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10,593 stories from A Younger Theatre

Review: Madame Rubinstein, Park Theatre by Dan Rubins

Maybe it's something in the water, but whichever side of the Atlantic you happen to be on, you can currently catch a new piece of theatre that dives behind the scenes of the legendary cosmet…

SOURCE: A Younger Theatre at 8:36am on May 8, 2017

Review: The Ferryman, Royal Court by Franciska Éry

'It will be 3 hours and 20 minutes with one interval and a short pause' the staff member warns me as I receive my copy of Jez Butterworth's The Ferryman. It is thicker than the notebook I br…

SOURCE: A Younger Theatre at 7:18am on May 8, 2017

Review: The Resistible Rise of Arturo Ui, Donmar Warehouse by Saskia Coomber

This adaptation by Bruce Norris of Bertolt Brecht’s The Resistible Rise of Arturo Ui is political satire at it’s absolute best. The piece takes place in Chicago, 1941, and the ba…

SOURCE: A Younger Theatre at 8:31am on May 7, 2017

Review: Out of This World, Peacock Theatre by Josephine Balfour-oatts

"Just keep me safe. Don't let me do anything stupid, and don't tell me anything that I already know. Do we have a deal?" After a ten-year absence from the stage, choreographer, filmmaker and…

SOURCE: A Younger Theatre at 6:36am on May 7, 2017

Review: All Our Children, Jermyn Street Theatre by Saskia Coomber

All Our Children, written by Stephen Unwin, is set in Germany, 1941. A clinic for ill children is “helping” the country by treating them, or so the public are led to believe. The…

SOURCE: A Younger Theatre at 1:31pm on May 6, 2017

Review: This Beautiful Future, The Yard by Franciska Éry

Very rarely does a play give me an increasingly uncomfortable feeling, a growing unrest. Most productions give some signals that allow me to predict their trajectory, preparing me for shock,…

SOURCE: A Younger Theatre at 1:31pm on May 6, 2017

Review: Wonderland, New Wimbledon Theatre by Dan Rubins

Musicals often go through many different reincarnations, even after they've made it big. Think of Candide or Cabaret or Merrily We Roll Along, shows that each received a full script overhaul…

SOURCE: A Younger Theatre at 11:54am on May 6, 2017

Blog: How my brother's conversion to Islam inspired Becoming Mohammed by Annemiek Van Elst

When my little brother Maarten converted to Islam, it came as a shock to my family and me. He was very passionate about his newfound faith, and determined to follow the rules of the Quran to…

SOURCE: A Younger Theatre at 11:36am on May 4, 2017

Competition: Win tickets to Guards at the Taj at the Bush Theatre by Laura Phillips

Win two tickets to see Guards at the Taj at the Bush Theatre. Guards at the Taj | Until 20 May | Bush Theatre Jamie Lloyd directs the European premiere of this darkly funny play by…

SOURCE: A Younger Theatre at 4:48pm on May 3, 2017

Review: CAT " (THE PLAY!!!), Ambassadors Theatre by Dan Rubins

Dave, a lonely actor cut from the original London production of Cats and now trapped in an endless monologue recounting that theatrical tragedy, would like to tell us about his unfunny upbri…

SOURCE: A Younger Theatre at 3:54pm on May 2, 2017

Review: The Cardinal, Southwark Playhouse by Dan Rubins

Resurrection scenes abound in the theatre of the late sixteenth and early seventeenth century, the era we usually think of as Shakespearean. Think of Hermione's statue coming to life in The …

SOURCE: A Younger Theatre at 3:31pm on May 1, 2017

Review: Romeo and Juliet, Shakespeare's Globe by Emily May

A black cloth, torn and irregular, is suspended over the stage of Shakespeare's Globe " reminiscent of a foreboding spider's web. From the very beginning, this ominous material hangs over th…

SOURCE: A Younger Theatre at 3:31pm on May 1, 2017

Review: The Treatment, Almeida Theatre by Lydia Lakemoore

Martin Crimp's The Treatment is so current that I struggle to believe it was written over twenty years ago. Set in New York, we follow the lives of individuals in a small group, who come tog…

