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10,593 stories from A Younger Theatre

Review: The Brexorcist, Brighton Fringe by Holly O'Mahony

Rating: 2 stars The Brexorcist promised to be good on paper. In the Brighton Fringe brochure, it was described as "the true story of Brexit", "a multi-media political farce with a killer sou…

SOURCE: A Younger Theatre at 10:54am on May 15, 2017

Review: Identity Crisis, Ovalhouse by Franciska Éry

According to the blurb for Phina Oruche’s one-woman show Identity Crisis, the show is about Oruche’s personal journey through fashion and media, and what these different platform…

SOURCE: A Younger Theatre at 10:54am on May 15, 2017

Review: Assata Taught Me, Gate Theatre by Charlotte Irwin

Dusty turquoise corrugated iron lines the walls, cracked orange patterned tiles lie underfoot, a bottle of rum is poised ominously on the side; the setting of Assata Taught Me is unmistakabl…

SOURCE: A Younger Theatre at 10:54am on May 15, 2017

Review: Room, Theatre Royal Stratford East by Samuel Sims

Room tells the story of Ma and her little boy Jack as they go about their daily lives within the confines of a small, square room. They play, exercise, read, and sometimes watch television. …

SOURCE: A Younger Theatre at 9:42am on May 15, 2017

Review: At the Junction Café, Brighton Fringe by Holly O'Mahony

Rating: 3 stars The programme for At the Junction Café describes the play as an exploration of the way we choose to isolate ourselves in public places, focusing on our phones instead of tal…

SOURCE: A Younger Theatre at 9:42am on May 15, 2017

Review: Salomé, National Theatre by Dan Rubins

Plenty of pretty sand swirls around the stage of the National Theatre in director-writer Yaël Farber's new play Salomé. But that's not enough to conceal the barebones skeleton of this te…

SOURCE: A Younger Theatre at 9:42am on May 15, 2017

Review: Cosmic Trigger, The Cockpit by Emily May

With the current state of political affairs, discussions of post-truth, fake news, and green aliens in body suits running the country, it feels very poignant for Love & Will Productions…

SOURCE: A Younger Theatre at 8:33am on May 15, 2017

Review: Disconnect, The Ugly Duck by Saskia Coomber

KT Jemmett’s futuristic Disconnect is an interesting concept. The premise is that there are 10 convicts aboard a spacecraft, which is to be sent from the fictional “ProxC” …

SOURCE: A Younger Theatre at 2:54pm on May 14, 2017

Review: Egyptian Extravaganza, Colab Factory by Franciska Éry

Curious Flamingo’s Egyptian Extravaganza is part of Colab Factory’s immersive season and promises to be a fancy dress experience exploring Egypt in the 1920s and the dangers of c…

SOURCE: A Younger Theatre at 1:48pm on May 14, 2017

Review: Nova Insula, Putney Library by Dan Rubins

A confession: I find few immersive theatre experiences as unpleasant as those in which performers take notice of me: I don't like being talked to or touched or sequestered in solitude or ask…

SOURCE: A Younger Theatre at 9:12am on May 14, 2017

Review: London Clown Festival, Hornsey Town Hall by Amelia Curran

A triumph of physical comedy, the opening night of the London Clown Festival was unexpected, imaginative and downright delightful in its sheer, unadulterated silliness. If you are a novice l…

SOURCE: A Younger Theatre at 9:12am on May 14, 2017

Review: The Buried Moon, The Rose Playhouse by Dan Rubins

If you haven't been inside The Rose Playhouse, that other seventeenth century theatre on the South Bank, it's well worth a visit. Unlike Shakespeare's Globe, the Rose actually stands on the …

SOURCE: A Younger Theatre at 4:54pm on May 13, 2017

Review: Petrushka, Brighton Fringe by Holly O'Mahony

"Ladies and gentlemen, please take your seats". I wait for a moment, expecting others to follow, but when no one does, I start making my way towards the stairs of the Rialto theatre. I turn …

