Darryl Reilly

Mr. Rojas vividly creates an entertaining panorama of the Puerto Rican community in The Bronx of the 1960's and 1970's. A gallery of characters and numerous incidents are lovingly described.…

SOURCE: www.theaterscene.net at 11:08am on March 31, 2017

How to Transcend a Happy Marriage by David Kaufman

Marisa Tomei excels as George, the narrator of "How to Transcend…" --and of her own story. Thanks to Tomei's vocal and visual expressions, we constantly share in George's ongoing surprise,…

SOURCE: www.theaterscene.net at 11:49am on March 30, 2017

The New Yorkers: A Sociological Musical Satire by Darryl Reilly

Herbert Fields's book was based on a story by E. Ray Goetz and New Yorker cartoonist Peter Arno. This clunky concert adaptation by Jack Viertel is crammed with double entendres, puns, anach…

SOURCE: www.theaterscene.net at 11:55am on March 29, 2017

The Emperor Jones by Joel Benjamin

Directed by Ciarán O'Reilly as a feverish nightmare, this "Emperor," in just over an hour, exposes the inner reaches of the mind of the title character, Brutus Jones (played with a boomin…

SOURCE: www.theaterscene.net at 11:10am on March 28, 2017

Beneath the Gavel by Victor Gluck, Editor-in-chief

Bated Breath Theatre Company specializes in original works inspired by and in partnership with museum collections and exhibitions. However, this show about the fate of the "Haddie Weisenberg…

SOURCE: www.theaterscene.net at 10:39am on March 28, 2017

The Price by David Kaufman

Maybe "fireworks" is too strong a word for a production that is more of a slow burn. The play begins when Mark Ruffalo, as Victor, walks up, into the top floor of the home his family was con…

SOURCE: www.theaterscene.net at 12:15pm on March 27, 2017

Who Would Be King by Joel Benjamin

Jason Slavick's direction keeps the cast rollicking along, taking advantage of every inch of Ars Nova. He is helped by an energetic cast, all on the same wavelength, giving their physical a…

SOURCE: www.theaterscene.net at 12:55am on March 25, 2017

Angry Young Man by David Kaufman

The confusion and the rapid pace of the production pretty much engulf--and finally overwhelm--the extremely complicated story of"Angry Young Man." The performers, on the other hand, make thi…

SOURCE: www.theaterscene.net at 11:56pm on March 24, 2017

Glass @ 80: Philip Glass & Foday Musa Suso by Jean Ballard Terepka

Beginning in the 1980s, Glass and Suso collaborated on several projects. Genet's difficult, demanding, essentially un-actable and relentlessly fracturing play, "The Screens," elicited from G…

SOURCE: www.theaterscene.net at 3:53pm on March 24, 2017

Jack Charles V The Crown by Darryl Reilly

His innate charm, joy of performing and theatrical grandeur is always on display in this show. All of those qualities combined with his resonant, Australian accented vocal delivery makes it …

SOURCE: www.theaterscene.net at 5:21pm on March 23, 2017

The Last Days of Judas Iscariot by Victor Gluck, Editor-in-chief

And what of the play which had its world premiere at the Public Theater in 2005? Parsons' uneven production cannot keep this long play from seeming unwieldy. In fact, using so many actors is…

SOURCE: www.theaterscene.net at 4:43pm on March 21, 2017

C.S. Lewis On Stage: The Most Reluctant Convert by David Kaufman

As he impersonates the British writer C.S. Lewis, Max McLean relies on little more than a pipe, a brown suit and tie, and a rather mellifluous voice to become the Anglican philosopher and no…

SOURCE: www.theaterscene.net at 4:35pm on March 21, 2017

Anything Goes by Victor Gluck, Editor-in-chief

The score which has been drawn from the four previous New York productions of Anything Goes plays like a Cole Porter greatest hits parade and almost all of the songs are among his most popul…

SOURCE: www.theaterscene.net at 10:10pm on March 20, 2017

Otello (LoftOpera)

LoftOpera is a feisty little company that operates around Brooklyn, especially Bushwick. They are giving" Otello" in LightSpace Studios, a disco on Flushing Avenue about the size of a high s…

SOURCE: www.theaterscene.net at 3:27pm on March 20, 2017

When It's You by Darryl Reilly

Speaking in an engaging Texas twang, the blonde Reeder recounts Ginnifer's somber story with emotional straightforwardness and humor. Employing her expressive facial features, striking eyes…

SOURCE: www.theaterscene.net at 1:27pm on March 20, 2017

The Moors by Victor Gluck, Editor-in-chief

Although the play demonstrates a surface knowledge of the genre and the period, it wants to have it both ways: it takes place in 1840 in a desolate mansion on the Yorkshire Moors but the cha…

SOURCE: www.theaterscene.net at 10:53am on March 20, 2017

Sam & Dede, or My Dinner with Andre the Giant by Darryl Reilly

Beckett lived in rural France, and his nearby neighbor, Boris Roussimoff, helped him build a cottage on his property in 1953. Beckett grew close to the family, and offered to drive Andre to…

SOURCE: www.theaterscene.net at 8:48pm on March 19, 2017

White Guy on the Bus by David Kaufman

Musical star Robert Cuccioli has to call upon his experience playing both Dr. Jekyll and Mr. Hyde to become Ray in "White Guy on the Bus," a first-rate, new play by Bruce Graham, that has mo…

SOURCE: www.theaterscene.net at 10:56am on March 18, 2017

Significant Other by Darryl Reilly

It's well constructed, the dialogue is snappy and filled with some funny one-liners. The milieu is that of upper middle class Manhattan white-collar workers. Moderately entertaining, it at…

SOURCE: www.theaterscene.net at 11:39am on March 17, 2017

Come From Away by Joel Benjamin

The songs push the plot along, ranging from numbers about the locals' dealing with valuable resources ("Blankets and Bedding") to the quiet awe the visitors express at the local scenery ("Da…

SOURCE: www.theaterscene.net at 11:57pm on March 16, 2017

The Light Years by Darryl Reilly

Playwrights Hannah Bos and Paul Thureen with developer Oliver Butler, creatively evoke the tragic, nostalgic spirit of Booth Tarkington's "The Magnificent Ambersons" and the wonderment of th…

SOURCE: www.theaterscene.net at 11:53am on March 16, 2017

If I Forget by Victor Gluck, Editor-in-chief

Steven Levenson's "If I Forget" is the kind of family drama that doesn't get written much anymore: one that has something to say other than just depicting a dysfunctional situation. Not only…

SOURCE: www.theaterscene.net at 4:52pm on March 15, 2017
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