588 stories from Terri Paddock
I won’t name and shame but will admit that some of my trickiest moments over my many years hosting post-show discussions have been at plays set in the United States when au…
I missed a trick with my questions last night at the world premiere of DAMES, the surreal comedy about six millennial women who meet in a nightclub loo, which marks the playwriting debut …
The Barn Theatre’s inaugural production of The Secret Garden extended by a fortnight – which very helpfully allowed me to fit another trip to Cirencester and a post-show Q&A …
When I chaired my first post-show Q&A at Miss Nightingale a year ago, I thought its home then was ideal: The Vaults, in its labyrinth beneath Waterloo Station, so like an air raid shelte…
When I chaired my first post-show Q&A at Miss Nightingale a year ago, I thought its home then was ideal: The Vaults, in its labyrinth beneath Waterloo Station, so like an air raid shelte…
I’ve always been squeamish about needles. And I’m not much better with graphic drug-taking by any other method either. I first saw Harry Gibson’s stage adaptation of Irvine…
I’m pretty certain that my event last night at SOLDIER ON was my largest-ever panel for a post-show Q&A: in total, there were 19 of us, including me. Thank goodness the…
When you hold a post-show Q&A on Mothering Sunday, it’s awfully helpful to have a mother of one of the show’s stars in the cast. (Though I do hope After the Ball cast member …
If an elderly relative in enormous physical pain begged you to help them to die, would you? Would you ever ask the same of someone else? What is a 'decent death'? Should we all have the righ…
I’ve been raving about Julius Caesar to everyone over the past few weeks, and particularly the experience of seeing it in the pit of the staggeringly versatile Bridge Theatre. This sec…
In November 2016, a week after the election of Donald Trump, I chaired a post-show Q&A at Philip Ridley's Tonight with Donny Stixx. That one-man show, which follows a would-be magician w…
What's the point of philosophy? According to Ludwig Wittgenstein, as portrayed in Ron Elisha's moving and thought-provoking two-hander The Soul of Wittgenstein now running at Clapham Omni…
The Jewish story must continue to be told, Sheldon Harnick told me and a packed house at London’s Park Theatre after Tuesday night’s performance of Rothschild & Sons, for whi…
It's natural that your reactions to shows are filtered through the prism of the current social and political climate. And savvy theatres, of course, seek to judge the mood and programme acco…
What an incredibly brave, brilliant and inspiring woman Iris Chang was. What an unimaginably horrific atrocity the Nanking Massacre was. How ashamed I am to have known next to nothing about …
I feel incredibly privileged to have been “in the room where it happens” to see the European premiere of HAMILTON last night at the West End’s Victoria Palace T…
Does this count as a vlogmas? Probably not, but here’s my attempt at a theatre diary vlog in any case, which includes two Christmas shows! The emphasis is on Off-West End musicals I…
Another fascinating rediscovery from Troupe Theatre. J.M. Barrie is best known, of course, for Peter Pan (and there are no shortage of revivals and spin-offs of that around Theatreland at th…
Three Off-West End musicals I’ve seen in the past few weeks – well, two musicals and a play with music – have served up slices of modern history to entertaining effect. The…
It was a packed house – including many therapy professionals – for last night’s performance of Matthew Campling‘s new play The Secondary Victim at the Park Theatre. W…
A cheeky Twitter follower (yes, I’m talking about you Johnny Fox) requested that I ask the three stars of Patrick Marber‘s locker room drama The Red Lion – Stephen Tompk…
Understandably, as theatremakers and audiences try to make sense of our turbulent times, political plays are de rigueur – and it’s not just ones written by James Graham either.Â…
Can we love someone whose belief system we fundamentally disagree with? If we love someone, can we denounce what we believe just to please them? Family and faith compete in thoughtful thr…
How much can a landscape shape a person’s identity? How much can a landscape shape a play’s plot? In answer to the latter question, in the case of Elizabeth Kuti’s Fi…
I can’t get out of my mind the idea of touring two new, one-act plays I’ve seen recently – Jane Upton‘s All The Little Lights and Kieran Knowles‘ 31 Hours…