SOURCE: A Younger Theatre at 4:54pm on May 13, 2017

Review: Living A Little, Kings Head Theatre by Daniel Perks

Paul (Paul Thirkell) wanks to porn until he is a caught with his pants down (literally) by a ninja-clad invader brandishing a samurai sword. But it's all ok " she is just making sure he isn'…

SOURCE: A Younger Theatre at 4:54pm on May 13, 2017

Review: Turmoil, Battersea Library by Katie Walsh

With blind goats, flamenco dancing, and Brazilian exuberance, Turmoil is a surreal tragicomedy set in an over-the-top Jane Austenesque South-American world. Jô Bilac's Turmoil tells the s…

SOURCE: A Younger Theatre at 3:12pm on May 13, 2017

Review: Paper Hearts, Upstairs at the Gatehouse by Jessica Handscomb

After a successful run at 2016 Edinburgh Fringe, Paper Hearts has returned to the stage at Upstairs at the Gathehouse. Originally 75 minutes, the home-grown musical written by Liam O'Raffert…

SOURCE: A Younger Theatre at 3:12pm on May 13, 2017

Review: Werewolf: Live, Brighton Fringe by Holly O'Mahony

I’m a fan of the game Werewolf, having played a fair few rounds of it as a student. So I was intrigued and excited by the concept of it being turned into a Brighton Fringe spectacle by…

SOURCE: A Younger Theatre at 3:12pm on May 13, 2017

Review: Late Company, Finborough Theatre by Rebekah Ellerby

Canadian playwright Jordan Tannahill puts together two things in Late Company that should never mix: dinner parties and grief. There are two families. The hosts, whose son Joel committed sui…

SOURCE: A Younger Theatre at 1:48pm on May 13, 2017

Review: They Built It. No One Came., Brighton Fringe by Holly O'Mahony

What should you do if you struggle to fit into modern society? Find someone you like, or someone who's like you, and build a commune with them. Such is the solution of Brother Tobias (Christ…

SOURCE: A Younger Theatre at 1:48pm on May 13, 2017

Review: Driftwood, Underbelly Festival Southbank by Josephine Balfour-oatts

Following a successful stretch at the 2016 Edinburgh Fringe Festival, Casus Circus bring their hit piece Driftwood to Underbelly Festival, Southbank. Based in Brisbane, Australia, the group …

SOURCE: A Younger Theatre at 1:48pm on May 13, 2017

Review: Voices from Chernobyl, Jack Studio Theatre by Amelia Curran

Ténéré Arte presents Voices from Chernobyl, a harrowing and evocative production that poignantly conveys the abject horror of one of the worst nuclear disasters in human history. Based on…

SOURCE: A Younger Theatre at 6:36am on May 12, 2017

Review: Brimstone and Treacle, The Hope Theatre by Charlotte Irwin

It's not hard to understand why Brimstone and Treacle was banned in 1976. Written by Dennis Potter as a television play for BBC's Play for Today the work explores the darkest edges of humani…

SOURCE: A Younger Theatre at 6:36am on May 12, 2017

Review: Angels in America, National Theatre by Samuel Sims

History, time and legacy all play a prevalent role in this revival of Tony Kushner's epic Angels in America. It looks at the right-wing politics that dominated the US in the 1980s and how…

SOURCE: A Younger Theatre at 6:12pm on May 11, 2017

Review: The Exterminating Angel, Royal Opera House by Emily May

Live sheep are being paraded around the stage. I would be surprised, but considering this opera's surrealist inspirations, one should come expecting the unexpected. From the appearance of be…

SOURCE: A Younger Theatre at 4:12pm on May 11, 2017

Emma Donoghue on Room: "My son told everyone I wrapped him up in the rug!" by Samuel Sims

There's something fantastically refreshing about a hugely successful writer getting their kids to do (some of) the editing of their latest book, but then, this is no ordinary, hugely success…

SOURCE: A Younger Theatre at 11:42am on May 9, 2017
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