SOURCE: A Younger Theatre at 2:12pm on May 1, 2017

Review: The Braille Legacy, Charing Cross Theatre by Daniel Perks

For the blind, there is no need to have colour in the world. Thom Southerland's production of The Braille Legacy is devoid of such frivolities " a black and white revolving set by Tim Shorta…

SOURCE: A Younger Theatre at 2:12pm on May 1, 2017

Review: City of Glass, Lyric Hammersmith by Josephine Balfour-oatts

Adapted for stage by Duncan Macmillan (1984, People, Places and Things), Paul Auster's 1985 novel, City of Glass takes to the stage at Lyric Hammersmith. The book is the first part of The Ne…

SOURCE: A Younger Theatre at 12:48pm on May 1, 2017

Review: Obsession, Barbican Centre by Dan Rubins

Omnipresent in London this season, Ivo van Hove has emerged as one of contemporary western theatre's most divisive figures. I found his recent Hedda Gabler at the National Theatre lazy and i…

SOURCE: A Younger Theatre at 12:48pm on May 1, 2017

Review: Twelfth Night, Blue Elephant Theatre by Dan Rubins

Shakespeare's Twelfth Night is all over the place this year. The glorious production starring Tamsin Greig at the National Theatre closes in mid-May, only days before Emma Rice's interpretat…

SOURCE: A Younger Theatre at 5:31am on April 29, 2017

Feature: Cardboard Citizens mark 25 years with ambitious series Home Truths by Rachel St John

Winter 1991, London: “Cardboard Cities” containing communities of up to 250 people living in temporary structures scatter across the city – including the very spot where th…

SOURCE: A Younger Theatre at 1:06pm on April 26, 2017

Review: The Philanthropist, Trafalgar Studios by Beatrix Swanson Scott

In Christopher Hampton's The Philanthropist, quiet, anagram-loving philology professor Phillip invites other academics to a party in his Oxbridge college-style home. A series of arguments an…

SOURCE: A Younger Theatre at 5:24am on April 25, 2017

Review: Junkyard, Rose Theatre Kingston by Dan Rubins

I can pinpoint the precise moment that the Rose Theatre's new musical Junkyard comes to life. Halfway through the first act, idealistic teacher Rick (Calum Callaghan) has finally convinced a…

SOURCE: A Younger Theatre at 4:31am on April 25, 2017

Review: Pluto, Barons Court Theatre by Lydia Lakemoore

Moonchild Theatre’s new piece, written by is filled with intelligence and wit. Pluto, our protagonist and personification of the planet (if we can call it that), poignantly communicate…

SOURCE: A Younger Theatre at 3:06pm on April 24, 2017

Review: London-Paris-Roam!, Tristan Bates Theatre by Daniel Perks

Tokyo, Rome, Paris, London. Sarah Tullamore sure gets around. After 22 years of living in Paris, she has decided to up sticks again to who knows where. She's a ‘Woman of A Certain Age&…

SOURCE: A Younger Theatre at 3:06pm on April 24, 2017

Review: All The Things I Lied About, Soho Theatre by Katie Walsh

Katie Bonna is in desperate want of being asked to do a TED talk. Katie knows every aspect of what is needed for the criteria of presenting one. Katie opens the show as one incredibly irrita…

SOURCE: A Younger Theatre at 3:06pm on April 24, 2017

Review: Tarantiseismic, Sadler's Wells by Emily May

The stage is dark for several minutes. Almost unrecognisably, light begins to seep into the performance space, gradually revealing the cast of the National Youth Dance Company submerged unde…

SOURCE: A Younger Theatre at 1:48pm on April 24, 2017

Review: The Macbeths, Pleasance Theatre by Josephine Balfour-oatts

Produced by Ferodo Bridges, The Macbeths is a contemporary adaptation of Shakespeare's classic tragedy. Founded in 2012, the company is an international platform for London-based artists, an…

SOURCE: A Younger Theatre at 7:24am on April 22, 2017
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