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618 stories from The New York Theatre Experience

Review: THE WILD FINISH by Richard Hinojosa

The road to discovering one’s roots can be filled with as much surprise as enlightenment. It is, however, no surprise that Monica Hunken's road to discovery is an incredible journey pr…

SOURCE: The New York Theatre Experience at 12:00am on February 12, 2012

Review: LOVESICK OR THINGS THAT DON'T HAPPEN by Heather McAllister

When it comes to love, I'm still a romantic and an optimist, even though--like my friend Bob says--lately I can't seem to give it away. Nevertheless, that's me. So, I went to see Lia Romeo's…

SOURCE: The New York Theatre Experience at 12:00am on February 9, 2012

Review: LEAVE THE BALCONY OPEN by Loren Noveck

On the unnamed college campus that forms the setting for Maya Macdonald's Leave the Balcony Open, they've stopped counting the deaths. Over the course of a year, the student body has faced u…

SOURCE: The New York Theatre Experience at 12:00am on February 9, 2012

Review: MYTHS AND HYMNS by David Gordon

Since its debut at the Public Theatre in 1998, Adam Guettel's Myths and Hymns (né Saturn Returns) has accrued the cult status that belongs to many little-known musicals. Aficionados and his…

SOURCE: The New York Theatre Experience at 12:00am on February 8, 2012

Review: RX by David Gordon

You may leave Kate Fodor's Rx, a comedy about the relationships people have with one another and their pharmaceutical drugs, feeling a bit drowsy. Weariness is indeed a side effect of this o…

SOURCE: The New York Theatre Experience at 12:00am on February 7, 2012

Review: A MAN OF NO IMPORTANCE by Judith Jarosz

The musical A Man of No Importance features music by Stephen Flaherty, lyrics by Lynn Ahrens and a book by Terrence McNally. It tells a touching tale about a man struggling with his sexualit…

SOURCE: The New York Theatre Experience at 12:00am on February 7, 2012

Review: FOLLOW THE LEADER by Ed Malin

The unifying theme of Follow The Leader, an evening of short plays from Panicked Productions, is "cults." You may be surprised what could be defined as a cult; you could be part of one your…

SOURCE: The New York Theatre Experience at 12:00am on February 6, 2012

Review: HOLY CHILD by Martin Denton

Most people reach a point in their lives when all the fundamental assumptions that have underlain everything so far suddenly crumble; what happens next is a matter of faith, will, and destin…

SOURCE: The New York Theatre Experience at 12:00am on February 6, 2012

Review: BOTANICA by Stephen Cedars

It's too easy to forget sometimes how wonderfully weird the experience of theatre can be. Human beings perform these rehearsed rituals before an audience, who are generally trained to key in…

SOURCE: The New York Theatre Experience at 12:00am on February 5, 2012

Announcing The LIT Independent Theater Fund by Martin Denton

This is from John Clancy, executive director of the League of Independent Theater. (Note: I serve on the Board of LIT.) For over sixty years, Off-Off Broadway (now known as Independent Theat…

SOURCE: The New York Theatre Experience at 11:18am on February 4, 2012

New Cyberinterview: Brendan Connelly, Brooke O'Harra: YOU, MY MOTHER

Brendan Connelly and Brooke O'Harra are co-founders of the Two-Headed Calf, formerly known as The Theatre of a Two-Headed Calf. They met while attending college in New Orleans, where the com…

SOURCE: The New York Theatre Experience at 12:00am on February 4, 2012

Review: GONNA SEE A MOVIE CALLED GUNGA DIN by Ivanna Cullinan

Billed as show that was built from interviews with soldiers, Gonna See a Movie Called Gunga Din is infinitely more than I expected. If this show is perhaps more than it should be ultimately,…

SOURCE: The New York Theatre Experience at 12:00am on February 2, 2012

Review: WIT by David Ian Lee

Margaret Edson’s Pulitzer Prize-winning play Wit owes a few genes of narrative structure to epic mythology as extenuated by Joseph Campbell. As with The Odyssey, road movies, and every…

SOURCE: The New York Theatre Experience at 12:00am on February 2, 2012

New Cyberinterview: Jon Hoche, Temar Underwood: THE INEXPLICABLE REDEMPTION OF AGENT G: THE UNRATED VERSION

Jon Hoche and Temar Underwood are both in the off-Broadway premiere of Qui Nguyen's play. Jon is an actor known for his versatility and talents in comedic and physical theater; he wrote his …

SOURCE: The New York Theatre Experience at 12:00am on February 1, 2012

Review: INADMISSIBLE by Leslie Bramm

The thing I really like about Inadmissible is that it illuminates the central problem with American theatre. We see how the raw and passionate voices, the better plays, are constantly passed…

SOURCE: The New York Theatre Experience at 12:00am on February 1, 2012

Review: OH, THAT WILY SNAKE! by Martin Denton

Fantastical, surprising things happen constantly in Oh, That Wily Snake!, amplifying a variety of interesting ideas and questions about human relationships and about the trouble with getting…

SOURCE: The New York Theatre Experience at 12:00am on January 31, 2012

Review: THESE SEVEN SICKNESSES by Avi Glickstein

There's a lot of talk in the theater community about the supposedly growing short attention span of American audiences: "Do we cater to it or do we ignore it?" Bizarrely (and happily), the F…

SOURCE: The New York Theatre Experience at 12:00am on January 31, 2012

Review: RUSSIAN TRANSPORT by Jo Ann Rosen

Erika Sheffer develops rich, idiosyncratic people in her new compelling drama, Russian Transport. Each carries his or her weight in the unfolding story of a noisy, irreverent immigrant famil…

SOURCE: The New York Theatre Experience at 12:00am on January 30, 2012

Review: NORA IN REP by David Gordon

A Doll's Life, Betty Comden, Adolph Green and Larry Grossman's musical sequel to Henrik Ibsen's A Doll's House, flopped on Broadway in September, 1982 after a run of 18 previews and 5 perfor…

SOURCE: The New York Theatre Experience at 12:00am on January 30, 2012

Review: ANTROBUS AND GONE by Ed Malin

Ian W. Hill's aptly-named company Gemini Collision Works presents two of his plays at The Brick Theater in Williamsburg.

SOURCE: The New York Theatre Experience at 12:00am on January 29, 2012

Review: YOSEMITE by Martin Denton

Daniel Talbott's Yosemite, which is premiering at Rattlestick Playwrights Theater, is a sad, lyrical play about three lost children: how they got that way, and, perhaps, how we got that way …

SOURCE: The New York Theatre Experience at 12:00am on January 27, 2012

Review: MENDERS by Martin Denton

In Menders, playwright Erin Browne imagines a repressive society where a medicated populace no longer dreams and poetry and storytelling have become lost, banished arts. A prologue sets the …

SOURCE: The New York Theatre Experience at 12:00am on January 26, 2012

Review: THE TABLE by Will Fulton

Puppetry operates through a peculiar kind of magic. There is no illusion or sleight of hand. Despite seeing the operator manipulate the puppet and knowing it has no agency of its own, it tak…

SOURCE: The New York Theatre Experience at 12:00am on January 25, 2012

Review: HIERONYMUS by Martin Denton

Hieronymus Bosch's most famous work, the triptych The Garden of Earthly Delights, has been the inspiration for at least one famous contemporary theatre work (of the same title, by Martha Cla…

SOURCE: The New York Theatre Experience at 12:00am on January 25, 2012

Review: STOPPED BRIDGE OF DREAMS by Martin Denton

Stopped Bridge of Dreams, the new multimedia performance written, designed and directed by John Jesurun at La MaMa, is a hallucinogenic, sense-assaulting, dreamlike hour and a quarter in the…

SOURCE: The New York Theatre Experience at 12:00am on January 25, 2012
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